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Posts Tagged ‘Jerry Goldsmith’

THE OMEN – Jerry Goldsmith

April 16, 2018 Leave a comment

theomen100 GREATEST SCORES OF ALL TIME

Original Review by Craig Lysy

Bob Munger, a friend of Producer Harvey Bernhard of 20th Century Fox, suggested that he consider making a supernatural horror drama based on the anti-christ of the apocalypse. Bernhard was intrigued by the idea, and hired screenwriter David Seltzer to come up with a story, who exceeded Bernhard’s expectations and delivered a classic story. Richard Donner was hired to direct and he assembled a stellar cast, which included Gregory Peck as Ambassador Robert Thorn, Lee Remick as his wife Katherine, David Warner as photographer Keith Jennings, Billie Whitelaw as the sinister Mrs. Baylock, Patrick Troughton as Father Brennan, and young Harvey Stephens as Damien Thorn, he young boy at the center of the narrative. Read more…

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CHINATOWN – Jerry Goldsmith

March 26, 2018 1 comment

chinatown100 GREATEST SCORES OF ALL TIME

Original Review by Craig Lysy

Producer Robert Evans of Paramount Studio was determined to bring F. Scott Fitzgerald’s literary classic, The Great Gatsby (1925) to the big screen. He hired trusted screenplay writer Robert Towne for $175,000 to write the script. Towne however had a different ambition and managed to convince Evans to take on his own 1930’s detective mystery thriller titled “Water and Power” for $25,000. Well, Evans liked the script saw opportunity, and so moved forward with production. He greatly enjoyed his collaboration with Roman Polanski with Rosemary’s Baby (1968), and so brought him in to direct. They assembled a fine cast, which included Jack Nicholson as detective J.J. “Jake” Gittes, Faye Dunaway as Evelyn Cross Mulwray, John Huston as Noah Cross, John Hillerman as Russ Yelburton, Perry Lopez as Lieutenant Lou Escobar, and Darrell Zwerling as Hollis Mulwray. Read more…

PATTON – Jerry Goldsmith

March 12, 2018 Leave a comment

patton100 GREATEST SCORES OF ALL TIME

Original Review by Craig Lysy

A Patton biopic film was first conceived by Frank McCarthy, a retired general working as a producer for 20th Century Fox in the 1950s. After selling the concept to Studio Executive Richard Zanuck, a screenplay was commissioned that resulted in two incarnations, one by Francis Ford Coppola and another by Edmund H. North. Over time these two screenplays were eventually merged into a single version. Both efforts drew inspiration from two books, Patton: Ordeal And Triumph, a biography by Ladislas Farago and A Soldier’s Story, the memoir of General Omar Bradley. After many years of ‘fine-tuning’, a final script was born and the search for a director and lead actor proceeded in earnest, eventually settling upon Franklin J. Schaffner and George C. Scott respectively. The film from the start was a one-man show, a biopic of a giant among men. Patton can best be described as charismatic, complicated and contradictory; he was deeply religious and yet both vulgar and profane, he was an insufferable narcissist and yet a supreme patriotic, and lastly he was a military tactical genius and yet a poor post war administrator. The film covered Patton’s rise to prominence in World War II during his military campaigns in Tunisia, Sicily, France and the occupation of Germany. It suffices to say that Scott’s performance was a tour de force that transcended the film and earned him a best actor Oscar award that he ungraciously declined to accept. The film went on to win seven Oscars including best picture and remains a popular film to this day. Read more…

