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Walter Scharf, 1910-2003
Composer, arranger and conductor Walter Scharf died at his home in Brentwood, Los Angeles, on February 24, 2003, at the age of 92, from heart failure.
One of Hollywood’s most versatile musical craftsmen, Scharf worked on more than 250 film and television productions during a career spanning more than half a century. His credits ranged from Hans Christian Andersen, Funny Girl and Willy Wonka & the Chocolate Factory to The Nutty Professor, Ben and the documentaries of Jacques Cousteau, earning him ten Academy Award nominations, an Emmy and a Golden Globe.
Walter Scharf was born in Manhattan, New York City, on August 1, 1910. His mother, Bessie Zwerling, was a performer in the Yiddish theatre, giving him an early introduction to show business. After studying at New York University he entered professional music as a pianist, arranger and orchestrator, working on Broadway productions including George Gershwin’s Girl Crazy and accompanying singer Helen Morgan. He later joined Rudy Vallée as pianist and arranger.
Scharf moved to Hollywood in 1934 and quickly became part of the studio music establishment, arranging for performers including Al Jolson, Alice Faye and Bing Crosby. He worked on numerous films without screen credit and helped orchestrate Irving Berlin’s “White Christmas” for Holiday Inn (1942). From 1942 to 1946 he served as music director at Republic Pictures, where his ability to compose, arrange and conduct made him invaluable on productions requiring large amounts of music on demanding schedules. Read more…
THE ONE & ONLY – Gabriel Yared
Original Review by Jonathan Broxton
Think of Gabriel Yared, and you would probably automatically think of the lush strings, high dramatics and gut-wrenching melodies heard in scores such as City of Angels, Message in a Bottle and the Oscar-winning The English Patient. The French/Lebanese composer has made a profitable, and successful, Hollywood career scoring cinematic tear-jerkers and heartbreakers in this manner, which makes his work here all the more unexpected – a) because it’s a million miles removed from that style of scoring and, b) because on the whole, its awful. Read more…
GODS AND GENERALS – John Frizzell, Randy Edelman
Original Review by Jonathan Broxton
After the massive success of Randy Edelman’s Gettysburg score in 1993, it was only natural that he should be involved in the music for the sequel. However, whereas most of the music in Gettysburg made surprisingly good use of an anachronistic synthesiser and string amalgam, the music for Gods and Generals is more traditionally orchestral, employing powerful instrumental and choral forces without anything remotely electronic to be heard. The most surprising – and pleasing – thing about it is that it was written by John Frizzell, who is enjoying something of a career renaissance with what is easily his most high-profile and accomplished score since Alien Resurrection. Rather than being an actual sequel to Gettysburg, Gods and Generals actually covers much of the same ground, but from different perspectives and points of view, notably that of the legendary General Thomas “Stonewall” Jackson (Stephen Lang) and the events of 1861-1863, leading up to the legendary battle at Gettysburg. Gods and Generals is directed by Robert F. Maxwell, from the book by Jeff Shaara, features a star-studded supporting cast including Jeff Daniels, Mira Sorvino, Kevin Conway, Bill Campbell, and Robert Duvall as General Robert E. Lee, and clocks in at a staggering 3 hours 40 minutes running time. Read more…
DAREDEVIL – Graeme Revell
Original Review by Peter Simons
In many ways, 2003 has become the year of the comic book revival, with movies inspired by characters including The Incredible Hulk, the X-Men and even The League of Extraordinary Gentlemen hitting cinema screen’s throughout the year. Stan Lee’s Daredevil is another to add to this list. Directed by Mark Steven Johnson, whose previous movies include the syrupy drama Simon Birch, and whose screenplay credits include Jack Frost and the Grumpy Old men films, Daredevil tells the tale of attorney Matt Murdock (Ben Affleck), blinded by toxic waste as a child, whose lack of sight increases his remaining senses to such an extent that he find he has the ability to become a superhero and fight crime. Before long, Murdock finds himself up against New York’s number one crime lord The Kingpin (Michael Clarke Duncan) and his newest apprentice Bullseye (Colin Farrell) – and crossing paths with the sexy, leather-clad Elektra (Jennifer Garner), who has an agenda of her own. A triumph of style and atmosphere over plot and performance, director Johnson said he wanted to make a movie similar to The Crow – which he lists as one of his favourite films – in both look and feel. Unsurprisingly, given this fact, he turned to Graeme Revell for the music. Read more…
Academy Award Nominations 2002
The Academy of Motion Picture Arts and Sciences (AMPAS) have announced the nominations for the 75th Academy Awards, honoring the best in film in 2002.
In the Best Original Score category, the nominees are:
- ELMER BERNSTEIN for Far from Heaven
- PHILIP GLASS for The Hours
- ELLIOT GOLDENTHAL for Frida
- THOMAS NEWMAN for Road to Perdition
- JOHN WILLIAMS for Catch Me If You Can
This is the 10th Oscar nomination for Bernstein, the 2nd nomination for Glass, the 3rd nomination for Goldenthal, the 5th nomination for Newman, and the 37th nomination for Williams, Bernstein previously won for Thoroughly Modern Millie in 1967. Williams previously won for Fiddler on the Roof in 1971, Jaws in 1975, Star Wars in 1977, E.T. the Extra Terrestrial in 1982, and Schindler’s List in 1993.
In the Best Original Song category, the nominees are:
- ELLIOT GOLDENTHAL and JULIE TAYMOR for “Burn It Blue” from Frida
- PAUL HEWSON (BONO), DAVID EVANS (THE EDGE), ADAM CLAYTON, and LARRY MULLEN for “The Hands That Built America” from Gangs of New York
- JOHN KANDER and FRED EBB for “I Move On” from Chicago
- MARSHALL MATHERS III (EMINEM), JEFF BASS, and LUIS RESTO for “Lose Yourself” from 8 Mile
- PAUL SIMON for “Father and Daughter” from The Wild Thornberrys Movie
The winners of the 75th Academy Awards will be announced on March 23, 2003.
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