Archive
THE CONSTANT NYMPH – Erich Wolfgang Korngold
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
The 1924 novel The Constant Nymph by Margaret Kennedy was a popular sensation, which spawned a successful play by Basil Dean in 1926, and two movie incarnations; a 1928 silent film starring Ivor Novello and a 1933 talkie with Brian Aherne. Warner Brothers decided that they could offer a definitive film version and so bought the film rights from 20th Century Fox in 1940. The studio secured support from Kennedy to proceed and Henry Blanke and Hal B. Wallis were assigned production with a $1.1 million budget, Edmund Goulding was tasked with directing, and Kathryn Scola was hired to write the screenplay based on Basil Dean’s 1926 version. A superb cast was assembled, including; Joan Fontaine as Tessa Sanger, Charles Boyer as Lewis Dodd, and Alex Smith as Florence Creighton. Read more…
DEVOTION – Erich Wolfgang Korngold
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
In 1942 Warner Brothers decided to embark upon opulent period piece involving a fictionalized biopic of the renown Brontë sisters. Robert Buckner was assigned production with Keith Winter and Edward Chodorov hired to write the screenplay. Curtis Bernhardt was tasked with directing a lavish and opulent tale and a stellar cast was assembled, including Olivia de Havilland as Charlotte Brontë, Ida Lupino as Emily Brontë, Nancy Coleman as Anne Brontë, Paul Henreid as Reverend Arthur Nicholls and Sydney Greenstreet as the renowned publisher William Makepeace Thackeray. Read more…
DECEPTION – Erich Wolfgang Korngold
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Warner Brothers Studios was searching for a film that would showcase two of their leading actors, Barbara Stanwyck and Paul Henried. To that end, late in 1943 they purchased the film rights to the 1927 two-character French play “Monsieur Lamberthier” by Louis Verneuil. They believed that the film noir drama would translate well for a suspenseful big screen adaptation. Henry Blanke was assigned production, provided a $2.882 million budget, and John Collier and Joseph Than were hired to write the screenplay. Irving Rapper was tasked with directing and a powerhouse cast for the ages was assembled, including luminaries; Bette Davis as Christine Radcliffe, Paul Henreid as Karel Novak, and Claude Rains as Alexander Hollenius. In the three years it took to launch the project, Bette Davis, whose star was ascendant, replaced Stanwyck for the lead role. Read more…
ON DANGEROUS GROUND – Bernard Herrmann
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
In 1951 director Nicholas Ray had just wrapped up shooting the WWII action film “The Flying Leathernecks” and decided that his next project would a film noir melodrama based on the 1945 novel “Mad With Much Heart” by Gerald Butler. RKO Pictures executives were initially resistant, finding the novel “unpleasant and uncommercial”, but were ultimately persuaded by Ray’s vision and passion. John Houseman was assigned production and A. I. Bezzerides was tasked with adapting Butler’s novel and writing the screenplay. For the cast, Ray hired Ida Lupino as Mary Malden, Robert Ryan as Jim Wilson, and Ward Bond as Walter Brent. Read more…
THE MAN WHO KNEW TOO MUCH – Bernard Herrmann
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Alfred Hitchcock had directed in England, the film “The Man Who Knew Too Much” (1934). In 1941 he decided on a new American incarnation, but it did not come to fruition until 1956 when Paramount Pictures agreed it was a movie that could be well-adapted to the new decade. Filwite Productions joined with Paramount and provided a $1.2 million budget. Hitchcock would manage production and direct, and Charles Bennett and D. B. Wyndham-Lewis were tasked with writing the screenplay. A fine cast was assembled with James Stewart as Dr. Benjamin McKenna, Doris Day as Josephine Conway McKenna, Bernard Miles as Edward Drayton, Brenda de Banzie as Lucy Drayton Christopher Olsen as Henry McKenna, and Daniel Gélin as Louis Bernard. Read more…
ANCHORS AWEIGH – George E. Stoll, Jule Styne and Sammy Cahn
