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Posts Tagged ‘Film Score’

A FEW GOOD MEN – Marc Shaiman

November 23, 2022 Leave a comment

THROWBACK THIRTY

Original Review by Jonathan Broxton

I have always viewed A Few Good Men as one of the best legal drama-thrillers of the 1990s. It’s a richly detailed, wonderfully written, dazzlingly acted exposé of a part of the US military, based on the acclaimed stage play by Aaron Sorkin, directed by Rob Reiner. The film stars Tom Cruise at the height of his movie star fame, playing Daniel Kaffee, a military lawyer in the US Navy, whose reputation for juvenile antics and easy plea bargaining has made him something of a joke among his peers. Things change for Kaffee when he is hired to defend two Marines accused of killing a fellow soldier on the base at Guantanamo Bay. Kaffee’s appointment angers his reluctant co-counsel, Joanne Galloway (Demi Moore), who thinks that there is more to the case than meets the eye, and is concerned that Kaffee’s blasé approach will derail the defense. As they dig more deeply into the circumstances surrounding the marine’s death, they find themselves at loggerheads with Nathan Jessup (a phenomenal Jack Nicholson), the colonel in charge of the Guantanamo unit, a feared and respected career soldier with unorthodox methods of maintaining discipline. Read more…

THE FABELMANS – John Williams

November 22, 2022 Leave a comment

Original Review by Jonathan Broxton

At some point in the fall of 1973 a young 27-year-old filmmaker named Steven Spielberg was entering post-production on his second major film, The Sugarland Express, and was introduced to composer John Williams. Williams was the hot young composer in Hollywood – he had already been nominated for six Academy Awards at this point in his career, winning for Fiddler on the Roof in 1972, and had just scored the smash hit The Poseidon Adventure – and the two got on like a house on fire. The Sugarland Express was the first of their collaborations, and over the course of the next fifty years or so they would work together on more than 30 film and television projects, resulting in some of the most iconic and beloved scores in film music history: Jaws, Close Encounters of the Third Kind, Raiders of the Lost Ark and its sequels, E.T. the Extra-Terrestrial, Jurassic Park, Schindler’s List, Saving Private Ryan… the list goes on and on. Steven Spielberg is now 75 years old, and John Williams is now 90, and if the stories in the press are true, Spielberg’s new film The Fabelmans will be their last collaboration together. Read more…

THE FALL OF BERLIN – Dmitri Shostakovich

November 21, 2022 Leave a comment

GREATEST SCORES OF THE TWENTIETH CENTURY

Original Review by Craig Lysy

The Fall of Berlin was conceived by director Michail Chiaureli as a two-part documentary that would offer a propagandist cult of personality homage to the Supreme Leader Josef Stalin as a 70th birthday present. A pamphlet distributed with the film’s release reveals its intent, stating: “It is a moving picture in which great feelings of patriotism are assembled in an epic of the people’s common struggle for freedom, independence, and for happiness… through realistic and faithful pictures in which the Soviet man is shown in his unfailing union with the Great Leader of the People”. Chiaureli and Pyotyr Andreyevitch Pavlenko collaborated on the writing the screenplay, and secured approval from the Ministry of Cinema. Mosfilm would manage production and a fine cast was assembled, including; Miheil Gelovani as Josef Stalin, Boris Andreyev as Alexsei Ivanov, Yury Tymoshenko as Kostya Zaichenko, Marina Kovalyova and as Nayasha Rumyantseva. Read more…

ALADDIN – Alan Menken

November 17, 2022 Leave a comment

THROWBACK THIRTY

Original Review by Jonathan Broxton

The enormous success of Beauty and the Beast in 1991 ushered in what is now commonly known as the Disney Renaissance, which brought to an end a period of comparative creative and commercial failure for mouse house, and initiated what was quicky became a decade of constant growth and acclaim. Lyricist Howard Ashman, who had been a major part of Beauty and the Beast’s success alongside his composing partner Alan Menken, had also been working on a draft treatment for a potential Aladdin movie, based on the Arabic folktale of the same name from the One Thousand and One Nights, and the screenplay went through three drafts before then-Disney Studios president Jeffrey Katzenberg agreed to its production. The finished film is now one of the most beloved animated films of all time; it tells the story of street urchin Aladdin, who finds a magical lamp hidden in a cave and inadvertently releases from it a powerful genie who can grant him three wishes. Aladdin wishes to be a rich prince to that he can court the beautiful Princess Jasmine, the daughter of the sultan, but in doing so falls foul of Jafar, the sultan’s vizier advisor, who covets the power of the lamp for himself. Read more…

