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BAFTA Nominations 2000

January 31, 2001 Leave a comment

baftaThe British Academy of Film and Television Arts (BAFTA) has announced the nominations for the 54th British Academy Film Awards, honoring the best in film in 2000.

In the Best Original Music category, which is named in memory of the film director Anthony Asquith, the nominees are:

  • T-BONE BURNETT and CARTER BURWELL for O Brother, Where Art Thou?
  • TAN DUN for Crouching Tiger Hidden Dragon
  • STEPHEN WARBECK for Billy Elliot
  • NANCY WILSON for Almost Famous
  • HANS ZIMMER and LISA GERRARD for Gladiator

These are the first nominations for Burnett, Burwell, Dun, Gerrard and Wilson. It is the second nomination for Warbeck, and the third nomination for Zimmer.

The winners of the 54th BAFTA Awards will be announced on February 25, 2001.

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ROBOCOP: PRIME DIRECTIVES – Norman Orenstein

January 30, 2001 Leave a comment

Original Review by Jonathan Broxton

Preconceptions are funny things, especially in film music. When Robocop: Prime Directives dropped through my door, with the name Norman Orenstein adorning the package, my first instinct was to dismiss it as cheesy TV music. Without wanting to sound unkind, Canadian composer Norman Orenstein’s career to date has hardly been stellar. A series of cut-price straight-to-video classics such as Ski School II, Mask of Death and The First 91/2 Weeks have been the highlights of his film music career so far – until Robocop Prime Directives came along. Working with a comparatively small budget, and out of his personal studio in Toronto, Orenstein emerged with a surprisingly vibrant, large-scale, enjoyable series of cues which mix electronics with sampled acoustics and a smattering of live instruments. It’s a world away from the classic march Basil Poledouris wrote for the film series, but as TV music goes this is as solid a score as you would expect. Read more…