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Archive for January, 2019

EDWARD SCISSORHANDS – Danny Elfman

January 14, 2019 Leave a comment

100 GREATEST SCORES OF ALL TIME

Original Review by Craig Lysy

Director Tim Burton related that, as a teenager growing up in Burbank California, he felt estranged, isolated and misunderstood. A drawing by him of a solemn man bearing long sharp blades spoke to his inability to form and retain friends. The drawing served as inspiration for his film Edward Scissorhands, where he sought to explore a young man dealing with feelings of isolation and self-discovery. After reading First Born, a 1983 novelette by Caroline Thompson, he was sufficiently impressed to hire her to write the screenplay for the film. Burton and her sought inspiration from the classic monster movies of the past including The Hunchback of Notre Dame, The Phantom of the Opera, and Frankenstein, as well traditional fairy tales. The project was very personal to Burton, and Thompson relates she wrote the screenplay as a love poem to the director. 20th Century Fox acquired the film rights, and given Burton’s stunning commercial success with Batman in 1989, gave him complete creative control. He assembled a fine cast, including Johnny Depp for the titular role. Joining him would be Winona Ryder as Kim Boggs, Dianne Wiest as Peg Boggs, Anthony Michael Hall as Jim, Kathy Baker as Joyce, Robert Oliveri as Kevin Boggs, Alan Arkin as Bill Boggs, O-Lan Jones as Esmeralda, and Vincent Price in his final screen role as Edward’s creator. Read more…

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Best Scores of 2018, Part I

January 11, 2019 3 comments

This is the first installment in my annual series of articles looking at the best “under the radar” scores from around the world. Rather than grouping the scores on a geographical basis, this year I decided to simply present the scores in a random order, and so this first batch includes five scores from several disparate locations – a stunning romantic TV drama from China, a political drama score for a TV series from Egypt, a drama score from India by one of the world’s most successful composers, and two standout works from Spain – a historical TV drama series, and a stunning documentary work about mysteries of science, nature, and space. Read more…

HELLBOUND: HELLRAISER II – Christopher Young

January 10, 2019 Leave a comment

THROWBACK THIRTY

Original Review by Jonathan Broxton

The 1987 film Hellraiser, based on the novella The Hellbound Heart by British horror author Clive Barker, was an unexpected critical and commercial success at the box office, and as such an immediate sequel was commissioned to cash in on the new popularity of Pinhead and his merry band of ‘cenobite’ demons, who live in a realm of hell where pleasure, pain, and suffering are one. The resulting film, titled Hellbound: Hellraiser II, takes place in the immediate aftermath of the first film, and finds protagonist Kirsty (Ashley Laurence) – having escaped from Pinhead (Doug Bradley) – recovering in a mental institution under the care of Dr Channard (Kenneth Cranham). However, it is revealed that Channard is secretly obsessed with cenobites, and has been searching for the ‘lament configuration’ puzzle box that summons them for years. Despite Kirsty’s desperate pleas, Channard recovers the bloody mattress that Kirsty’s stepmother Julia (Clare Higgins) died on in the last film, and uses it to resurrect her; so begins a gruesome, desperate game, as Channard and Julia explore the realms of hell together, while Kirsty tries to stop the cenobites once and for all. The film was written by Peter Atkins and is directed by journeyman Tony Randel, taking over duties from Barker. Read more…

BAFTA Nominations 2018

January 9, 2019 Leave a comment

baftaThe British Academy of Film and Television Arts (BAFTA) has announced the nominations for the 72nd British Academy Film Awards, honoring the best in film in 2018.

In the Best Original Music category, which is named in memory of the film director Anthony Asquith, the nominees are:

  • TERENCE BLANCHARD for Blackkklansman
  • NICHOLAS BRITELL for If Beale Street Could Talk
  • BRADLEY COOPER, STEFANI GERMANOTTA (LADY GAGA), and LUKAS NELSON for A Star is Born
  • ALEXANDRE DESPLAT for Isle of Dogs
  • MARC SHAIMAN for Mary Poppins Returns

This is the ninth BAFTA nomination for Desplat, who won for “The King’s Speech” in 2010, “The Grand Budapest Hotel” in 2014, and for “The Shape of Water” in 2018; and the second nomination for Shaiman, who was previously nominated for “Sleepless in Seattle” in 1993. It is the first nomination for both Blanchard and Britell. Cooper, Nelson, and Lady Gaga are nominated for the numerous original songs they wrote for the latest screen version of A Star is Born.

The winners of the 72nd BAFTA Awards will be announced on February 20, 2019.