BLACK PANTHER: WAKANDA FOREVER – Ludwig Göransson

November 15, 2022 Leave a comment

Original Review by Jonathan Broxton

WARNING: THIS REVIEW CONTAINS PLOT SPOILERS. IF YOU HAVE NOT YET SEEN THE SHOW, YOU MIGHT WANT TO CONSIDER WAITING UNTIL AFTER YOU HAVE DONE SO TO READ IT.

The death of actor Chadwick Boseman in August 2020 resulted in an outpouring of grief and affection from the entire Hollywood community, but also necessitated wholesale changes to Black Panther: Wakanda Forever, the planned sequel to the 2018 blockbuster Marvel superhero film Black Panther, which was already in pre-production at the time of Boseman’s death. With the film’s lead gone, director Ryan Coogler, along with co-screenwriter Joe Robert Cole, re-fashioned the film to be not only a fun and interesting superhero action film, but also a surprisingly poignant meditation on death, grief, and legacy; despite not being there in person, Boseman’s presence weighs heavy on the film, giving it a depth and meaning that most films of this type do not contain. In terms of plot, Wakanda Forever sees Shuri, the younger sister of King T’Challa, having to step up and be a leader in her own right when her country comes under attack from a mysterious race of people seemingly descended from ancient Mayans, and who have a powerful leader of their own. The film has a groundbreaking headline cast made up almost entirely of black women – Letitia Wright, Lupita Nyong’o, Danai Gurira, Florence Kasumba, Dominique Thorne, Michaela Coel, Angela Bassett – with Winston Duke, Tenoch Huerta, Martin Freeman, and Julia Louis-Dreyfus in key supporting roles. Read more…

CINDERELLA – Oliver Wallace and Paul J. Smith

November 14, 2022 Leave a comment

GREATEST SCORES OF THE TWENTIETH CENTURY

Original Review by Craig Lysy

Walt Disney and his beloved studio had not achieved a commercial triumph since “Snow White and the Seven Dwarfs thirteen years earlier. He was $4 million in debt and tittering on bankruptcy. He threw caution to the wind with a gamble that would either save the company, or end it; he would adapt the story “Cinderella”, a universal transcultural tale told by many throughout time beginning with Strabo in 7 B.C.E. Disney selected the French version of the tale by author Charles Perrault, and personally took charge of production with a $2.2 million budget, which ultimately swelled to $3.0 million. A team of eight animators was assembled, ten writers overseen by Ben Sharpsteen would write the screenplay, and the trio of Clyde Geronimi, Hamilton Luske and Wilfred Jackson would direct. The voice cast would consist of Ilene Woods as Cinderella, Eleanor Audley as Lady Tremaine, Verna Felton as the Fairy Godmother, and William Edward Phipps as Prince Charming. Read more…

THE BODYGUARD – Alan Silvestri

November 10, 2022 1 comment

THROWBACK THIRTY

Original Review by Jonathan Broxton

If you listened to popular music on the radio, or watched TV, at any point in 1992, then you will have found it impossible to escape the pervasive reach of “I Will Always Love You,” singer Whitney Houston’s cover of the classic 1973 Dolly Parton song. “I Will Always Love You” was being used in the soundtrack of Houston’s debut film as a leading actress, The Bodyguard, and it was everywhere that summer. It went on to break numerous chart records for sales and staying power – it won the Grammy for Record of the Year and Best Pop Vocal Performance (Female) – while the Bodyguard soundtrack album itself went on to win the Grammy Award for Album of the Year, ultimately becoming the best-selling soundtrack album of all-time, the best-selling album by a woman in music history, and the best-selling album of the entire 1990s decade. Overlooked in all of this hoopla and success is the film’s score, which was written by Alan Silvestri – something which I intend to correct here. Read more…

