Archive
SEVEN BRIDES FOR SEVEN BROTHERS – Gene de Paul, Johnny Mercer, Adolph Deutsch, Saul Chaplin
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
MGM was seeking to produce another in its fine line of musicals and decided they had found their story; “The Sobbin’ Women” by Stephen Vincent Benet, which was itself derived from the ancient roman mythological tale “The Rape of the Sabine Women”. Jack Cummings was assigned production with a budget of $2.54 million. Albert Hackett, Frances Goodrich and Dorothy Kingsley were hired to write the screenplay, Michael Kidd was brought in as choreographer, and Stanley Donen was tasked with directing. For the cast of the seven brothers and their brides, we have; Howard Keel as Adam and Jane Powell as Milly, Jeff Richards as Benjamin and Julie Newmar as Dorcas, Matt Mattox as Caleb and Ruta Kilmonis as Ruth, Marc Platt as Daniel and Norma Doggett as Martha, Jacques d’Amboise as Ephraim and Virginia Gibson as Liza, Tommy Rall as Frank and Betty Carr as Sarah, and Russ Tamblyn as Godeon and Nancy Kilgas as Alice. Joining them would be Ian Wolfe as Reverend Elcott, Howard Petrie as Pete Perkins, Russell Simpson as Mr. Bixby and Marjorie Wood as Mrs. Bixby. Read more…
AN AMERICAN IN PARIS – George Gershwin, Ira Gershwin, Saul Chaplin, Johnny Green
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Producer Arthur Freed took in a Hollywood Bowl performance of George Gershwin’s music from the Jazz Age and was inspired by the show’s “An American in Paris” number. For the next three years he sought support in bringing his film version to fruition. He found a partner in Gene Kelly who sold MGM executives on the concept of a dance film by screening the film “The Red Shoes” (1948). Arthur Freed was assigned production with a $2.7 million budget, Alan Jay Lerner was hired to write the screenplay, Gene Kelly would manage the choreography, and Vincente tasked with directing, with assistance from Gene Kelly. Kelly had seen Leslie Caron performing a ballet in Paris and he personally recruited her for the role of Lise Bouvier. Joining her would be Gene Kelly as Jerry Mulligan, Oscar Levant as Adam Cook, George Guétary as Hank Baurel, Nina Foch as Milo Roberts and Eugene Borden as Georges Mattieu. Read more…
Saul Chaplin, 1912-1997
Composer, arranger, musical director and producer Saul Chaplin died in Los Angeles on November 15, 1997, at the age of 85, from injuries sustained in a fall.
One of the great behind-the-scenes craftsmen of Hollywood’s golden-age musical, Chaplin worked on some 60 films and won three Academy Awards, for An American in Paris, Seven Brides for Seven Brothers and West Side Story.
Chaplin was born Saul Kaplan in Brooklyn, New York, on February 19, 1912. He studied accounting at New York University but spent his spare time playing piano and writing songs. After graduation he teamed with lyricist Sammy Cahn, beginning a highly successful Tin Pan Alley partnership whose songs included “Please Be Kind,” “Until the Real Thing Comes Along” and the English-language version of “Bei Mir Bist Du Schoen,” which became an enormous hit for the Andrews Sisters.
Chaplin entered Hollywood during the 1940s, working at Columbia before moving to MGM in 1949. His expertise lay less in conventional dramatic scoring than in adapting, arranging and reshaping existing songs for the screen. He provided vocal arrangements for Al Jolson in The Jolson Story (1946), worked on Gene Kelly and Frank Sinatra’s On the Town (1949), and arranged Judy Garland’s celebrated performance of “Get Happy” in Summer Stock (1950).
His first Academy Award came for Vincente Minnelli’s An American in Paris (1951), for which he and Johnny Green adapted and supervised George Gershwin’s music, culminating in the film’s famous extended ballet. The picture won six Oscars, including Best Picture and Best Scoring of a Musical Picture. Read more…
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