Archive

Archive for December, 1999

THE HURRICANE – Christopher Young

December 31, 1999 Leave a comment

thehurricaneOriginal Review by Jonathan Broxton

Over the years, Christopher Young has continually found himself scoring the most dismal films Hollywood has the cheek to release, which makes it all the more gratifying to see him attached to a movie of such genuine quality as The Hurricane. Already, The Hurricane has garnered a Golden Globe for Denzel Washington for Best Actor, multiple nominations in other categories, and it tipped to be a hot property at the Oscars. Brilliant but under-appreciated composers like Young need this kind of exposure to ensure that they continue to score high-profile, worthy pictures which actually befit the excellent music Young is able to provide. Read more…

TITUS – Elliot Goldenthal

December 24, 1999 Leave a comment

titusOriginal Review by Jonathan Broxton

I was, quite literally, stunned into silence by Titus, both the film and the score. A visually breathtaking, emotionally shattering, conceptually brilliant restaging of William Shakespeare’s timeless play, Titus represents modern film making at its most vibrant. With Julie Taymor, the near-legendary director of several acclaimed Broadway plays (including the recent version of The Lion King) at the helm, and with an intriguing cast that mixes several heavyweight thespians with a group of talented newcomers, Titus is a film which has the power to shock and overwhelm, while still remaining entertaining and (comparatively) true to the original. Read more…

SNOW FALLING ON CEDARS – James Newton Howard

December 24, 1999 Leave a comment

snowfallingoncedarsOriginal Review by Jonathan Broxton

It was with a combination of surprise and great disappointment that I first listened to Snow Falling on Cedars, James Newton Howard’s fifth and final score of 1999. The word of mouth had hitherto been wholly positive, with many citing the rich ethnic textures, beautiful string themes and powerful choral passages supposedly inherent in the score. Well, I’m sorry to say that, with a few brief exceptions, I was totally bored by the whole experience, and was left wondering whether the rest of the world was listening to the same score as me. Read more…

ANGELA’S ASHES – John Williams

December 24, 1999 Leave a comment

angelasashesOriginal Review by Jonathan Broxton

With The Phantom Menace out of the way, John Williams has finally been able to write for a film which isn’t met with the same expectations as a cure for cancer or the second coming of Christ. With hindsight, it could be said that Williams tried a little too hard to please too many masters on Star Wars, and although enjoyable and well-written, the end result came out just a little muddled. His forceful follow up is Angela’s Ashes, a beautiful, if a little downbeat score which is totally and utterly wrecked on CD by a whole load of intrusive dialogue tracks. Read more…

GIRL, INTERRUPTED – Mychael Danna

December 24, 1999 Leave a comment

girlinterruptedOriginal Review by Jonathan Broxton

Stories about people in mental hospitals are a great cinematic breeding ground, especially when they are true. Girl Interrupted has been described as “One Flew Over The Cuckoo’s Nest with chicks”, which is actually a pretty neat summary. James Mangold’s film effectively re-captured the sense of friendship and camaraderie that exists between the patients, the trivialities of their lives, the nuances and eccentricities of each character, and how they all rally round to help each other in times of need. Winona Ryder stars as Susanna Kaysen, a troubled young girl in 1960s America who, following prompting by family and friends, voluntarily checks into Claymoore state mental hospital to combat her “borderline personality disorder”. While inside, Susanna meets her fellow patients: compulsive liar Georgina (Clea Duvall), self-mutilator Daisy (Brittany Murphy), arsonist Polly (Elisabeth Moss), and uncontrollable sociopath Lisa (Angelina Jolie), whose anti-social presence has the greatest effect on Susanna’s rehabilitation. Read more…

GALAXY QUEST – David Newman

December 24, 1999 Leave a comment

galaxyquestOriginal Review by Jonathan Broxton

With all the fan-based hoopla that surrounds many of the classic science fiction serials, it was surely only a matter of time before someone made a spoof. So enter Galaxy Quest, Dean Parisot’s spot-on parody of the whole Star Trek merchandising industry. Tim Allen, Sigourney Weaver and Alan Rickman star as the three most popular members of the hit 70s TV series “Galaxy Quest”, who still make the rounds on the sci-fi convention circuit twenty years after their show was cancelled. But a group of real aliens mistakenly believe that the TV show is for real, and kidnap the actors so that they may help them fight a deadly adversary who is threatening their planet. As the liner notes proclaim, “with no script, no director, and no clue about real interstellar travel, the make-believe crew of the NESA Protector has to turn in the performance of their lives to become the heroes the aliens believe them to be”. Read more…

THE TALENTED MR. RIPLEY – Gabriel Yared

December 24, 1999 Leave a comment

talentedmrripleyOriginal Review by Jonathan Broxton

The Talented Mr. Ripley is the least impressive Gabriel Yared score I have ever heard. But before you leap up and down, you should be aware that my statement is tempered by the fact that I have only heard six of his efforts to date, and that he has scored many obscure movies in his native France and across Europe, so to make such a sweeping generalization is doing his work a bit of a disservice. But, whereas his recent efforts in City of Angels and Message In A Bottle transported the listener into the realms of high romance, The Talented Mr. Ripley is less well-defined, less thematically strong, and suffers the same fate as The English Patient by completely overshadowed on album by a load of irresponsibly-programmed songs. Read more…