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Posts Tagged ‘Marvel Cinematic Universe’

SPIDER-MAN: HOMECOMING – Michael Giacchino

July 4, 2017 Leave a comment

Original Review by Jonathan Broxton

It’s been just fifteen years since Hollywood released its first big-screen movie about the popular comic book super hero Spider-Man. Tobey Maguire took the web-slinger through his first three iterations before the story was ‘re-booted’ and the Spidey suit was passed on to Andrew Garfield for The Amazing Spider-Man in 2012. He only lasted for two movies as now, building from his cameo appearance in Captain America: Civil War, the character has now been re-booted for a second time in order to facilitate his full introduction into the Avengers universe. The new Peter Parker/Spider-Man is played by English actor Tom Holland, and the film is another “origin story” of sorts, in which Parker tries to prove his worth to the de-facto leader of the Avengers, Tony Stark/Iron Man, by battling with super-villain Adrian Toomes/Vulture, while simultaneously dealing with the usual high school issues faced by a 15-year-old kid. The film co-stars Michael Keaton, Robert Downey Jr., and Marisa Tomei, and is directed by Jon Watts. Read more…

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GUARDIANS OF THE GALAXY VOL. 2 – Tyler Bates

May 9, 2017 1 comment

Original Review by Jonathan Broxton

The latest entry into the Marvel Cinematic Universe is Guardians of the Galaxy Vol. 2, in which writer/director James Gunn blends epic space action and special effects with broad comedy and a whole host of unresolved daddy issues. In the aftermath of the events of the first film, the Guardians – Star Lord Peter Quinn (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket (Bradley Cooper), and the newly-sprouted Baby Groot (Vin Diesel) – are now working as heroes for hire, saving planets for a price. Unfortunately for the Guardians, the aftermath of their most recent job results in them running from the haughty and arrogant High Priestess of the Sovereigns (Elizabeth Debicki), space pirate Yondu Udonta (Michael Rooker), and Gamora’s vengeful sister Nebula (Karen Gillan), all of whom have different reasons for wanting to find the Guardians. Unexpectedly, the Guardians receive help from an omnipotent and powerful creature named Ego (Kurt Russell), who claims to be Quinn’s father… Read more…

DOCTOR STRANGE – Michael Giacchino

November 11, 2016 4 comments

doctorstrangeOriginal Review by Jonathan Broxton

Doctor Strange is the fourteenth entry in the Marvel Cinematic Universe series of super-hero films that includes the Iron Man, Captain America, and Avengers franchises, and is the first to depict the origin story of a completely new character since Ant-Man last year. Directed by Scott Derrickson, it stars Benedict Cumberbatch as Stephen Strange, a brilliant but arrogant neurosurgeon, whose life is shattered when he severely damages both his hands in a car accident. Seeking new and experimental procedures so that he can fix his hands and resume his career, Strange eventually finds his way to Nepal where he meets Mordo (Chiwetel Ejiofor), a student of the so-called Ancient One (Tilda Swinton); however, rather than simply fix his physical injuries, the Ancient One sees further potential in Strange, and begins to train him in various mystical arts which allow him to enter the astral plane, conjure objects out of pure energy, manipulate reality, and even bend time. Eventually, Strange’s proficiency in these new abilities bring him into conflict with Kaecilius (Mads Mikkelsen), a former student of the Ancient One, who now seeks to use his powers in the service of evil. Read more…

