Archive

Posts Tagged ‘MMUK Classics’

IVANHOE – Miklós Rózsa

February 10, 2020 Leave a comment

MOVIE MUSIC UK CLASSICS

Original Review by Craig Lysy

In 1935 MGM Studio sought to bring Sir Walter Scott’s epic Medieval Knight tale Ivanhoe (1819) to the big screen. After crafting a screenplay, the project never got off the ground as production delays resulted in selecting two different casts, one in 1935 starring Fredric March, Loretta Young and Gary Cooper, and another in 1938 starring Robert Taylor, Myrna Loy and Clark Gable. Another setback to production occurred with the onset of WWII, which caused filming on location in England to be put hold. New energy for the project arose in 1946 when Æneas MacKenzie crafted a new script, which satisfied MGM executives. Pandro S. Berman was given a very generous budget to produce the film and he brought in Richard Thorpe to direct. A third stellar cast was hired, which included; Robert Taylor as Ivanhoe, Elizabeth Taylor as Rebecca, Joan Fontaine as Rowena, George Sanders as Sir Brian De Bois-Guilbert, Emlyn Williams as Wamba and also the Narrator, Felix Aylmer as Isaac, Finlay Currie as Cedric, and Guy Rolfe as Prince John. Read more…

ODNA [ALONE] – Dmitri Shostakovich

January 27, 2020 Leave a comment

MOVIE MUSIC UK CLASSICS

Original Review by Craig Lysy

Film-making in the 1930s Soviet Union was very tightly regulated by the state to ensure fidelity to the ideals of the revolution. Directors Leonid Trauberg and Grigori Kozintsev found inspiration in news reports of the dire challenges faced by two teachers. They conceived their film to address three political issues of the day; the State’s promotion of education, the elimination of the kulaks (land owning peasants), and the introduction of modern technology. The film was originally conceived as a silent film, but was later changed to include dialogue and music by composer Dmitri Shostakovich. With the additional demand by the State for realism in film, each actor would use their real names as the characters. Yelena Kuzima would star in the lead role as the school teacher Joining her would be Pyotr Sobolevsky as her husband, Sergey Gerasimov as the local Council Chairman and Mariya Babanova as the Chairman’s wife. Read more…

DIAL M FOR MURDER – Dimitri Tiomkin

January 21, 2020 Leave a comment

MOVIE MUSIC UK CLASSICS

Original Review by Craig Lysy

English playwright Frederick Knott introduced his story “Dial M For Murder” in 1952 as a play for television. Its popularity led to stage productions in London and New York that were also successful. Renowned producer Alexander Korda saw opportunity and purchased the film rights, and after the success of the stage productions sold them to Warner Brothers for a handsome profit. Warner Brothers Studios had Alfred Hitchcock under contract and when his effort to film “The Bramble Bush” failed to get off the ground they directed him to begin production on “Dial M For Murder”. Hitchcock would produce and direct the film with a modest budget of $1.4 million. His first choices for the lead roles did not pan out. Cary Grant would not accept the role of a villain, and Olivia de Havilland demanded too much money for his modest budget. Despite these setbacks he never the less secured a fine cast which included Ray Milland as Tony Wendice, Grace Kelly as Margot Mary Wendice, Robert Cummings as Mark Halliday, John Williams as Chief Inspector Hubbard, and Anthony Dawson as Alexander Swann. Read more…