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Gene Kelly caught the eye of Hollywood studios who were impressed by his athletic American style of dancing, as well as his talent as a choreographer. Seeking to capitalize on his talent, MGM studios offered him a contract. This led them to task him to choreograph, dance and star in the studio’s next planned musical – “Anchors Aweigh”. The film was yet another one of MGM Studios penchant for musicals. It would be the first of three “Buddy” films, which teamed Gene Kelly with Frank Sinatra. Production was assigned to Joe Pasternak with a budget of $2.6 million, Natalie Marcin was hired to write the story, with Isobel Lennart writing the screenplay, and George Sidney was tasked with directing. For the cast, Frank Sinatra would star as Clarence “Brooklyn” Doolittle, Gene Kelly as Joe Brady and Kathryn Grayson as Susan Abbott. Read more…
THE NORTH STAR – Aaron Copland
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
In 1942 President Roosevelt created the Office of War Information (OWI) to serve as America’s official propaganda agency. The OWI pressured Hollywood studios to make war films that favorably represented the Soviet Union to generate public support given that they and America were now allies fighting Nazi Germany. Following a personal request by President Roosevelt, MGM executive Samuel Goldwyn decided to contribute with the film The North Star. Goldwyn, assisted by William Cameron Menzies, took charge of production with a $3 million budget. Lillian Hellman was hired to write the story and screenplay, and Lewis Milestone was tasked with directing. An exceptional cast was assembled, including Ann Baxter as Marina Pavlova, Dana Andrews as Kolya Simonov, Walter Huston as Dr. Pavel Grigorich Kurin, Walter Brennan as Karp, Ann Harding as Sophia Pavlova, Jane Withers as Clavdia Kurina, Farley Granger as Damian Simonov and Erich von Stroheim as Dr. von Harden. Read more…
THE PRISONER OF ZENDA – Alfred Newman and Conrad Salinger
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
With the onset of a new decade, MGM studio executives embarked on an ambitious plan to remake several popular black and white films in color. To that end, in 1951 they announced that they had purchased the film rights of “The Prisoner of Zenda” (1937) from David O. Selznick for $225,000. A creative decision was to use many of the same production elements as the 1937 film, including; the identical script, camera angles, setting and musical score. Pandro S. Berman was assigned production and provided a $1.708 million budget. Richard Thorpe was tasked with directing, and a stellar cast was assembled, which included; Stewart Granger as Rudolph Rassendyll, Deborah Kerr as Princess Flavia, James Mason as Rupert of Hentzau, Louis Calhern as Colonel Zapt, Robert Douglas as Michael, Duke of Strelsau, Jane Greer as Antionette de Mauban and Robert Coote as Fritz von Tarlenheim. Read more…
THE LIFE OF EMILE ZOLA – Max Steiner
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
In 1936 Warner Brothers Studio executives Hal B. Wallis and Henry Blanke received a proposal from Heinz Herald, a literary agent, that they consider a making a biopic film of Émile Zola and the infamous Dreyfus Affair. Wallis and Blanke were favorably disposed to the idea and hired Harold and Geza Herczeg to write the script. Their 200-page script was accepted, but underwent editing by Herczeg, Wallis, director William Dieterle and actor Paul Muni. The final script was approved in early 1937, and Blanke was assigned production with a budget of $699,000. William Dieterle was tasked with directing, and a fine staff was assembled, including Paul Muni as Émile Zola, Gloria Holden as Alexandrine Zola, Gale Sondergaard as Lucie Dreyfus, and Joseph Schildkraut as Captain Alfred Dreyfus. Read more…
SCARAMOUCHE – Victor Young
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
One of Hollywood’s most beloved authors was Rafael Sabatini, whose swashbuckling novels were highly prized and often brought to the big screen, including; Scaramouche (1923), Bardelys The Magnificent (1926), Captain Blood (1935), The Sea Hawk (1940), and The Black Swan (1942). In 1938 MGM decided to remake its 1923 silent version of Scaramouche. It would however take thirteen years for the project to finally go to production under Carey Wilson. Ronald Millar and George Froeschel were hired to adapt the novel for a fresh iteration, and a $3.0 million budget was provided. George Sidney was tasked with directing, and a stellar cast was hired, including; Stewart Granger as Andre Moreau, Eleanor Parker as Lenore, Janet Leigh as Aline de Gavrillac de Bourbon, Mel Ferrer as Noel, Marquis de Maynes, and Nina Foch as Marie Antionette. Read more…
