Archive
ALL QUIET ON THE WESTERN FRONT – Volker Bertelmann
Original Review by Jonathan Broxton
The 1929 German-language novel Im Westen Nichts Neues – known in English as All Quiet on the Western Front – by Erich Maria Remarque is one of the most important anti-war novels ever written. It tells the semi-autobiographical story of Remarque’s own experiences fighting in the trenches of western Europe during World War I, and follows a young soldier named Paul Bäumer, who over the course of the book is transformed from an eager and enthusiastic patriot fighting for the glory of the vaterland, into a bitter, broken shell of a man, utterly devastated by the physical and mental anguish of war. It touches on several important themes, ranging from explorations of nationalism and blind patriotism, to the futility of war itself, especially the trench warfare of WWI where literally millions of soldiers, on both sides of the conflict, were slaughtered while trying to gain little more than a few yards of ground. The book was banned and burned in Nazi Germany, naturally, but has since become regarded as a modern classic, and is now one of the most revered pieces of German-language literature. Read more…
SINGIN’ IN THE RAIN – Lennie Hayton, Nacio Herb Brown, and Arthur Freed
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
MGM Studios Director of Musicals Arthur Freed conceived of a new film that would be based on a catalogue of unused songs written by him and Nacio Herb Brown during the waning days of the Silent Film Age. The musical would be set during this time and feature dance legend Gene Kelly. Freed assumed control of production with a budget that eventually tapped out at $2.54 million. Gene Kelly was given creative control of the film and would not only direct and choreograph, but also star. Adolph Green and Betty Comden were hired to write the screenplay. The cast would consist with Gene Kelly as Don Lockwood, Debbie Reynolds as Kathy Selden, Donald O’Connor as Cosmo Brown, Jean Hagen as Lina Lamont, Millard Mitchell as R. F. Simpson and Cyd Charisse as the vamp. Read more…
GROUNDHOG DAY – George Fenton
THROWBACK THIRTY
Original Review by Jonathan Broxton
One of the best – and, with the benefit of hindsight, most influential and enduring – comedies of the early 1990s was Groundhog Day. Written by Danny Rubin and directed by Harold Ramis, the film stars Bill Murray as cynical television weatherman Phil Connors. Phil is sent to the small town of Punxsutawney, Pennsylvania, to cover the local Groundhog Day festivities, along with his producer Rita Hanson (Andie MacDowell) and cameraman Larry (Chris Elliott); however, after completing a perfunctory report, the crew is stranded in town by an unexpected blizzard, and is forced to spend the night in a local inn. The following morning, when Phil wakes up, he soon realizes that it is Groundhog Day again – he has somehow become trapped in a time loop, and is forced to relive the same day over, and over, and over, and over, and over, and over… Read more…
IFMCA Award Winners 2022
INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION ANNOUNCES WINNERS OF 2022 IFMCA AWARDS
BEAR MCCREARY WINS SCORE OF THE YEAR FOR EPIC TV SERIES THE LORD OF THE RINGS: THE RINGS OF POWER; ALSO NAMED COMPOSER OF THE YEAR, WINS TWO OTHER AWARDS. SIMON FRANGLEN WINS TWO AWARDS FOR WORK ON AVATAR: THE WAY OF WATER. DOCUMENTARY TRIBUTE TO LATE ENNIO MORRICONE HONORED WITH SPECIAL AWARD
FEBRUARY 23, 2023 — The International Film Music Critics Association (IFMCA) announces its list of winners for excellence in musical scoring in 2022, in the 2022 IFMCA Awards.
The award for Score of the Year goes to American composer Bear McCreary, for his score for the epic Amazon Prime television series The Lord of the Rings: The Rings of Power. The series, which has a main theme by composer Howard Shore, is based on the extended writings of author J.R.R. Tolkien, and looks at events that took place in Middle Earth millennia before those portrayed in director Peter Jackson’s massively successful and popular Lord of the Rings and Hobbit films.
IFMCA member James Southall called The Rings of Power “a real triumph, undoubtedly McCreary’s own career-defining moment,” and IFMCA member Conrado Xalabarder said that the score was “one of the best in the history of music for television series … a work made from intelligence, commitment, and above all respect for Tolkien and the audience. All its central themes work impeccably, coherently, and they develop and interact with each other, creating first-rate narration and dramaturgy.” IFMCA member Jon Broxton similarly praised the score, saying “the level of research and intelligent design McCreary has done in terms of creating the musical structure of The Rings of Power is absolutely astonishing, and is probably unparalleled in the history of television music.”
