Archive
HELLRAISER – Ben Lovett
Original Review by Jonathan Broxton
The Hellraiser franchise, which was originally adapted from Clive Barker’s acclaimed novella ‘The Hellbound Heart’ and first hit cinema screens in 1987, has one of horror’s all-time-great conceptual cornerstones; the idea that an ancient puzzle box which, once solved by unwary and unwitting souls, releases a group of demonic figures known as Cenobites, who then abduct and subject their victims to endless torture. The original film also introduced one of horror’s all-time-great antagonists, the terrifying Pinhead, an S&M demon who comes from a realm of hell where pleasure, pain, and suffering are one and the same. Unfortunately, the franchise quickly became a shadow of its initial self; the first sequel, 1988’s Hellbound, was good, and the second sequel, 1992’s Hell on Earth, was tolerable, but then the subsequent SEVEN sequels got progressively worse and worse, the intelligence levels decreasing in unison with the budgets. This new film, also called Hellraiser, is an attempt to re-ignite the franchise with a better screenplay and re-imagined Cenobites; it’s directed by David Bruckner from a screenplay by Ben Collins and Luke Piotrowski, stars Odessa Azion as the new protagonist Riley, and features Jamie Clayton as the new ‘Hell Priest,’ who is actually much closer to the pan-sexual and androgynous iteration of the Pinhead character from Barker’s original story. Read more…
HELLRAISER III: HELL ON EARTH – Randy Miller
Original Review by Jonathan Broxton
One of the most popular and successful horror franchises of the 1980s and 1990s was Hellraiser, based on Clive Barker’s groundbreaking but somewhat controversial 1986 novella The Hellbound Heart. The first film based on the story was released in 1987 and introduced the iconic Pinhead character to the pantheon of horror movie monsters: an inter-dimensional ‘cenobite’ traveler who ensnares unwary souls with his cryptic puzzle box, and then sentences them to a lifetime of torture that blurs the lines between pain and pleasure. A sequel, Hellbound: Hellraiser II, was released in 1988, which expanded on the mythos of the cenobites, and was mostly well received by audiences. This second sequel, Hellraiser III: Hell on Earth, marked the end of the series of ‘good’ Hellraiser movies – from this point on, through seven further interminable entries, the franchise became worse and worse, to the point where Hellraiser fans essentially consider this to be the conclusion of the story. Read more…
HELLBOUND: HELLRAISER II – Christopher Young
Original Review by Jonathan Broxton
The 1987 film Hellraiser, based on the novella The Hellbound Heart by British horror author Clive Barker, was an unexpected critical and commercial success at the box office, and as such an immediate sequel was commissioned to cash in on the new popularity of Pinhead and his merry band of ‘cenobite’ demons, who live in a realm of hell where pleasure, pain, and suffering are one. The resulting film, titled Hellbound: Hellraiser II, takes place in the immediate aftermath of the first film, and finds protagonist Kirsty (Ashley Laurence) – having escaped from Pinhead (Doug Bradley) – recovering in a mental institution under the care of Dr Channard (Kenneth Cranham). However, it is revealed that Channard is secretly obsessed with cenobites, and has been searching for the ‘lament configuration’ puzzle box that summons them for years. Despite Kirsty’s desperate pleas, Channard recovers the bloody mattress that Kirsty’s stepmother Julia (Clare Higgins) died on in the last film, and uses it to resurrect her; so begins a gruesome, desperate game, as Channard and Julia explore the realms of hell together, while Kirsty tries to stop the cenobites once and for all. The film was written by Peter Atkins and is directed by journeyman Tony Randel, taking over duties from Barker. Read more…
HELLRAISER – Christopher Young
Original Review by Jonathan Broxton
In the early autumn of 1987 the movie world was introduced to its newest horror franchise: Hellraiser, based on the acclaimed novella ‘The Hellbound Heart’ by British author Clive Barker. It was directed by Barker himself, making his filmmaking debut, and contains sinister themes involving sexual experimentation and sadomasochism, dressed up with a darkly romantic sheen of gothic horror. The plot involves an ancient puzzle box which falls into the hands of the amoral Frank Cotton (Sean Chapman) and which, once solved, releases a group of demonic figures known as Cenobites, who then abduct and subject their unwitting victims to endless torture. Years after Frank’s disappearance his brother Larry (Andrew Robinson), Larry’s daughter Kirsty (Ashley Laurence), and Larry’s new wife Julia (Clare Higgins) move into Frank’s old house; Larry is unaware that Julia had a passionate affair with Frank before he disappeared. A common household accident results in the skinless corpse of Frank somehow being resurrected in the attic; in order to finalize his reincarnation, Frank needs a fresh supply of human blood, which the still-obsessed Julia agrees to provide. However, the Cenobites have found out about Frank’s escape from ‘hell,’ and their terrifying leader, Pinhead (Doug Bradley), resolves to bring him back – at which point Kirsty finds herself caught in the middle of the nightmare. Read more…