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ROBOCOP – Basil Poledouris

July 27, 2017 1 comment

THROWBACK THIRTY

Original Review by Jonathan Broxton

The 1980s was an especially good decade for films which blended extensive, sometimes quite brutal action with pointed social and political commentary that bordered on satire. Robocop is one of the best examples of its type; it stars Peter Weller as Alex Murphy, a dogged cop in crime-ridden Detroit in the near future. After being transferred to a new precinct, and meeting his new partner Lewis (Nancy Allen), Murphy is unexpectedly murdered during his first patrol by a gang of ruthless criminals led by the vicious Clarence Boddicker (Kurtwood Smith). Meanwhile Bob Morton (Miguel Ferrer), an ambitious executive at Omni Consumer Products, the corporate behemoth that runs Detroit’s police department, pitches his ambitious Robocop program to the head of the company after a presentation by the ruthless Dick Jones (Ronny Cox) of his competing ED-209 program goes disastrously wrong. The Robocop program would use the remains of a recently-deceased police officer to form the biological component of a near-unstoppable human-robot cyborg, controlled by OCP. After being given the green light by OCP’s chairman (Daniel O’Herlihy), Morton selects the luckless Murphy to be his test subject, and Robocop quickly embarks on a single-handed crusade to clean up the city. However Jones, never one to be outdone, plots revenge against his rivals on the other side of the boardroom, and enlists Boddicker and his gang to carry it out – bringing Robocop back into conflict with the men who killed him. Read more…

ROBOCOP – Pedro Bromfman

February 17, 2014 Leave a comment

robocop2014Original Review by Jonathan Broxton

One thing I really love to see is when a young, new composer gets his first chance at the big time, scoring a major movie with huge box-office potential. Brazilian composer Pedro Bromfman is the composer getting that chance in the early months of 2014, having been hired to score the big-budget reboot of one of the great classic 1980s action movies, Robocop. 38-year old Bromfman is best known internationally for his scores for the popular Brazilian action movies in the Tropa de Elite series, which were directed by his old friend José Padilha; when Padilha was hired to helm the new Robocop, he brought Bromfman with him, and – shockingly – the executives at Sony Pictures gave the green light to allow this absolutely unknown composer to score their $130 million investment. This is the stuff that dreams are made of, where careers are launched and great new talents emerge – except, that in this case, the dream turns into a nightmare once you actually hear the music. Read more…