This marks the first time a score written for television has been named Score of the Year by the IFMCA. The rules were changed earlier in 2022 to allow television and video game scores to compete alongside films for the top award. The Lord of the Rings: The Rings of Power is also named Best Original Score for Television, while McCreary himself is named Composer of the Year, his first win in this category. McCreary’s other work in 2022 included the animated comedy Paws of Fury: The Legend of Hank, which is a re-imagining of the classic 1970s comedy Blazing Saddles; the epic video game God of War: Ragnarök (which also won the award for Best Original Score for a Video Game or Interactive Media); and continuing contributions to the most recent seasons of TV series such as Outlander, See, The Serpent Queen, The Walking Dead, and The Witcher: Blood Origin. These are the sixth, seventh, eighth, and ninth IFMCA Awards of McCreary’s career. Read more…
ANT-MAN AND THE WASP: QUANTUMANIA – Christophe Beck
Original Review by Jonathan Broxton
Ant-Man and the Wasp: Quantumania is the first of the three planned Marvel films for 2023, is the second sequel to 2015’s Ant-Man, and is the 31st film overall in the Marvel Cinematic Universe. It builds on events from both Avengers: Endgame and Ant-Man and the Wasp, as well as the TV series Loki, and sees the titular characters Scott Lang (Ant-Man) and Hope Van Dyne (The Wasp) being accidentally drawn back into the so-called quantum realm – a sub-atomic universe that exists beneath our ‘real world’ – where they encounter an entire civilization of humans and aliens. This civilization is under the despotic control of Kang the Conqueror, a multi-dimensional being who can travel between parallel universes and across different timelines, but who has been trapped in the quantum realm, and is desperate to escape its confines. Before long Scott and Hope are drawn into a rebellion against Kang, with the fate of not only the quantum realm, but the universe as a whole, at stake. The film is again directed by Peyton Reed, and stars Paul Rudd and Evangeline Lilly as the titular duo, with Jonathan Majors as Kang, plus Michael Douglas, Michelle Pfeiffer, and Kathryn Newton. Read more…
DEATH OF A SALESMAN – Alex North
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Columbia Studio executives took notice of playwright Arthur Miller’s latest stage play “Death of a Salesman” that debuted on Broadway in February 1949, with a successful run of 742 performances. They believed its compelling narrative would translate well to the big screen, and so purchased the film rights. Stanley Kramer was assigned production, Stanley Roberts was hired to adapt the play, and László Benedek was tasked with directing. For the cast, most of the Broadway cast was hired with the addition of Fredric March as Willy Loman, and Kevin McCarthy from the London cast as Biff Loman. Joining them would be Mildred Dunnock as Linda Loman, Cameron Mitchell as Harold Loman, and Howard Smith as Charley. Read more…
BAFTA Winners 2022
The British Academy of Film and Television Arts (BAFTA) have announced the winners of the 76th British Academy Film Awards, honoring the best in film in 2022.
In the Best Original Music category, the winner was Volker Bertelmann, who took home the award for his work scoring the German-language World War I epic All Quiet on the Western Front. Accepting his award, Bertelmann said:
“Thank you so much. Thank you to all the BAFTA members for honoring that film, and also the music. That means a lot to me because that film showed me that humanity, empathy, and embracing diversity of human beings and nations is one thing that is the most important in our world. So, I’m very happy that I was a part of the film. I want to say thank you to my wife Elizabeth. To my three kids Lotta, Paulina, and Lucas. To Edward Berger and Malte Grunert, for their trust, and letting me do my thing, Being, you know, they just cut the leashes whenever I wanted to fly a little bit more. I want to say thank you to the wonderful cast and crew because without their craftsmanship I couldn’t do a good score. I would be a little bit helpless. I want to say thank you to Netflix for their support, and I want to say thank you to Patti Macmillan, my agent, and Thomas Mikusz, who are since the beginning of my career they are friends and supporters and they never doubted that this might have happened at some point. So thank you for this, and congratulations to my fellow nominees, and to all the others that are nominated and all the winners. Have a wonderful evening, enjoy it! Thank you.”
The other nominees were Carter Burwell for The Banshees of Inisherin, Alexandre Desplat for Guillermo del Toro’s Pinocchio, Justin Hurwitz for Babylon, and Son Lux for Everything Everywhere All at Once.
Gerald Fried, 1928-2023
Composer Gerald Fried died on February 17, 2023, in Bridgeport, Connecticut, from pneumonia. He was 95.
Gerald Fried was born in New York, New York, in February 1928, and grew up in the Bronx. He attended the Juilliard School of Music, initially as an oboe player, and later as a composer and conductor. After his graduation in 1945 he was first oboist with the Dallas Symphony, Pittsburgh Symphony and New York’s Little Orchestras. He moved to Los Angeles in 1957 and played for one season with the Los Angeles Philharmonic.
