Posts Tagged ‘Klaus Badelt’

RESCUE DAWN – Klaus Badelt

July 6, 2007 1 comment

Original Review by Clark Douglas

I’ve been watching the third season of the surprisingly wonderful American version of “The Office” on DVD. Those of you who don’t know anything about the show, bear with me… I’ll talk about the music in a second. Anyway, there’s this one episode where the ever-hungry Kevin is attempting to decide whether to go to the office party where all the fun is, or the office party with brownies and cupcakes being held by the most un-fun lady in the office (named Angela). Kevin looks at the camera, and ponders aloud… “Hmm… Brownies (smile)… Angela (frown)… Brownies (smile)… Angela (frown).” Read more…


March 23, 2007 3 comments

Original Review by Clark Douglas

I was rather irritated when I first heard that the title of the next Teenage Mutant Ninja Turtles movie would be “TMNT”. “Sheesh,” I thought, “haven’t we had enough of finding a shorter way to say everything in America? Why do we have to frickin’ abbreviate everything? Besides, what sounds cooler than Teenage Mutant Ninja Turtles? It’s just fun to say!” However, after seeing the film, it seems the movie has an appropriate title. These turtles are many things, but they most certainly aren’t teenagers. “Tired” would fit the bill a bit more accurately. Read more…

PREMONITION – Klaus Badelt

March 16, 2007 Leave a comment

Original Review by Clark Douglas

Let’s just be upfront about things. “Premonition”, the latest Sandra Bullock vehicle, is a pretty ridiculous time-bending film, as almost every time-bending film is. Let’s face it, very few movies have been able to pull off a “time warp” theory convincingly… but some of them work in spite of it. I have been unusually kind to these movies in recent days. I gave Bullock’s previous time-bending romance “The Lake House” a kind review, and also tossed some generous comments in the direction of Tony Scott’s “Déjà Vu”. However, I will not show such mercy to “Premonition”, and as with all of those other films, my opinion has very little to do with the time warp element. Read more…

POSEIDON – Klaus Badelt

May 12, 2006 Leave a comment

Original Review by Jonathan Broxton

The latest addition to the ever-growing list of unnecessary Hollywood remakes (following hot on the heels of the likes of The Pink Panther and When a Stranger Calls), Poseidon is a big-budget action-adventure disaster movie directed by Wolfgang Peterson – who is himself no stranger to watery problems, having previously directed Das Boot and A Perfect Storm. When a luxury cruise liner is capsized by a massive tidal wave on New Year’s Eve, the surviving revellers – Josh Lucas, Kurt Russell, Richard Dreyfuss, Emmy Rossum – find themselves desperately climbing through the wrecked ship, trying to escape before the whole thing sinks and drowns them all… and that’s basically it. It’s a very simple plot, which sticks close to director Ronald Neame’s 1972 original (which starred Gene Hackman, Ernest Borgnine, Shelley Winters and Roddy McDowall among others), but will be totally redundant for anyone who remembers it, or its classic John Williams score. Read more…

THE PROMISE – Klaus Badelt

May 5, 2006 Leave a comment

Original Review by Jonathan Broxton

So, here’s a statement you won’t see me make very often: The Promise is the best score of Klaus Badelt’s career, and one of the best scores to be released in the first half of 2006. As I have written on many, many occasions, one of my favourite styles of film music is the combination of a western orchestra with solo performances by Chinese instruments, and Badelt’s score for director Chen Kaige’s visually sumptuous film is the latest to join a long and distinguished list, along with the likes of Rachel Portman’s The Joy Luck Club, Conrad Pope’s Pavilion of Women, Basil Poledouris’s The Touch, and Tan Dun’s Oscar-winning Crouching Tiger Hidden Dragon. Read more…

CONSTANTINE – Brian Tyler and Klaus Badelt

February 18, 2005 Leave a comment

constantineOriginal Review by Jonathan Broxton

The latest in a long line of comic book adaptations to hit the silver screen, director Francis Lawrence’s film Constantine is based on the classic Hellblazer story by Jamie Delano and Garth Ellis, transposed from Liverpool to contemporary Los Angeles. Keanu Reeves stars as John Constantine, a man cursed with the awareness that a war between angels and demons is taking place on Earth. Having been driven insane by his visions, he committed suicide as a youth, but was sent back by the angel Gabriel (Tilda Swinton) and charged with destroying as many demons as possible, in order to atone for his sins and be able to enter Heaven again when he finally dies for the second time. However, as the story begins, Constantine finds himself facing his biggest challenge yet:  with the help of a similarly gifted Los Angeles cop (Rachel Weisz), Constantine must thwart the plans of Satan’s son, who is planning to be re-born on Earth himself. Read more…

NED KELLY – Klaus Badelt

March 26, 2004 Leave a comment

nedkellyOriginal Review by Peter Simons

Now here’s a composer who has shot to stardom at rocket speed: Klaus Badelt. Whether or not he really deserved all the projects he’s worked on remains a hot issue on many a forum. I, for one, have yet to hear a soundtrack by Badelt that is not remarkably derivative of other scores. That is not to say his albums aren’t enjoyable, no siree! His music for The Time Machine, albeit severely “inspired” by many other scores, was one of last year’s highlights. Badelt’s latest, Ned Kelly, is no exception. It too shares so many similarities with other scores that I’ve had to look at the cover to remember which CD I put on. Not that the score isn’t enjoyable, though. It is in fact quite beautiful, if you can get past the obvious influences. Read more…