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Archive for March, 2000

DETERRENCE – Larry Groupé

March 10, 2000 Leave a comment

Original Review by Jonathan Broxton

Despite being better known as a regular collaborator on John Ottman’s scores (he conducted and/or orchestrated Apt Pupil, The Cable Guy, Incognito, Snow White: A Tale Of Terror and The Usual Suspects), Larry Groupé is also a composer in his own right, and of considerable talent. Through his website, Larry is making several of his recent scores available for on-line purchase by collectors, one of the few composers who actively promote their own work in this way.

Deterrence, a political thriller starring Timothy Hutton and directed by Rod Lurie, is one of these new scores, and is certainly one which deserves to be heard by a wider audience. Read more…

THE NINTH GATE – Wojciech Kilar

March 10, 2000 Leave a comment

ninthgateOriginal Review by Jonathan Broxton

It has been over five years since Roman Polanski’s last movie, the dark and disturbing political thriller Death and the Maiden. Polanski, the creative force behind such classics as Rosemary’s Baby, Tess and Frantic, makes fewer and fewer movies these days but, despite their scarcity, the importance of his films can never be ignored or overlooked. I admit that I know very little about his latest effort, The Ninth Gate (or, to give its proper title, La Neuvième Porte), other than that it stars Johnny Depp, Lena Olin, Frank Langella and Emmanuelle Seigner, is to do with demons and devils and the occult, and has a superb, brooding score by Polish composer Wojciech Kilar. Read more…

MISSION TO MARS – Ennio Morricone

March 10, 2000 1 comment

missiontomarsOriginal Review by Jonathan Broxton

Mission To Mars has been one of the most critically despised movies of the year – a plotless, senseless would-be space epic that, according to the majority of the reviewers, took a great idea about the first, faltering steps of interplanetary travel and ruined it with bad acting, a terrible screenplay, and hopeless direction by the former wunderkind Brian De Palma. In fact, the only elements of the film to receive generally positive notice have been the special effects and Ennio Morricone’s elegiac score. And while I find myself disagreeing with the movie’s bad press, I couldn’t agree more with the appraisal of Ennio’s efforts. As film music, Mission To Mars is a blockbuster in every respect. Read more…

AGNES BROWNE – Paddy Moloney

March 3, 2000 Leave a comment

agnesbrowneOriginal Review by Jonathan Broxton

The second film directed by Anjelica Huston (following the acclaimed 1996 TV movie Bastard Out Of Carolina), Agnes Browne is a comedy-drama based on the novel “The Mammy” by Brendan O’Carroll about a working class mother of many from Dublin (Huston) who, upon becoming a widow, finds her life becoming increasingly difficult. Faced with the possibility of poverty, she makes a wrong move by turning to a ruthless local money-lender (Ray Winstone) for help. With the bailiffs closing in on Agnes and her family, a single dreams keeps her on an even keel: the possibility of attending an upcoming Tom Jones concert. Then, when a French baker (Arno Chevrier) arrives on the scene, Agnes’ life finally seems to take an upward turn. Read more…