Archive for March, 2011

A Symphony of Hope: The Haiti Project

March 28, 2011 Leave a comment

Last Saturday, March 26th, I had the honor attending the recording sessions for “A Symphony of Hope: The Haiti Project” at the Eastwood Scoring Stage at Warner Brothers Studios in Burbank, CA. The brainchild of composer Christopher Lennertz, the Symphony is musical fundraising project designed to help the people of Haiti in their desperate time of need.

A year after the terrible earthquake which destroyed the lives of thousands of Haitians, it was clear to Lennertz that the need for assistance was greater than ever. In response Lennertz came up with the idea of the “Symphony of Hope”, and invited 25 leading film composers to collaborate with him on a project to benefit the Haiti Earthquake Relief fund. Read more…


Movie Music UK Awards 2010

March 27, 2011 10 comments

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March 26, 2011 3 comments

greatestmiracleOriginal Review by Jonathan Broxton

I regularly have conversations with fellow film music aficionados about which composers don’t get the public acclaim, respect and – most importantly – regular assignments we feel they should. Time and again, Mark McKenzie’s name is repeated as one of those men whose music is so amazing, but no-one can adequately give a reason why he isn’t scoring the most important and acclaimed films Hollywood produces. He writes some of the most beautiful, lyrical and emotionally resonant music ever written for film – and I do mean ever written for film – but yet seems quite content to stay out of the limelight, orchestrating diligently for other composers, and writing one score of his own every couple of years. From a purely selfish point of view, this frustrates me immensely, because he quite obviously has the talent to be one of the all-time greats. As it stands, he has scored fewer than 20 films in his entire career, which spans back to 1991. Read more…


March 24, 2011 Leave a comment

thosemagnificentmenintheirflyingmachinesMOVIE MUSIC UK CLASSICS

Original Review by Craig Lysy

It is 1910 and Lord Rawnsley, an English press magnate of the Daily Post, conceives a great contest designed to affirm to the world, English supremacy of the air. He offers an enormous £10,000 to the winner of an air race from London to Paris. This rich offer serves to bring flyers of all makes from across the world to enlist. What follows is a truly wild, zany and comedic adventure tale with many twists and sub-plots as the various flyers jockey not only for position but also for the affections of countless women. The film was conceived by writer director Ken Annakin who said “I wanted lots of gags, but also wanted to pay tribute to the inventiveness of the early aviators.” The film was a commercial and critical success securing BAFTA, Golden Globe and Oscar nominations. Ron Goodwin, the stalwart of British film scoring, was hired and took up the challenge with his usual determination. Embracing the film at face value, Goodwin deliberately wrote unabashedly to the various cultural and actor stereotypes, and so you will hear national anthems, marches, waltzes and folk songs that are woven into a wonderful and outrageous comedic tapestry. And so my friends, buckle up, and let’s fly off on our zany adventure! Read more…

RED RIDING HOOD – Brian Reitzell and Alex Heffes

March 22, 2011 1 comment

redridinghoodOriginal Review by Jonathan Broxton

Poor old Jakob and Wilhelm Grimm must be rolling in their graves, seeing how their old fairy tale has been modernized. Catherine Hardwicke, the director of the first Twilight film, has now “Twilightified” the classic story of Little Red Riding Hood in an attempt to capture the same teenage girl demographic by adding a whole load of sex appeal, rippling abdominal muscles, and brooding teenage angst to the story of wolves and grandmothers and little girls in red walking through the woods. Amanda Seyfried stars as Valerie, a young girl from a village in a remote forest who finds herself caught between Peter (Shiloh Fernandez), the man she loves, and Henry (Max Irons), the man she was promised to by her parents – not to mention the looming threat of a werewolf, who has a nasty habit of picking off villagers who wander too far off the beaten path. The film also stars Gary Oldman, Billy Burke, Virginia Madsen and Julie Christie. Read more…

COPERNICUS’ STAR – Abel Korzeniowski

March 21, 2011 3 comments

copernicusstarOriginal Review by Jonathan Broxton

When Polish composer Abel Korzeniowski was nominated for a Golden Globe in 2009 for A Single Man, I – like many other film music fans no doubt – went to his website to see who this hitherto unknown composer was and where he came from. There was a section on his site housing MP3s from his previous scores, one of which was the intriguingly titled Copernicus’ Star. Again, no doubt like many others, I was absolutely enthralled and captivated by the staggeringly good music from this unknown, mysterious film. One of the others who had a similar reaction was soundtrack producer Dan Goldwasser, who has since worked with the good people at La La Land Records to get a full soundtrack release – the result of which is this excellent album. Read more…

JANE EYRE – Dario Marianelli

March 17, 2011 3 comments

janeeyreOriginal Review by Jonathan Broxton

Jane Eyre, Charlotte Brontë’s timeless tale of love, madness and female empowerment, has been brought to life several times on the big screen, and inspired some excellent scores, most notably by Bernard Herrmann and John Williams. This new film, directed by Cary Fukunaga, stars Mia Wasikowska as the eponymous heroine, who was mistreated and downtrodden as a young girl in 17th century England, but eventually grows up to be the governess of a young girl at the rambling, imposing Thornfield Hall. Jane falls in love with the dashing master of the house, Rochester (Michael Fassbender), but as her relationship with the raffish gentleman develops, increasingly strange things begin to happen during the night in the dark and dusty corridors of Thornfield, testing Jane’s nerve, and her sanity. The film also stars Jamie Bell, Sally Hawkins and Judi Dench, and features a sumptuous, utterly beautiful score by Dario Marianelli. Read more…