THE RIGHT STUFF – Bill Conti

December 16, 2019 Leave a comment

MOVIE MUSIC UK CLASSICS

Original Review by Craig Lysy

The 1979 novel The Right Stuff by Tom Woolfe proved to be a hit with the public, which set-off a bidding war for screen rights between Universal Pictures and independent producers Robert Chartoff and Irwin Winkler. Chartoff and Winkler won the day and hired screenwriter William Goldman to adapt the novel to the big screen. Goldman was inspired by the project and was seeking a patriotic Americana tale, which celebrated the Mercury 7 astronauts involved. Philip Kaufman was tasked with directing, but he disliked Goldman’s script, believing it too patriotic, with not enough focus on test pilot Chuck Yeager. Goldman left the project, Woolfe declined to adapt his novel, and so Kaufman wrote the screenplay himself. He related; “if you’re serious about tracing where the future — read: space travel — began, its roots lay with Yeager and the whole test pilot-subculture. Ultimately, astronautics descended from that point.” Kaufman brought in a fine cast, which included Fred Ward as Gus Grissom, Dennis Quaid as Gordo Cooper, Ed Harris as John Glenn, Sam Shepard as Chuck Yeager, Scott Glenn as Alan Shepard, Lance Henriksen as Wally Schirra, Scott Paulin as Deke Slayton, Barbara Hershey as Glennis Yeager and Veronica Cartwright as Betty Grissom. Read more…

CHARIOTS OF FIRE – Vangelis

December 9, 2019 Leave a comment

MOVIE MUSIC UK CLASSICS

Original Review by Craig Lysy

Lauded English film producer David Puttnam was seeking a new film project, which offered sports heroism and dealt with matters of conscience. By chance he came upon the story of runner Eric Liddell, and found exactly the tale he wanted to tell. He hired screenwriter Colin Welland to adapt Liddell’s story, and he meticulous in his research of the 1924 Olympics. He crafted an Academy Award winning screenplay that provided the vehicle for Puttnam to realize his vision. Hugh Hudson was hired to direct and he decided early that he would cast young, unknown actors for the film’s major roles, with established actors in the supporting roles. He chose Ian Charleson to play Eric Liddell, Ben Cross as his rival Harold Abrahams, Nicholas Farrell as Aubrey Montague, and Nigel Havers as Lord Andrew Lindsay, while adding Sir John Gielgud, Nigel Davenport, Lindsay Anderson, Ian Holm, and Patrick Magee to the supporting cast. Read more…

FAME – Michael Gore

December 2, 2019 Leave a comment

MOVIE MUSIC UK CLASSICS

Original Review by Craig Lysy

David De Silva, a New York City talent manager, happened to take in the 1976 production of “A Chorus Line”. The song “Nothing” triggered a creative spark when it referenced the prestigious New York High School of Performing Arts. He envisioned a film, which would speak to the dreams, trials and tribulations of ambitious young adolescent students trying to break in to the business and launch their careers. De Silva travelled to Florida the next year where he met famed playwright Christopher Gore. The two connected, he pitched his ideas, story and characters, and then hired Gore to draft a script with a working title of “Hot Lunch” for $5,000. De Silva was pleased with the script, sold the project to Metro-Goldwyn-Mayer executives, who authorized $400,000 to acquire the screen rights. De Silva and Alan Marshall would produce with a generous $8 million budget and Alan Parker was hired to direct. Read more…

THE HEIRESS – Aaron Copland

November 27, 2019 Leave a comment

MOVIE MUSIC UK CLASSICS

Original Review by Craig Lysy

The genesis of the film lies with renown actress Olivia de Havilland who one night fell in love with the Broadway play The Heiress (1947). She sought out director William Wyler and pitched the idea of him directing her in a film adaptation of the play. Wyler, who had long admired de Havilland, jumped at the opportunity to direct her in this film. He obtained permission from Paramount studios executives to purchase the film rights from playwrights Augustus and Ruth Goetz for $250,000, and then hired them to adapt their play to the big screen. Wyler would produce and direct the film. Supporting Olivia de Havilland in the titular role would be a stellar cast which included Montgomery Clift as Morris Townsend, Ralph Richardson as Dr. Austin Sloper and Miriam Hopkins as Aunt Lavinia Penniman. The story takes place in New York City circa 1849 and centers on the life of Catherine Sloper, the shy, doting daughter of her recently widowed father Austin Sloper. She lives an insular life in luxury, content with embroidery and dutifully caring for her critical and unloving father. She is an heiress set for life as her mother bequeathed her a $10,000 a year stipend, which would increase to $30,000 once her father passes. Read more…