Categories: News and Announcements Tags: ,

WATERSHIP DOWN – Federico Jusid

January 8, 2019 2 comments

Original Review by Jonathan Broxton

The 1972 novel Watership Down by Richard Adams is a classic of British literature. Note that I said literature and not children’s literature, because although the story is about a group of anthropomorphized rabbits, the story is very much an adult one. Following the destruction of their warren, a group of rabbits led by the brave Hazel, the sensitive Fiver, and the strong Bigwig make their way across the English countryside in search of a new home, and must fight against all manner of dangers – both natural and man-made – as they do so. What’s so brilliant about Adams’s novel is the way in which it creates an entire culture for the rabbits, with a creation myth, gods and spirits, a unique language with specialized vocabulary, and even a hierarchical society – the latter of which comes into play when Hazel and his friends encounter rabbits from an authoritarian rival warren overseen by the tyrannical General Woundwort. When you combine this with themes that mirror classical epics about life and death, environmentalism, and politics, the result is one of the great English books of the last fifty years. The story was made into a much-loved animated film in 1978 – again, not for kids – and is now a three-part mini-series jointly produced by the BBC and Netflix, directed by Noam Murro, which features an astonishing voice cast including James McAvoy, Nicholas Hoult, John Boyega, Ben Kingsley, Tom Wilkinson, Gemma Arterton, Olivia Colman, Daniel Kaluuya, Taron Egerton, and many many others. Read more…

AVALON – Randy Newman

January 7, 2019 Leave a comment

100 GREATEST SCORES OF ALL TIME

Original Review by Craig Lysy

Avalon offered Barry Levinson’s third installment of his semi-autobiographical tetralogy of ”Baltimore Films” – Diner (1982), Tin Men (1987), Avalon (1990) and Liberty Heights (1999) – which explored immigrant life in his hometown Baltimore from the 1940s through the 1960s. He served as producer, director and screenwriter for the project and his production company Baltimore Pictures financed the film. He brought in a first class cast, which included Leo Fuchs as Hymie Krichinsky, Lou Jacobi as Gabriel Krichinsky, Armin Mueller-Stahl as Sam Krichinsky, Joan Plowright as Eva Krichinsky, Israel Rubinek as Nathan Krichinsky, Eve Gordon as Dottie Kirk, Elizabeth Perkins as Ann Kaye, Aiden Quinn as Jules Kaye and Elijah Wood as Michael Kaye. The film offers a commentary on the challenges of immigrant Russian-Jews trying to assimilate in America. Sam, the patriarch of the Krichinsky family, arrives in 1914 to forge a new life, eventually settling in Baltimore where he works as a wallpaper man. Matriarch Eva is firmly grounded in the old ways and ensures the family stays true to its roots. Conflicts between old country familial culture and modern American culture are inevitable and elicit generational clashes as Sam and Eva struggle to balance the old with the new. Despite hardships, which include an armed robbery, a devastating home fire, and children abandoning their surname for an American one, the family holds together, weathering the storm, united in love. The film was a commercial success and secured four Academy Award nominations including Best Screenplay, Best Cinematography, Best Costume Design and Best Film Score. Read more…

Golden Globe Winners 2018

January 6, 2019 Leave a comment

The Hollywood Foreign Press Association (HFPA) have announced the winners of the 76th Golden Globe Awards, honoring the best in film and American television of 2018.

In the Best Original Score category composer Justin Hurwitz won the award for his score for director Damien Chazelle’s film First Man, which tells the life story of the first man on the moon Neil Armstrong. This is Hurwitz’s second Golden Globe, him having won previously for La La Land in 2016. In his acceptance speech, Hurwitz said:

“OK, alright. I have to thank Nick Baxter who mixed this score, and John Taylor who mixed this movie, because a theremin score could have ended up being very annoying, and they found the right place for everything to sit and showed that great mixers can make a composer look good. So, thanks to them. I want to thank Tom Cross who cut the film, and the whole editorial department – Harry Yoon, John To, Derek Drouin, Jennifer Stelemma, Jeff Harlacker, Jason Miller – I’m in awe of how you guys put together something so complex. Thank you of course to Damian [Chazelle], who is brilliant and loyal and touches every detail of our work. Thank you HFPA, thank you everybody at Universal, and the Los Angeles musicians.”

The other nominees were Marco Beltrami for A Quiet Place, Alexandre Desplat for Isle of Dogs, Ludwig Göransson for Black Panther, and Marc Shaiman for Mary Poppins Returns.

In the Best Original Song category, the winners were Stefani Germanotta (Lady Gaga), Mark Ronson, Anthony Rossomando, and Andrew Wyatt, for their song “Shallow” from the latest version of A Star Is Born.

The other nominees were Jón Þór Birgisson (Jónsi), Troye Sivan, and Brett McLaughlin for “Revelation” from Boy Erased; Kendrick Lamar Duckworth, Anthony Tiffith, Mark Spears (Sounwave), Solána Rowe (SZA), and Al Shuckburgh (Al Shux) for “All the Stars” from Black Panther; Annie Lennox for “Requiem for A Private War” from A Private War; and Dolly Parton and Linda Perry for “Girl in the Movies” from Dumplin’.