Fried had been introduced to movies by director Stanley Kubrick, a childhood friend; Fried scored the director’s first short, the 1951 film Day of the Fight, and went on to score Kubrick’s first four features: Fear and Desire in 1953, Killer’s Kiss in 1955, The Killing in 1956, and Paths of Glory in 1957.
After his move to Los Angeles Fried began composing and arranging music for television, and worked on numerous popular shows, including M Squad, Shotgun Slade, Riverboat, Gilligan’s Island, The Man from U.N.C.L.E., Mission: Impossible, and Mannix, among many others. Perhaps his most famous piece of score was for ‘Amok Time’, the second season premiere episode of Star Trek, which featured a now-iconic fight sequence between Captain Kirk and Mr. Spock. Read more…
THE OFFERING – Christopher Young
Original Review by Jonathan Broxton
One of the most frustrating things to have happened over the last few years in film music is the apparent slow decline of Christopher Young’s career. This remarkable composer – the man behind such stellar works as Hellraiser, Murder in the First, Drag Me to Hell, The Monkey King, and so many others – has scored just a handful of major theatrical films in the United States in the last decade, with the last true box office successes being the remake of Pet Sematary in 2019, and then Sinister back in 2012. Seemingly the only people who remain loyal to him are independent horror directors, who regularly hire him to bring his unique sound to their films. Many of them likely grew up listening to Young’s earliest works from the 1980s – experimental efforts like The Dorm that Dripped Blood, The Power, and A Nightmare on Elm Street 2 – and so in many ways one could say he has returned to his roots. The latest director to do this is Oliver Park, who hired him for his film The Offering. Read more…
RICH IN LOVE – Georges Delerue
THROWBACK THIRTY
Original Review by Jonathan Broxton
On March 18th, 1992, as composer Georges Delerue was packing up and preparing to leave Scoring Stage 1 on the Warner Brothers lot in Burbank, California, having just finished recording the final cue for his latest film, Rich in Love, he suffered a stroke. He was rushed to the nearby St. Joseph’s Medical Center but never recovered, and he died there two days later at the age of 67. In the days and weeks after his death his friends and colleagues mourned one of the giants of film music; the director of Rich in Love, Bruce Beresford, summed it up by saying that Delerue’s scores “were never trite. They were so melodic and effortless. It was like turning on a tap. The music just flowed.” Of course, it’s impossible to know whether Delerue had any inkling about what was about to happen to him, but Varese Sarabande producer Robert Townson – who knew Delerue well – mused on this very idea in the liner notes for this soundtrack album, and wondered whether Rich in Love represented him writing a good-bye to each of his friends. Read more…
SCL Award Winners 2022
The Society of Composers and Lyricists (SCL) has announced the winners of the fourth annual SCL Awards, honoring the best in film and television music in 2022. The SCL is the premier professional trade group for composers, lyricists, and songwriters working in the motion picture, television, and game music industry, and is headquartered in Los Angeles. The winners are:
OUTSTANDING ORIGINAL SCORE FOR A STUDIO FILM
- MICHAEL ABELS for Nope
OUTSTANDING ORIGINAL SCORE FOR AN INDEPENDENT FILM
- SON LUX for Everything Everywhere All At Once
OUTSTANDING ORIGINAL SCORE FOR A TELEVISION OR STREAMING PRODUCTION
- CRISTOBAL TAPIA DE VEER for The White Lotus
OUTSTANDING ORIGINAL SONG FOR VISUAL MEDIA – DRAMA/DOCUMENTARY
- DIANE WARREN for “Applause” from Tell It Like A Woman
OUTSTANDING ORIGINAL SONG FOR VISUAL MEDIA- MUSICAL/COMEDY
- ALEXANDRE DESPLAT, ROEBAN KATZ, and GUILLERMO DEL TORO for “Ciao Papa” from Guillermo Del Toro’s Pinocchio
OUTSTANDING ORIGINAL SCORE FOR INTERACTIVE MEDIA
- STEPHANIE ECONOMOU for Assassin’s Creed Valhalla: Dawn of Ragnarök
DAVID RAKSIN AWARD FOR EMERGING TALENT
- NAMI MELUMAD
SPIRIT OF COLLABORATION AWARD
- DAMIEN CHAZELLE and JUSTIN HURWITZ
AN AMERICAN IN PARIS – George Gershwin, Johnny Green, and Saul Chaplin
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Producer Arthur Freed took in a Hollywood Bowl performance of George Gershwin’s music from the Jazz Age and was inspired by the show’s “An American in Paris” number. For the next three years he sought support in bringing his film version to fruition. He found a partner in Gene Kelly who sold MGM executives on the concept of a dance film by screening the film “The Red Shoes” (1948). Arthur Freed was assigned production with a $2.7 million budget, Alan Jay Lerner was hired to write the screenplay, Gene Kelly would manage the choreography, and Vincente tasked with directing, with assistance from Gene Kelly. Kelly had seen Leslie Caron performing a ballet in Paris and he personally recruited her for the role of Lise Bouvier. Joining her would be Gene Kelly as Jerry Mulligan, Oscar Levant as Adam Cook, George Guétary as Hank Baurel, Nina Foch as Milo Roberts and Eugene Borden as Georges Mattieu. Read more…
Burt Bacharach, 1928-2023
Composer Burt Bacharach died on February 9, 2023, at home in Los Angeles after a short illness. He was 94.
