Posts Tagged ‘Tyler Bates’

DEADPOOL 2 – Tyler Bates

May 22, 2018 Leave a comment

Original Review by Jonathan Broxton

Considering that super hero movies in both the main Marvel and DC universes have become enormously serious affairs in recent years, it’s a breath of fresh air to have something like Deadpool 2 come along. A wholly irreverent, self-aware, and unashamedly profane affair, director David Leitch’s film is a sequel to the unexpectedly popular 2016 original. Ryan Reynolds returns in the lead role as the reluctant hero, a mutant in the X-Men timeline with the ability to heal himself from literally any wound or illness; in this film, he becomes embroiled in an unexpectedly complicated plot involving a time-travelling cyborg named Cable (Josh Brolin) who has travelled from the future to assassinate an anguished, overweight teenage mutant orphan with the ability to shoot fire from his hands (Julian Dennison from Hunt for the Wilderpeople). It touches on themes of family, revenge, and even child abuse, but the main selling point is the character of Deadpool himself, who is entirely aware of his ridiculous super hero circumstances, and who offers scathing commentary and snarky pop-culture references on his own adventures while dispatching the bad guys. It’s gleefully gory, and massively overblown, but has a surprisingly heartwarming and touching emotional core too, with the latter element involving Deadpool’s ex-stripper girlfriend (Morena Baccarin) and the members of the X-Force team that Deadpool assembles; I really enjoyed it. Read more…


May 9, 2017 1 comment

Original Review by Jonathan Broxton

The latest entry into the Marvel Cinematic Universe is Guardians of the Galaxy Vol. 2, in which writer/director James Gunn blends epic space action and special effects with broad comedy and a whole host of unresolved daddy issues. In the aftermath of the events of the first film, the Guardians – Star Lord Peter Quinn (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket (Bradley Cooper), and the newly-sprouted Baby Groot (Vin Diesel) – are now working as heroes for hire, saving planets for a price. Unfortunately for the Guardians, the aftermath of their most recent job results in them running from the haughty and arrogant High Priestess of the Sovereigns (Elizabeth Debicki), space pirate Yondu Udonta (Michael Rooker), and Gamora’s vengeful sister Nebula (Karen Gillan), all of whom have different reasons for wanting to find the Guardians. Unexpectedly, the Guardians receive help from an omnipotent and powerful creature named Ego (Kurt Russell), who claims to be Quinn’s father… Read more…


August 5, 2014 12 comments

guardiansofthegalaxy-scoreOriginal Review by Jonathan Broxton

I have waited for 15 years, ever since I heard his first major score for the 1999 film Rated X, to type the following sentence: finally, after all these years, here is a Tyler Bates score I enjoy quite a lot. I have made no secret of the fact that I have found the vast majority of Bates’s work over the past decade pretty underwhelming. Ignoring the controversy surrounding his work on 300, scores like The Day the Earth Stood Still, Watchmen, and Conan the Barbarian had the conceptual and thematic potential to inspire truly terrific music, but ended up being disappointments of the highest order. Guardians of the Galaxy, thankfully, is a significant step forward. While still lagging behind the upper echelons of the film scoring world, and despite still suffering from a curious lack of individual personality, it is nevertheless the best score of Bates’s career to date by a country mile, making use of a big orchestra, a big choir, electronics, and some rock and 1980s pop elements, all brought together under the banner of a rousing central theme. Read more…


December 21, 2011 2 comments

Original Review by Jonathan Broxton

As a general rule, and if I can help it, I don’t engage in hyperbole on Movie Music UK. A recurring cliché is that predominantly web-based reviewers are prone to proclaim every new thing “Best Something Ever” or “Worst Something Ever”, with no real sense of the history of whatever they are reviewing, and it’s a difficult stigma to overcome. Having said that, and with those points in mind, you will understand what it means why I say that Tyler Bates’ score for The Darkest Hour is one of the worst film scores I have ever heard. The last time I wrote something along these lines was when I reviewed Geoff Zanelli’s awful effort for the film Gamer in 2009. In my review of it I posted a picture of a polar bear with a migraine to illustrate how it made me feel; as such, here is a similarly illustrative visual representation of how I felt after listening to The Darkest Hour: Read more…

A SYMPHONY OF HOPE: THE HAITI PROJECT – Christopher Lennertz et al.

October 2, 2011 1 comment

Original Review by Jonathan Broxton

On January 12, 2010, the city of Port-au-Prince in Haiti was effectively flattened when it was struck by a magnitude 7.0 earthquake. Within a matter of seconds over 50,000 people had been killed, and over a million people left homeless. Diseases such as cholera blighted the survivors and thwarted relief efforts, and since then the humanitarian crisis in the country has reached staggering proportions, with over 250,000 residences destroyed and basic services and infrastructure left in ruins. Reacting to the global call for help, film composer Christopher Lennertz was inspired to act. Calling upon his fellow composers and other members of the Los Angeles film music community of musicians and engineers, Lennertz teamed up with the charity Hands Together to create A Symphony of Hope: The Haiti Project, a musical fundraising project intended to help the people of Haiti. Read more…


September 3, 2011 2 comments

Original Review by Jonathan Broxton

Film music aficionados generally consider the score for the original 1982 version of Conan the Barbarian, written by the late great Basil Poledouris, to be one of the finest scores ever written. While remaking the film itself is, from my point of view, neither here nor there as I thought the original movie was greatly flawed, stepping into Poledouris’s musical shoes was always going to be a daunting task, no matter who the composer is. It turns out that the composer is Tyler Bates, returning to the historical action epic genre that first brought him to prominence – or should that be notoriety? – with 300 back in 2006.

The film, which is based on the sword-and-sorcery pulp stories of Robert E. Howard, is directed by Marcus Nispel and stars Hawaiian actor Jason Momoa in the classic Arnold Schwarzenegger role. The straightforward story follows the adventures of Conan, a vengeful warrior who marauds across the landscape of medieval Hyboria searching for those that murdered his father and slaughtered his village when he was a small boy. Read more…

A Symphony of Hope: The Haiti Project

March 28, 2011 Leave a comment

Last Saturday, March 26th, I had the honor attending the recording sessions for “A Symphony of Hope: The Haiti Project” at the Eastwood Scoring Stage at Warner Brothers Studios in Burbank, CA. The brainchild of composer Christopher Lennertz, the Symphony is musical fundraising project designed to help the people of Haiti in their desperate time of need.

A year after the terrible earthquake which destroyed the lives of thousands of Haitians, it was clear to Lennertz that the need for assistance was greater than ever. In response Lennertz came up with the idea of the “Symphony of Hope”, and invited 25 leading film composers to collaborate with him on a project to benefit the Haiti Earthquake Relief fund. Read more…