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Posts Tagged ‘Film Score’

SEA OF LOVE – Trevor Jones

August 15, 2019 Leave a comment

THROWBACK THIRTY

Original Review byJonathan Broxton

Sea of Love was a slightly sordid murder-mystery thriller directed by Harold Becker. Al Pacino stars as Frank Keller, a burned-out alcoholic New York City police detective who finds himself involved in the case of a serial killer, who finds victims through the singles column in a newspaper. As the bodies rack up and the investigation continues, Keller meets Helen (Ellen Barkin), the sexy manager of an upscale shoe store, who he meets on the job during a sting operation to identify potential suspects. Against his better judgment Keller embarks on a relationship with Helen – until the evidence begins to support the idea that Helen is the killer. The film co-starred John Goodman and Michael Rooker and was a box office success; critically, it was favorably compared with similar movies like Body Heat and Jagged Edge, and now fits comfortably into the ‘femme fatale’ genre that also includes movies like Basic Instinct. By the way, the title of the film is a reference to the 1959 song of the same name by Phil Phillips with the Twilights; the killer has a calling card where a 45RPM LP of the song is left playing in the victim’s home after the crime. Read more…

DORA AND THE LOST CITY OF GOLD – John Debney and Germaine Franco

August 14, 2019 Leave a comment

Original Review by Jonathan Broxton

Little Dora Márquez has been charming young children for almost 20 years as part of her immensely popular Nickelodeon TV series Dora the Explorer. Dora, an animated seven-year-old Latina girl, gets into numerous adventures over the course of the series, accompanied by her faithful monkey friend Boots, and in the process teaches kids geography, mathematics, problem solving, and basic Spanish language skills. Dora has been translated into dozens of languages and has been broadcast all over the world, but now she makes her big-screen debut in this new film, Dora and the Lost City of Gold, from director James Bobin. In it, Dora has been re-imagined as a precocious but socially awkward teenager who – after spending most of her life growing up in the jungle with her adventurous parents – is sent to attend an urban high school. However, when her parents go missing, Dora enlists several of her new high school pals to help her solve the mysteries of an ancient Incan civilization, and save her family. The film stars Isabela Moner in the title role, and features Eugenio Derbez, Michael Peña, and Eva Longoria in the supporting cast. Read more…

Under-the-Radar Round Up 2019, Part II

August 10, 2019 Leave a comment

As I have done for the past several years, I am pleased to present the second installment in my ongoing series of articles looking at the best “under the radar” scores from around the world. Rather than grouping the scores on a geographical basis, this year I decided to again simply present the scores in a random order, and so this second batch includes reviews of five more disparate scores from the first six months of the year – including a German apocalyptic drama, an Australian horror movie, a Spanish animated film about a surrealist filmmaker, a French drama about religion and pig farming, and a sweeping romance set in the German film industry in the 1960s! Read more…

THE PACKAGE – James Newton Howard

August 8, 2019 Leave a comment

THROWBACK THIRTY

Original Review by Jonathan Broxton

The Package was an enjoyably tense political action-thriller directed by Andrew Davis from a screenplay by John Bishop. Gene Hackman stars as a US Special Forces army sergeant named Gallagher who is tasked with transporting a deserter named Boyette, played by Tommy Lee Jones, from West Berlin to the United States to stand trial. However, Boyette escapes en-route, and Gallagher quickly finds that he is being used as a pawn in a larger conspiracy: to assassinate the president of the Soviet Union and ultimately stop a disarmament treaty between the United States and the Soviets from being signed. The film co-starred Joanna Cassidy, John Heard, Dennis Franz, and Pam Grier, and was in many ways a dry-run for The Fugitive, which director Davis would make four years later with many of the same cast and crew. The Package has many of the same plot points as The Fugitive – a prisoner who escapes from custody, action sequences in Chicago, a dogged and righteous law enforcement operative tracking him down – which makes it an interesting comparison piece to Davis’s great, Oscar-winning classic. Read more…

