Archive
Under-the-Radar Round Up 2020, Part I
With the COVID-19 Coronavirus having decimated the 2020 theatrical movie schedule, as well as the general mood of the world, good music is more important than ever when it comes to getting us all through these difficult times. As such (and as I did last year under much different circumstances) I am very pleased to present the latest installment in my ongoing series of articles looking at the best “under the radar” scores from around the world – this time concentrating on the first quarter of 2020!
The titles include romantic comedies from both China and Vietnam, children’s fantasy films from both Germany and France, a serious drama from Japan, a period murder-mystery from Australia, and a children’s adventure from the Netherlands. I heartily recommend all of these scores to anyone who needs some outstanding film music to ease them though their quarantine period! Read more…
Best Scores of 2015 – Asia
The sixth and final installment in my series of articles looking at the best “under the radar” scores from around the world concentrates on music from films from Asia, although all of main ones this year are from the far eastern nation of Japan, with a couple of interlopers from Iran and the Lebanon. In this article, I’m taking a deeper look at several truly excellent works, which range in scope from anime movies and prestigious TV series to fantasy adventures, small-scale dramas, and religious epics. Read more…
RED CLIFF – Tarô Iwashiro
Original Review by Jonathan Broxton
An epic historical Chinese action-adventure directed by the legendary John Woo, Red Cliff stars Tony Leung, Takeshi Kaneshiro, Zhang Fengyi, Chang Chen and Zhao Wei and, with an estimated budget of US$80 million, is the most expensive Chinese ever made. It tells – on an enormous scale – the essentially true story of the fall of the Han dynasty at the end of the second century AD; specifically, it follows the machinations of different political leaders and military strategists from various ancient Chinese kingdoms, all of whom want to inherit the power that would come with the unification of the country in the aftermath of enormous Battle of Red Cliff, in which a million soldiers fought.
Having spent millions on lavish costumes, staggering production design, and a literal cast of thousand, Woo chose Japanese composer Tarô Iwashiro to compose his film’s sprawling score. Read more…
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