PLANET OF THE APES – Jerry Goldsmith

February 26, 2018 2 comments

100 GREATEST SCORES OF ALL TIME

Original Review by Craig Lysy

Producer Arthur P. Jacobs sold 20th Century Fox on a bold new effort to reinvigorate the science fiction genre, which had languished since the start of the decade. The vehicle for the genre resurrection would be Pierre Boulle’s 1963 novel La Planète des Singes (Planet of the Apes). After securing the film rights Rod Serling and Michael Wilson were tasked with writing the screenplay. The technical challenges of the required prosthetic make-up delayed the film for quite some time. Fox Studios finally gave the green light to film when make-up designer John Chambers developed prosthetics flexible enough for the actors to express facial emotions. Jacobs had always seen Charlton Heston playing the lead role of John Taylor and on his request, Franklin Schaffner was hired to direct. A fine cast was assembled, which included Roddy McDowell as Cornelius, Kim Hunter as Zira, Maurice Evans as Dr. Zaius, James Daly as Honorius, Lou Wagner as Lucius, and Linda Harrison as Nova. Read more…

LIONHEART – Jerry Goldsmith

October 26, 2017 Leave a comment

THROWBACK THIRTY

Original Review by Jonathan Broxton

Lionheart is a perfect example of how a film studio can utterly ruin a film’s commercial success with poor distribution. A rousing historical action-adventure, the film is loosely based on the story of the Children’s Crusade of the year 1212, in which children from all over Europe adopted the cause of King Richard the Lionheart to protect Christianity from Muslim invaders. This story concentrates specifically on a young knight named Robert (Eric Stoltz), who finds himself becoming the protector of a group of children who are being threatened by the evil ‘Black Prince’ (Gabriel Byrne), a former crusader who became disillusioned with his cause and is now selling children into slavery. The film was an epic and lavish production – it was directed by the great Franklin Schaffner, was written by Menno Meyjes, and executive produced by Francis Ford Coppola – but it was hamstrung by its own production company, Orion Pictures, who delayed and delayed the film and eventually only released it in cinemas in Canada in the late summer of 1987 (it didn’t play in the United States at all). As a result, the film is virtually unknown these days, and is likely best remembered for Jerry Goldsmith’s rousing, epic score. Read more…

INNERSPACE – Jerry Goldsmith

July 20, 2017 Leave a comment

THROWBACK THIRTY

Original Review by Jonathan Broxton

Innerspace is a fun sci-fi adventure comedy, written by Jeffrey Boam and Chip Proser, and directed by Joe Dante. Dennis Quaid stars as Lt. Tuck Pendleton, an air force test pilot who is part of a top secret science experiment involving a brand new miniaturization technology. Pendleton and his submersible pod are shrunk down to minuscule size, and are supposed to be injected into a laboratory rabbit, but the lab is attacked by industrial saboteurs who want the technology for themselves, and Tuck is instead accidentally injected into the body of hypochondriac Jack Putter (Martin Short). Once Jack has overcome his initial skepticism and terror, he teams up with Tuck’s on-again off-again girlfriend, spunky reporter Lydia Maxwell (Meg Ryan), to find a way to get Tuck out of his body before his air supply runs out – but the saboteurs, led by Victor Scrimshaw (Kevin McCarthy) and Dr. Margaret Canker (Fiona Lewis), still want the miniaturization technology for themselves, and have sent their ruthless henchman Mr. Igoe (Vernon Wells) to get it, at any cost. Read more…

EXTREME PREJUDICE – Jerry Goldsmith

May 4, 2017 Leave a comment

THROWBACK THIRTY

Original Review by Jonathan Broxton

Extreme Prejudice is a western-flavored action thriller directed by Walter Hill, starring Nick Nolte as Jack Benteen, a grizzled Texas Ranger who teams up with a platoon of elite US Army commandos led by Major Hackett (Michael Ironside). Their mission is to take down a major trafficker running shipments of narcotics across the border from northern Mexico into El Paso; the only stumbling block, for Benteen at least, is the fact that the trafficker is Cash Bailey (Powers Boothe), Benteen’s childhood best friend. As the soldiers close in on Bailey’s compound, Benteen finds his loyalties tested, especially when a beautiful woman named Sarita (Maria Conchita Alonso) – both men’s ex-girlfriend – enters the fray. The film is a gritty, sweat-soaked, uncompromising thriller, and an homage to the great western The Wild Bunch, which received decent reviews when it opened in cinemas in May 1987. Read more…