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Fred Karlin, 1936-2004
Composer, arranger and trumpeter Fred Karlin died in Culver City, California, on March 26, 2004, at the age of 67, following a battle with cancer.
An exceptionally versatile musician, Karlin wrote more than 130 scores for films and television productions, won both an Academy Award and an Emmy, and became particularly admired for his ability to move effortlessly between jazz, folk, rock, classical and electronic music.
Frederick James Karlin was born in Chicago on June 16, 1936. He began playing trumpet and studying jazz while still a teenager, learning composition with William Russo before attending Amherst College, where his honors thesis was a string quartet. After moving to New York in 1958 he worked as a composer and arranger for musicians including Benny Goodman and Harry James, while also writing for documentaries, commercials and Radio City Music Hall.
Karlin entered feature films with Robert Mulligan’s Up the Down Staircase (1967), starring Sandy Dennis. He quickly became a sought-after composer, following it with Yours, Mine and Ours (1968), Robert Mulligan’s western The Stalking Moon (1968), and Alan J. Pakula’s The Sterile Cuckoo (1969). The latter featured “Come Saturday Morning,” with music by Karlin and lyrics by Dory Previn; the song became a hit for the Sandpipers and earned an Academy Award nomination. Read more…
NED KELLY – Klaus Badelt
Original Review by Peter Simons
Now here’s a composer who has shot to stardom at rocket speed: Klaus Badelt. Whether or not he really deserved all the projects he’s worked on remains a hot issue on many a forum. I, for one, have yet to hear a soundtrack by Badelt that is not remarkably derivative of other scores. That is not to say his albums aren’t enjoyable, no siree! His music for The Time Machine, albeit severely “inspired” by many other scores, was one of last year’s highlights. Badelt’s latest, Ned Kelly, is no exception. It too shares so many similarities with other scores that I’ve had to look at the cover to remember which CD I put on. Not that the score isn’t enjoyable, though. It is in fact quite beautiful, if you can get past the obvious influences. Read more…
STARSKY & HUTCH – Theodore Shapiro
Original Review by Jonathan Broxton
It is de rigueur in Hollywood at the moment to re-make classic TV shows of the 70s and 80s as big-budget cinema outings: we’ve already had Charlie’s Angels and SWAT, and there are rumors of A-Team and Knight Rider movies in the pipeline. Starsky & Hutch was one of the comedy successes of the min-genre, paying loving homage to the well-loved original series while gently lampooning the fashions and morals of the decade. Directed by Todd Phillips, the film starred Owen Wilson and Ben Stiller as the eponymous Bay City detectives, the roles made famous by David Soul and Paul Michael Glaser. Here, they find themselves on the trail of shady businessman Reese Feldman (Vince Vaughan), who they believe is a drug dealer; along the way they are helped by their flamboyant jive-talking snitch Huggy Bear (Snoop Dogg), and hindered by their cantankerous boss Captain Doby (Fred Williamson). Plot is, of course, secondary in a film like this, which revels instead in the comedy set pieces, and the sense of nostalgia in the production: everything, from the classic Ford Torino, to the costumes and hairstyles, and the sexual attitudes, are a prefect recreation of the original setting. It’s a blast. Read more…
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