PRINCE OF FOXES – Alfred Newman

November 7, 2022 Leave a comment

GREATEST SCORES OF THE TWENTIETH CENTURY

Original Review by Craig Lysy

In 1948 20th Century Fox studio executive Darryl F. Zanuck sought to recapture the box office success of Captain of Castile with the latest best-selling novel from author Samuel Shellabarger, Prince of Foxes. Zanuck purchased the film rights for $200,000 and envisioned studio star Tyrone Power in the lead role. Sol Siegel was assigned production, Milton Krims was hired to write the screenplay, and Henry King was tasked with directing. To create an old-world feel, Zanuck sent teams to Italy for filming in a number of palaces and gardens, which would be very expensive, ballooning the budget to over $4 million. To offset the projected costs, he made the creative decision to film in black and white, a decision opposed by King, and one he in hindsight regretted. The cast would include Tyrone Power as Andrea Orsini, Orson Welles as Caesare Borgia, Wanda Hendrix as Camila Verano, Marina Berti as Angela Borgia, and Everett Sloane as Mario Belli. Read more…

JENNIFER 8 – Christopher Young

November 3, 2022 Leave a comment

THROWBACK THIRTY

Original Review by Jonathan Broxton

Jennifer 8 was one of a series of very good serial killer thrillers released in cinemas in the aftermath of The Silence of the Lambs. Written and directed by Englishman Bruce Robinson – a world away from Withnail & I – it stars Andy Garcia as cop John Berlin, who takes a job with a rural police force in northern California after becoming burnt out on the job in Los Angeles. Before long Berlin finds himself embroiled in a new mystery when he finds evidence of a serial killer apparently targeting blind women; this brings him into contact with visually impaired music teacher Helena Robertson (Uma Thurman), who is a likely candidate to be the killer’s next victim. The film co-starred Lance Henriksen, Kathy Baker, Graham Beckel, and John Malkovich, and was a reasonable critical success, but it flopped badly at the box office; director Robinson’s Hollywood career nose-dived as a result, and his only film since then was The Rum Diary in 2011. Read more…

TILL – Abel Korzeniowski

November 2, 2022 Leave a comment

Original Review by Jonathan Broxton

In the summer of 1955 Emmett Till, a 14-year-old African American boy from Chicago, traveled by train to visit some family members in northern Mississippi. Not long after he arrived young Emmett was brutally murdered – lynched and mutilated – by a gang of white men who thought that he had ‘behaved inappropriately’ around a white woman, thereby violating the racist social norms of the time and place. The appallingly violent manner of Emmett’s death, and the horrific racism that surrounded it, was compounded by the fact that the men – who never denied killing him – were later acquitted by an all-white jury. Back in Chicago, Emmett’s brave mother Mamie insisted on having an open-casket funeral for her son, to show the world what had happened to him. Along with Rosa Parks’s bus protest, and the subsequent work of leaders like Martin Luther King, Emmett Till’s life and death became one of the defining moments of the civil rights movement. This new film, directed by Chinonye Chukwu, tells the true story from Mamie’s point of view; it stars Danielle Deadwyler as Mamie and Jalyn Hall as Emmett, alongside supporting actors Frankie Faison, Haley Bennett, and Whoopi Goldberg. Read more…

JOAN OF ARC – Hugo Friedhofer

October 31, 2022 2 comments

GREATEST SCORES OF THE TWENTIETH CENTURY

Original Review by Craig Lysy

The impetus of the film lay with actress Ingrid Bergman who had been lobbying Hollywood for years to make the film with her in the titular role. Well, she finally secured backing by Sierra Pictures, which was created by producer Nick Meyer specifically for this film. RKO joined, Walter Wanger was assigned production, and a budget of $4.7 million was provided. Maxwell Anderson and Andrew Solt were tasked with adapting Anderson’s Broadway play “Joan of Lorraine” for the screenplay, and Victor Fleming took the reins to direct. A fine cast was assembled to support Bergman in the titular role, including; José Ferrer as the Dauphin, Charles VII, Selena Royle as Isabelle d’Arc, Robert Barrat as Jacques d’Arc, Jimmy Lyndon as Pierre d’Arc, Rand Brooks as Jean d’Arc, Frederick Worlock as John, Duke of Bedford, Colin Kieth-Johnston as Philip, Duke of Burgundy, Francis L. Sullivan as Bishop Chaucon, and Shepperd Strudwick as Father Massieu. Read more…

