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Posts Tagged ‘Film Score’

JUSTICE LEAGUE – Danny Elfman

November 21, 2017 1 comment

Original Review by Jonathan Broxton

The competing comic book franchises of DC and Marvel have arguably hit peak saturation point. Between them they have released 22 movies – 17 from Marvel dating back to Iron Man in 2008, and 5 from DC beginning with Man of Steel in 2013 – and there have been five this year alone: Guardians of the Galaxy 2, Spider-Man: Homecoming, Thor: Ragnarok, Wonder Woman, and now Justice League. This latter film is a direct sequel to 2016’s Batman v Superman: Dawn of Justice, and sees the Batman and Wonder Woman attempting to put together a team of similar super heroes in order to combat the existential threat posed by a powerful alien/god named Steppenwolf, who wants to destroy the Earth in the aftermath of Superman’s death. The film stars Ben Affleck, Gal Gadot, Jason Momoa, Ezra Miller, and Ray Fisher as the five members of the Justice League – Batman, Wonder Woman, Aquaman, The Flash, and Cyborg – with support from Amy Adams, Diane Lane, Connie Nielsen, and J. K. Simmons, among a large ensemble cast. Read more…

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DOCTOR ZHIVAGO – Maurice Jarre

November 20, 2017 Leave a comment

100 GREATEST SCORES OF ALL TIME

Original Review by Craig Lysy

Doctor Zhivago was adapted by screenwriter Robert Bolt from the famous novel written by Boris Pasternak. The original manuscript was smuggled out of the Soviet Union in 1957 and awarded the Nobel Prize for Literature in 1958. Director David Lean recruited a stellar cast for his film that included Omar Shariff as Yuri Zhivago, Geraldine Chaplin as his wife Tonya, Rod Steiger as Viktor Komarovsky, Tom Courtenay as General Pasha Strelnikov, Alec Guinness as Yuri’s half-brother Yevgraf and finally, Julie Christie as Lara Guishar. This timeless and epic film tells the tale of young lovers drawn together by fate, caught in the cruel currents of war, clinging desperately to each other to survive amidst the clash of empires, as they bear witness to a grand romantic age succumbing to a cruel and violent new order. It is a magnificent film of sweeping and poetic grandeur for which I am eternally grateful. The film was a critical success earning 10 Oscar nominations, winning five including Best Score for Jarre. It was also a commercial success earning $112 million, more than sufficient to cover its production costs of 11 million. Read more…

SUBURBICON – Alexandre Desplat

November 17, 2017 Leave a comment

Original Review by Jonathan Broxton

The idea of taking a peek behind the white picket fences of American society is not a new one, but few have taken it as far as director George Clooney in his new film, Suburbicon. It’s a highly stylized, bizarrely comical drama set in the 1950s in a planned community, the epitome of white middle class utopia, a fantasy of manicured lawns and pristine shopping malls. However, things start to change in Suburbicon when a quiet African-American family moves in; despite them doing literally nothing to provoke any sort of reaction, the town erupts into a frenzy of racially-driven anger and violence. Against this backdrop, the story of Gardner Lodge unfolds – to the world, he is a mild-mannered middle class husband and father, but in private his life is falling apart in an increasingly nightmarish spiral of betrayal and murder. The film stars Matt Damon, Julianne Moore, and Oscar Isaac, and was co-written by Clooney and Grant Heslov with Joel and Ethan Coen. Despite this star lineup, the film was roundly panned by critics, who couldn’t fathom its uneven tone, heavy handedness, and odd mix of genres. Read more…

RUSSKIES – James Newton Howard

November 16, 2017 Leave a comment

THROWBACK THIRTY

Original Review by Jonathan Broxton

One of my favorite things about the Throwback Thirty series is the opportunity it gives me to take a look back at the very beginnings of certain composers’ careers, and examine how they started and where they came from. In 1987 James Newton Howard was still very new to the film scoring world. After studying at the Music Academy of the West in Santa Barbara, and at the University of Southern California, he started out as a session musician for various pop artists, which eventually led to him touring with Elton John as a keyboardist during the late 1970s and early 1980s. He arranged the strings for several of John’s most popular songs of the period, and subsequent collaborations with pop artists such as Cher, Bob Seger, Randy Newman, and Olivia Newton-John, led to him becoming one of the most sought-after arrangers in the music business. The film world started calling Howard’s name in 1985 when he was asked to score director Ken Finkleman’s comedy Head Office; he enjoyed some minor box office success in 1986 with the Goldie Hawn vehicle Wildcats, and the Burt Lancaster/Kirk Douglas comedy Tough Guys, but it was not until the end of 1987 that he would score a film that also had an accompanying score album released at the same time. Read more…