THE ABYSS – Alan Silvestri

August 1, 2019 Leave a comment

THROWBACK THIRTY

Original Review byJonathan Broxton

The third and best of 1989’s claustrophobic underwater action thrillers, The Abyss was director James Cameron’s long-awaited follow up to Aliens. It stars Ed Harris and Mary Elizabeth Mastrantonio as Bud and Lindsey Brigman, an estranged husband-and-wife who work on a hi-tech underwater oil drilling platform which sits along the lip of a massive marine trench deep beneath the Caribbean Sea. When a military submarine sinks in mysterious circumstances near the platform, the government sends a team of Navy SEALS in to investigate, using the platform as a base of operations. There is immediate tension between the rough-and-ready oil drillers and the aggressive and testosterone-fuelled soldiers, and this is exacerbated even more when they encounter a mysterious creature that can seemingly manipulate and control water. The film co-starred Michael Biehn, J. C. Quinn, and Leo Burmester, and was both a critical success and a box office hit; it received special attention for its then-groundbreaking use of CGI special effects, which won its creative team an Academy Award. However, the film production itself was notoriously troubled; the shoot went massively over-budget, and the actors were subjected to near-torturous conditions by Cameron, who made them spend literally hours on end in freezing cold underwater temperatures. Cameron also spent a great deal of time editing the film, removing whole swathes of footage to try to create a more coherent cut, including the original ending which featured enormous special FX shots of tsunamis (although much of this was restored in a subsequent director’s cut). Read more…

DOMINO – Pino Donaggio

July 31, 2019 1 comment

Original Review by Jonathan Broxton

Once upon a time, Brian de Palma was one of the most respected directors in Hollywood. From the late 1970s, all the way up through the mid 1990s, he made a series of critically acclaimed and commercially successful dramas, action movies, and thrillers, many of which starred the most popular box office draws of the day. Films like Obsession, Carrie, The Fury, Dressed to Kill, Scarface, Body Double, The Untouchables, Carlito’s Way, Mission Impossible. These films won Oscars, and took home prestigious trophies from film festivals in Berlin and Venice. However, recently, the luster has begun to wear off of De Palma’s career; he hasn’t directed a real box office success since 1996, and with each successive film dropping further and further down the prestige pecking order, he now finds himself consigned to making films like this one – Domino – a terrorism-themed thriller which apparently had its budget slashed during filming, and was edited against the director’s wishes during post-production to such an extent that the finished product barely makes sense. The film, such as it is, stars Nikolaj Coster-Waldau from Game of Thrones as a detective from Denmark seeking vengeance for the murder of his partner, apparently at the hands of an ISIS militant. Although he can clearly still attract top notch casts to work with – Domino co-stars Guy Pearce and Carice van Houten – De Palma’s work here has been critically mauled, and has suffered the further ignominy of being consigned to ‘straight to streaming’ VOD services. How the mighty have fallen. Read more…

THE LION KING – Hans Zimmer

July 26, 2019 1 comment

Original Review by Jonathan Broxton

Nants ingonyama bagithi baba! Sithi q!uhm, ingonyama. Nants ingonyama bagithi baba! Sithi q!uhm, ingonyama; Siyo n!qoba; Ingonyama nengw’enamabala, ingonyama nengw’enamabala…

When Lebo M’s plaintive cry in his native Zulu rang out across the savannah, informing the animals of the plain that a newborn lion, destined for greatness, had been born, one of the most memorable moments in film music history was born along with him. The Lion King, originally directed by Roger Allers and Rob Minkoff, did pretty brisk business at the box office when it was released in the summer of 1994, raking in almost $1 billion at the global box office, and quickly becoming an enormous cultural phenomenon too. The film spawned a massively successful stage show that ran for many years on Broadway, several animated spinoffs, and single-handedly introduced the phrase ‘hakuna matata’ into the American lexicon. With Disney in the middle of making live-action versions of several of their classic animated films – we have already had Beauty and the Beast and Aladdin, among others – it stands to reason that The Lion King would be in line for the same treatment, given the improvements in digital computer technology since the original was released. Read more…