INDOCHINE – Patrick Doyle

October 27, 2022 Leave a comment

THROWBACK THIRTY

Original Review by Jonathan Broxton

One of the most critically acclaimed French films of the 1990s was director Régis Wargnier’s Indochine, a sprawling and epic romantic drama set against the backdrop of the last days of French colonialism in South-East Asia in the 1930s and 40s. The film stars screen legend Catherine Deneuve as Éliane Devries, the owner of a large rubber plantation in Vietnam, whose adopted daughter Camille (Linh Dan Pham) is a member of the noble Nguyen Dynasty, which ruled the country prior to French colonization. Both Éliane and Camille live a life of wealth and blasé privilege, but things begin to change when they independently meet and fall in love with Jean-Baptiste (Vincent Pérez), a dashing lieutenant in the French navy. The fallout from this love triangle begins to tear the family apart, and eventually results in Camille becoming involved with a group of Vietnamese communist revolutionaries who dream of independence for the country. The film was a massive domestic success, winning five César Awards (and being nominated for a further seven), while also winning the Oscar for Best Foreign Language Film in 1992. Read more…

BLACK ADAM – Lorne Balfe

October 25, 2022 1 comment

Original Review by Jonathan Broxton

The latest comic book super hero film in the DC Extended Universe is Black Adam, directed by Jaume Collet-Serra, starring Dwayne Johnson, Aldis Hodge, Sarah Shahi, Bodhi Sabongui, and Pierce Brosnan. Johnson stars as the titular character, a man from the city of Kahndaq circa 2500 BC, who helps lead a rebellion against a tyrannical king, and is endowed with magical powers by the Council of Wizards (the same wizards who gave similar powers to Shazam in another DC film). Thousands of years later Adam is brought back to life by an archaeologist who believes he can help defeat the oppressive regime currently ruling present-day Kahndaq; however, Adam’s new presence in the modern world catches the attention of the Justice Society of America (which is, apparently, different from the Justice League), and a team led by super-heroes Hawkman and Doctor Fate is dispatched to Kahndaq to determine whether Adam is a friend or a foe. The film has some potentially interesting things to say about the nature of heroism, and has some fun depicting a contemporary north African culture not usually explored in films like this, but by the end it devolves into yet another massive fight sequence between CGI avatars hurling each other through walls… ho hum. Such is the way with most DC films, although this at least does have a vein of humor in it which stops it being so dreary and self-serious. Read more…

OLIVER TWIST – Arnold Bax

October 24, 2022 Leave a comment

GREATEST SCORES OF THE TWENTIETH CENTURY

Original Review by Craig Lysy

After the success of his Charles Dickens film adaptation Great Expectations in 1946, director David Lean decided to adapt another of Dickens’ novels for his next film – Oliver Twist. He sold his idea to General Film Distributors who agreed to bank roll the film. Lean brought back as much of the same creative team as possible with Ronald Neame and Anthony Havelock-Allan in charge of production. Lean would again direct and he and Stanley Haynes wrote the screenplay. An exceptional cast was assembled, which included; John Howard Davies as Oliver Twist, Alec Guinness as Fagin, Kay Walsh as Nancy, Robert Newton as Bill Sykes, Anthony Newley as the Artful Dodger, and Diana Dors as Charlotte. Read more…

A RIVER RUNS THROUGH IT – Mark Isham

October 20, 2022 Leave a comment

THROWBACK THIRTY

Original Review by Jonathan Broxton

One of the most critically acclaimed films of 1992 was A River Runs Through It, directed by Robert Redford, adapted from the 1976 semi-autobiographical novella by Norman Maclean. The film is set in Montana in the 1920s and stars Craig Sheffer and Brad Pitt as brothers Norman and Paul Maclean, the sons of presbyterian minister John (Tom Skerritt). Norman is serious, studious, and ambitious, where Paul is reckless, habitually drunk, but creative and an excellent journalist. Despite their differences in personality, they bond over their shared love of fly fishing, which they learned from their father fishing in the Blackfoot River as children, and which they often see as a metaphor for life itself. The film follows the brothers through the Prohibition Era up to the beginnings of the Great Depression, their various romances, and society as a whole in that era. The film was praised for its direction, performances, and cinematography, the latter of which won an Oscar for the great Philippe Rousselot; it also received an Oscar nomination for Best Score, the career first for composer Mark Isham. Read more…