THE MAGNIFICENT YANKEE – David Raksin
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
In 1949 MGM studio executives were seeking a biopic of a famous American for their next film. They decided that the 1946 play The Magnificent Yankee by Emmet Lavery, which had a Broadway theatrical run of 159 performances would be their choice. Armand Deutsch was placed in charge of production with a $1.03 million budget, Emmet Lavery was hired to adapt his play for the film, and John Sturges was tasked with directing. Veteran stage and screen actor Louis Calhern was cast as Oliver Wendell Holmes Jr. Joining him would be Ann Harding as Fanny Bowditch Holmes, Eduard Franz as Justice Louis Brandeis, and Philip Ober as Owen Wister. Read more…
THE SNOWS OF KILIMANJARO – Bernard Herrmann
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
In 1948 20th Century Studio executive Darryl F. Zanuck made the business decision to adapt another of Ernest Hemingway’s novels for the big screen, The Snows of Kilimanjaro from 1936. He purchased the film rights for a hefty $125,000 and personally took charge of production, allocating a budget of $3.0 million. Casey Robinson was hired to write the screenplay and veteran Henry King was tasked with directing. Zanuck had already decided that Gregory Peck would star as Harry Street, with Ava Gardner playing Cynthia Green. Joining them would be Susan Hayward as Helen, and Hildegard Knef as Countess Elizabeth. Read more…
THE MIRACLE OF OUR LADY OF FATIMA – Max Steiner
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
It had been eight years since the commercial and critical success of 20th Century Fox’s religious themed film The Song of Bernadette. Warner Brothers Studios executives decided that they wanted to explore the genre and decided that a similar tale, The Miracle of Our Lady of Fatima, would accomplish that end. Their resident producer Bryan Foy was assigned the project, James O’Hanlon and Crane Wilbur were hired to write the screenplay, and John Brahm was tasked with directing. A trio of children were hired to play the roles of the child witnesses of the vision; Susan Whitney as Lúcia dos Santos, Sherry Jackson as Jacinta Marto and Sammy Ogg as Francisco Marto. Joining them would be Gilbert Roland as Hugo de Silva, Angela Clarke as Maria Rosa de Silva, and Richard Hale as Father Ferreira. Read more…
SINGIN’ IN THE RAIN – Lennie Hayton, Nacio Herb Brown, and Arthur Freed
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
MGM Studios Director of Musicals Arthur Freed conceived of a new film that would be based on a catalogue of unused songs written by him and Nacio Herb Brown during the waning days of the Silent Film Age. The musical would be set during this time and feature dance legend Gene Kelly. Freed assumed control of production with a budget that eventually tapped out at $2.54 million. Gene Kelly was given creative control of the film and would not only direct and choreograph, but also star. Adolph Green and Betty Comden were hired to write the screenplay. The cast would consist with Gene Kelly as Don Lockwood, Debbie Reynolds as Kathy Selden, Donald O’Connor as Cosmo Brown, Jean Hagen as Lina Lamont, Millard Mitchell as R. F. Simpson and Cyd Charisse as the vamp. Read more…
DEATH OF A SALESMAN – Alex North
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Columbia Studio executives took notice of playwright Arthur Miller’s latest stage play “Death of a Salesman” that debuted on Broadway in February 1949, with a successful run of 742 performances. They believed its compelling narrative would translate well to the big screen, and so purchased the film rights. Stanley Kramer was assigned production, Stanley Roberts was hired to adapt the play, and László Benedek was tasked with directing. For the cast, most of the Broadway cast was hired with the addition of Fredric March as Willy Loman, and Kevin McCarthy from the London cast as Biff Loman. Joining them would be Mildred Dunnock as Linda Loman, Cameron Mitchell as Harold Loman, and Howard Smith as Charley. Read more…
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