ANT-MAN – Christophe Beck

July 30, 2015 2 comments

ant-manOriginal Review by Jonathan Broxton

A wholly unlikely new addition to the Marvel Cinematic Universe, Ant-Man is the latest super hero film to hit the silver screen. Originally created by Stan Lee, Larry Lieber and Jack Kirby for the comic ‘Tales to Astonish’ in 1962, this first big-screen adventure for the character focuses on cat burglar Scott Foley, whose efforts to put aside his life of crime are stymied by his inability to hold down a regular job, jeopardizing his relationship with his daughter Cassie. Talked into committing “one last job” by his former cellmate Luis, Scott breaks into a house to steal a safe, unaware that the house belongs to scientist and inventor Hank Pym, who has created a suit which will shrink the wearer down to the size of an ant, while simultaneously giving him super-human powers. Unbeknownst to Scott, Pym – who became the original Ant-Man in 1963 – has manipulated events so that he can convince Scott to become a new Ant-Man, and help him retrieve the shrinking technology from his former protégé, the ruthless Darren Cross, who has stolen it, and intends to it sell to agents of Hydra. The film is directed by Peyton Reed, stars Paul Rudd as Foley, Michael Douglas as Pym, Corey Stoll as Cross, and Evangeline Lilly as Pym’s daughter Hope Van Dyne, and has an original score by Christophe Beck. Read more…

AVENGERS: AGE OF ULTRON – Brian Tyler and Danny Elfman

May 5, 2015 7 comments

avengersageofultronOriginal Review by Jonathan Broxton

The latest entry into the Marvel Cinematic Universe is Avengers: Age of Ultron, the eleventh film in the series since the first Iron Man film in 2008, and the second film featuring all the main characters after the first Avengers movie in 2012. Directed by Joss Whedon, the film sees the six heroes – Tony Stark/Iron Man (Robert Downey Jr.), Steve Rogers/Captain America (Chris Evans), Bruce Banner/Hulk (Mark Ruffalo), Thor (Chris Hemsworth), Natasha Romanoff/Black Widow (Scarlett Johansson) and Clint Barton/Hawkeye (Jeremy Renner) – teaming up to take on Ultron (James Spader), a sentient robot created as part of an Earth defense system by Stark, which achieves consciousness and decides that the only way to save the Earth is to eradicate humanity. It’s a visual extravaganza, filled with spectacular special effects, complicated action sequences, and plenty of witty banter between the protagonists, as well as a host of cameos from earlier Marvel films, and the introduction of several new characters which will play larger roles in future movies. Read more…

GUARDIANS OF THE GALAXY – Tyler Bates

August 5, 2014 12 comments

guardiansofthegalaxy-scoreOriginal Review by Jonathan Broxton

I have waited for 15 years, ever since I heard his first major score for the 1999 film Rated X, to type the following sentence: finally, after all these years, here is a Tyler Bates score I enjoy quite a lot. I have made no secret of the fact that I have found the vast majority of Bates’s work over the past decade pretty underwhelming. Ignoring the controversy surrounding his work on 300, scores like The Day the Earth Stood Still, Watchmen, and Conan the Barbarian had the conceptual and thematic potential to inspire truly terrific music, but ended up being disappointments of the highest order. Guardians of the Galaxy, thankfully, is a significant step forward. While still lagging behind the upper echelons of the film scoring world, and despite still suffering from a curious lack of individual personality, it is nevertheless the best score of Bates’s career to date by a country mile, making use of a big orchestra, a big choir, electronics, and some rock and 1980s pop elements, all brought together under the banner of a rousing central theme. Read more…

CAPTAIN AMERICA: THE WINTER SOLDIER – Henry Jackman

March 20, 2014 17 comments

captainamericathewintersoldierOriginal Review by Jonathan Broxton

Once upon a time there was a director who, along with some friends – a writer, a cameraman, some actors – made a movie. It doesn’t matter what the movie was about. It could have been about aliens, or cowboys and indians, or a young couple suffering through a rocky relationship, or a bank robbery gone wrong. Whatever it was about, the director wanted to make the best movie he could make, and for the audience who saw that movie to care about the characters, and to empathize with the emotions they felt. At some point, he approached a composer, in order to give that film a musical voice. The composer – who was well-versed in musical theory and composition – was as much of a storyteller as the director was, and wanted to enhance the film with his music; to bring out subtle emotions so the audience could feel them, to highlight subtexts that acting alone could not convey, to make it a better film than it would be without the music being there. Read more…