COCO – Michael Giacchino

November 14, 2017 Leave a comment

Original Review by Jonathan Broxton

Coco is a beautiful animated film from Disney and Pixar centered around the traditional Mexican holiday of Día de Muertos, the Day of the Dead. The story centers around a young boy named Miguel Rivera, an aspiring musician who idolizes Ernesto de la Cruz, a popular singer/songwriter and film star, who died years previously. Unfortunately, Miguel’s family despises music because his great-great grandfather abandoned his family to achieve his musical dreams. On the Day of the Dead, Miguel plans to enter a talent contest in order to convince his family of his love of music, but things go awry, and circumstances contrive in such a way that Miguel finds himself ‘crossed over’ from the land of the living to the spirit world – not dead, but unable to return home without help. After reuniting with long-deceased members of his family, and meeting with an insouciant rogue named Hector who agrees to be his guide, Miguel embarks on an epic adventure in the Land of the Dead in a desperate attempt to cross back to the human world before time runs out and he is stuck in the afterlife forever. The film is a wonderful amalgam of music, emotion, humor, excitement, and staggeringly beautiful visuals; it’s directed by Lee Unkrich and Adrian Molina, and features the voices of Anthony Gonzalez, Gael García Bernal, and Benjamin Bratt. Read more…

GOLDFINGER – John Barry

November 13, 2017 Leave a comment

100 GREATEST SCORES OF ALL TIME

Original Review by Craig Lysy

Producers Albert Broccoli and Harry Saltzman wished to capitalize on the burgeoning success of the Bond franchise, but could not proceed with the next installment “Thunderball” due to ongoing litigation between Ian Fleming and Kevin McClory over screenplay rights. As such they decided to move forward with Fleming’s next novel, Goldfinger. Guy Hamilton would return as director and was rewarded with a budget, which exceeded that of the first two Bond films combined. A fine cast was assembled, but not without significant challenges. Orson Welles was approached for the role of Auric Goldfinger, but his salary demands were too high. As such they brought in German actor Gert Frobe to play the titular role, but his poor English necessitated dubbing his lines. Sean Connery returned to reprise his role as James Bond with Honor Blackman joining as Pussy Galore, Shirley Eaton as Jill Masterson, Harold Sakata as Oddjob, Bernard Lee as Department Head M, Cec Linder as CIA liaison Felix Leiter, and Desmond Llewelyn as Q. Read more…

MURDER ON THE ORIENT EXPRESS – Patrick Doyle

November 10, 2017 2 comments

Original Review by Jonathan Broxton

The concept of the ‘whodunit’ in contemporary literature was essentially invented by British author Agatha Christie, who during her lifetime wrote more than 50 detective stories and mysteries. Possibly her most famous work was the 1934 novel Murder on the Orient Express, which features as its protagonist one of her most beloved creations, the Belgian detective Hercule Poirot. Without giving too much of the plot away, the story unfolds as Poirot is traveling from Istanbul to London on the famous eponymous train. A passenger is murdered in his cabin, and Poirot is implored by the train’s director to help solve the case. With the train stuck in a snowdrift, Poirot has time to investigate each of the other passengers in the first class compartment where the murder took place, and slowly develops a theory linking the murder to the abduction and subsequent death of a wealthy child heiress several years previously. This is the second big screen adaptation of the story, after Sidney Lumet’s 1974 film; it was directed by Kenneth Branagh, who himself plays Poirot, and has an all-star supporting cast that includes Penelope Cruz, Willem Dafoe, Johnny Depp, Judi Dench, Josh Gad, Michelle Pfeiffer, and Daisy Ridley. Read more…