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Academy Award Nominations 2004
The Academy of Motion Picture Arts and Sciences (AMPAS) have announced the nominations for the 77th Academy Awards, honoring the best in film in 2004.
In the Best Original Score category, the nominees are:
- JOHN DEBNEY for The Passion of the Christ
- JAMES NEWTON HOWARD for The Village
- JAN A. P. KACZMAREK for Finding Neverland
- THOMAS NEWMAN for Lemony Snicket’s A Series of Unfortunate Events
- JOHN WILLIAMS for Harry Potter and the Prisoner of Azkaban
These are the first Oscar nominations for Debney and Kaczmarek. This is the 4th nomination for Howard, the 8th nomination for Newman, and the 38th nomination for Williams. Williams previously won for Fiddler on the Roof in 1971, Jaws in 1975, Star Wars in 1977, E.T. the Extra Terrestrial in 1982, and Schindler’s List in 1993.
In the Best Original Song category, the nominees are:
- BRUNO COULAIS and CHRISTOPHE BARRATIER for “Look to Your Path” from The Chorus
- JORGE DREXLER for “Al Otro Lado del Río” from The Motorcycle Diaries
- ADAM DURITZ, CHARLIE GILLINGHAM, JIM BOGIOS, DAVID IMMERGLÜCK, MATT MALLEY, DAVID BRYSON, and DAN VICKREY for “Accidentally in Love” from Shrek 2
- ANDREW LLOYD-WEBBER and CHARLES HART for “Learn to Be Lonely” from The Phantom of the Opera
- ALAN SILVESTRI and GLENN BALLARD for “Believe” from The Polar Express
The winners of the 77th Academy Awards will be announced on February 27, 2005.
ASSAULT ON PRECINCT 13 – Graeme Revell
Original Review by Peter Simons
A remake of John Carpenter’s 1976 classic western-meets-urban ghetto thriller, Assault on Precinct 13 stars Ethan Hawke as police officer Roenick, whose precinct is used to shelter a group of policemen and criminals, including crime lord Bishop (Lawrence Fishburne), when their convoy is forced to stop overnight at the precinct due to bad weather, despite the fact that the building has just been closed down for good, and has been cut off from power and communications. Things take an even nastier turn when the precinct is surrounded by an unknown, but heavily armed group ready to kill everybody inside – thereby forcing the cops and the prisoners into an uneasy alliance as they fight off a common enemy. Heralded by most critics as a surprisingly good remake of the 1976 version, other reviewers have slammed director Jean-François Richet’s film for lacking the eerie tension that made Carpenter’s movie a classic. Read more…
THE CHORUS (LES CHORISTES) – Bruno Coulais
Original Review by Peter Simons
France’s submission for this year’s Best Foreign Language Film at the Oscars, The Chorus (Les Choristes) tells the somber story of music teacher Clement Mathieu (Gerard Jugnot) accepting a position at a remote school for difficult students. While the school’s headmaster believes in strict discipline and runs the place like a prison, the new teacher believes that a little love and goodwill can go a long way. As Mathieu succeeds in bringing his deviant pupils together in a choir, they discover a hidden talent within themselves. Read more…
ELEKTRA – Christophe Beck
Original Review by Peter Simons
A spin-off of Daredevil, Elektra is the latest entry in a long series of comic book adaptations. Starring Jennifer Garner of Alias-fame as the titular character, the movie tells the story of a warrior assassin with a heart who leads a secluded life only to spring into action when a secret order calls upon her to execute a widowing Mark Miller (Goran Visnjic) and his teen aged daughter Abby (Kirsten Prout). When she actually befriends them and refuses to kill them, she ends up protecting them from other assassins and ninjas. The movie is directed by Rob Bowman who previously directed episodes of The X-Files and its spin-off series The Lone Gunman as well as the motion picture Reign of Fire. Read more…
RACING STRIPES – Mark Isham
Original Review by Jonathan Broxton
Considering that 2005 is just a few weeks old, it has already seen a film music landmark: the best score of Mark Isham’s career to date. Despite being best known for his jazz-inspired trumpet performances and beautiful orchestral works such as the Oscar-nominated A River Runs Through It and Fly Away Home, he had often in the past professed a desire to write a big, thematic, heroic orchestral score: his “Star Wars”, as he puts it. Obviously, Racing Stripes is in a totally different genre, but this could well be the very score he was describing. Read more…
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