Burt Freeman Bacharach was born in Kansas City, Missouri, in May 1928, but grew up in Queens, New York. He developed a keen interest in jazz as a teenager, after visiting jazz clubs and watching performances by Dizzy Gillespie and Count Basie. He studied music at McGill University in Montreal, at the Mannes School of Music in New York, and at the Music Academy of the West in California, where his teachers included classical greats like Darius Milhaud and Bohuslav Martinů.
After a stint in the US Army he worked as a pianist at resorts in the Catskill Mountains of New York, before going on to work as an arranger and conductor for legendary actress Marlene Dietrich’s nightclub shows. He met lyricist Hal David in 1957, and they began writing songs together; they scored an immediate hit with “Magic Moments” by Perry Como, which reached number 1 in the charts when Bacharach was just 29 years old. Read more…
IFMCA Award Nominations 2022
INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION AWARDS NOMINATIONS ANNOUNCED
TELEVISON AND GAME SCORES ELIGIBLE FOR SCORE OF THE YEAR FOR FIRST TIME; BEAR MCCREARY, MICHAEL GIACCHINO, DANIEL PEMBERTON LEAD LIST OF NOMINATED COMPOSERS; COMPOSERS FROM EGYPT, FINLAND, JAPAN, POLAND, TURKEY, AMONG MANY OTHERS, ALL VYING FOR PRIZES
FEBRUARY 9, 2023. The International Film Music Critics Association (IFMCA) announces its list of nominees for excellence in musical scoring in 2022, for the 19th annual IFMCA Awards. Composers Bear McCreary, Michael Giacchino, and Daniel Pemberton lead the list of composer nominees with eight, seven, and five nominations respectively, closely followed by Simon Franglen (4), Alexandre Desplat (3), and John Williams (3).
American composer McCreary’s nominations are for his work on the epic Amazon Prime television series The Lord of the Rings: The Rings of Power based on the classic fantasy writings of J.R.R. Tolkien; the animated comedy Paws of Fury: The Legend of Hank, which is a re-imagining of the classic 1970s comedy Blazing Saddles; the epic video game God of War: Ragnarök; and for his continuing outstanding contributions to the most recent of TV series such as Outlander, See, The Serpent Queen, The Walking Dead, and The Witcher: Blood Origin. The Lord of the Rings: The Rings of Power received nominations for Score of the Year – the first television score nominated in that category in IFMCA history since the rule change to allow TV scores to be included was announced in 2022 – plus Best Television score, and for three different tracks in the Composition of the Year category, while McCreary himself was nominated for Composer of the Year.
IFMCA member James Southall called The Rings of Power “a real triumph, undoubtedly McCreary’s own career-defining moment,” and IFMCA member Conrado Xalabarder said that the score was “one of the best in the history of music for television series … a work made from intelligence, commitment and above all respect for Tolkien and the audience. All its central themes work impeccably, coherently, and they develop and interact with each other, creating first-rate narration and dramaturgy.” IFMCA member Jon Broxton similarly praised the score, saying “the level of research and intelligent design McCreary has done in terms of creating the musical structure of The Rings of Power is absolutely astonishing, and is probably unparalleled in the history of television music.” Read more…
M3GAN – Anthony Willis
Original Review by Jonathan Broxton
It’s always interesting to me to observe when things go ‘viral’ online. Right now, in the early months of 2023, you can’t open up Instagram or Tik-Tok without being confronted by some pre-teen girl (or, perhaps slightly creepily, not a pre-teen girl) re-creating the dance from M3GAN, a short scene where the protagonist of the movie of the same name prances in an office hallway – whirling arms and hair flips and even a hands-free cartwheel – before bloodily dispatching someone with the blade of a paper guillotine. The dance craze comes from the eponymous movie, a horror-thriller with a rich vein of dark humor, about a toy designer who makes an incredibly lifelike android companion for her recently orphaned niece, but who then comes to regret making it when the doll/robot inevitably becomes self-aware and goes awry, embarking on a murderous rampage. Read more…
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