Archive
THE RECRUIT – Klaus Badelt
Original Review by Peter Simons
Ever since John Powell and Harry Gregson-Williams left the Media Ventures studio, Klaus Badelt has been busier than ever. We are barely halfway through 2003 and already the young composer has scored five movies, including the Aussie drama Ned Kelly, the Matrix rip-off Equilibrium, and the swashbuckler Pirates of the Caribbean. And then there is this one: The Recruit. A thriller directed by Roger Donaldson, starring Colin Farrell as a brilliant CIA-trainee who is asked by his mentor (Al Pacino) to detect a mole operating within the Agency. If nothing more, Donaldson has created an entertaining movie. Donaldson is a bit of a stealthy director in Hollywood, despite several entertaining high-profile movies such as Species, Dante’s Peak and Thirteen Days. For the music Donaldson has turned to a different composer for every new movie, creating an impressive track record of having worked with the likes of Vangelis, Maurice Jarre, Mark Isham, Chris Young and Trevor Jones. For The Recruit, he turned to Klaus Badelt. Read more…
DARKNESS FALLS – Brian Tyler
Original Review by Jonathan Broxton
Traditionally, horror movies have given enthusiastic young composers an opportunity to “show what they are made of” and demonstrate their orchestral know-how to the world at large. Unconstrained by the demands of subtlety and studio interference, and working in a genre where music is perhaps more important than in any other, these ambitious men and women have regularly begun their careers writing for stalk and slash, knife-wielding stories, honing their craft, and demonstrating their talents. Over the years, the likes of James Horner, Christopher Young and (more recently) Marco Beltrami have embarked on their career ladder by scoring serial killer movies and monster flicks – and now Brian Tyler can be added to this list. It’s been quite a while since we had a balls-to-the-wall horror score on our hands. Darkness Falls is one of them. Read more…
Ron Goodwin, 1925-2003
Composer Ron Goodwin died on January 8, 2003, at his home near Reading, England. He was 77. Earlier that evening he had completed conducting a series of Christmas concerts with the Bournemouth Symphony Orchestra, and died in his sleep that night.
FULL OBITUARY COMING SOON.
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