Posts Tagged ‘Basil Poledouris’

CHERRY 2000 – Basil Poledouris

September 7, 2017 1 comment


Original Review by Jonathan Broxton

Like most composers, Basil Poledouris scored his fair share of terrible films in his career. 1977’s Tintorera, one of the first films he ever scored, was a Mexican rip-off of Jaws. Amazons, from 1984, was basically a sexier version of Conan the Barbarian with warrior women in fur bikinis. However, 1987 may have seen him reach a low point in terms of ‘quality of movie’ when he was asked to score Cherry 2000, a low-budget sci-fi thriller. Directed by Steve De Jarnatt, the film is set in a post-apocalyptic America circa 2017 and stars Don Johnson wannabe David Andrews as Sam, who sets off on a dangerous mission across the lawless wasteland of what was once Nevada in order to find someone who can repair his Cherry 2000 sex robot (Pamela Gidley); to help him, he hires a tough-but-beautiful tracker named E (a strangely-cast Melanie Griffith), and together they set off into the desert. Read more…


ROBOCOP – Basil Poledouris

July 27, 2017 1 comment


Original Review by Jonathan Broxton

The 1980s was an especially good decade for films which blended extensive, sometimes quite brutal action with pointed social and political commentary that bordered on satire. Robocop is one of the best examples of its type; it stars Peter Weller as Alex Murphy, a dogged cop in crime-ridden Detroit in the near future. After being transferred to a new precinct, and meeting his new partner Lewis (Nancy Allen), Murphy is unexpectedly murdered during his first patrol by a gang of ruthless criminals led by the vicious Clarence Boddicker (Kurtwood Smith). Meanwhile Bob Morton (Miguel Ferrer), an ambitious executive at Omni Consumer Products, the corporate behemoth that runs Detroit’s police department, pitches his ambitious Robocop program to the head of the company after a presentation by the ruthless Dick Jones (Ronny Cox) of his competing ED-209 program goes disastrously wrong. The Robocop program would use the remains of a recently-deceased police officer to form the biological component of a near-unstoppable human-robot cyborg, controlled by OCP. After being given the green light by OCP’s chairman (Daniel O’Herlihy), Morton selects the luckless Murphy to be his test subject, and Robocop quickly embarks on a single-handed crusade to clean up the city. However Jones, never one to be outdone, plots revenge against his rivals on the other side of the boardroom, and enlists Boddicker and his gang to carry it out – bringing Robocop back into conflict with the men who killed him. Read more…

AMERIKA – Basil Poledouris

March 9, 2017 1 comment


Original Review by Jonathan Broxton

In the spring of 1987 viewers of the network TV channel ABC were treated to a 6-part mini-series imagining a horrific alternate reality for the United States where the country has been insidiously, but bloodlessly, overtaken by the Soviet Union. Amerika posits the country as being essentially a puppet state of Moscow, with the President and Congress mere figureheads for the Soviet regime; the population is kept under control by a UN peacekeeping force called the UNSSU, which is supposed to be multi-national but is in reality a Russian Communist military arm, which uses fear and intimidation tactics to suppress opposition. From out of this nightmare three heroes emerge: former politician Devin Mitford (Kris Kristofferson), who is released back into society after spending years in a labor camp for treason; administrator Peter Bradford (Robert Urich), who pretends to collaborate with the Soviets while working to bring down the regime from within; and Colonel Andrei Denisov (Sam Neill), a KGB agent becoming more and more disillusioned with his country’s politics. The series, which was written and directed by Donald Wrye, has been in the news of late after more than 20 years of relative obscurity, mainly due to the accusations of Russian influence in Donald Trump’s successful run for US President in 2016… this fiction couldn’t be happening in reality, could it? Read more…

RED DAWN – Basil Poledouris

August 14, 2014 1 comment


Original Review by Jonathan Broxton

Red Dawn was a popular and successful action film, written and directed by John Milius, set in an alternate 1980s in which a Communist army, led by Russians and Cubans, launches an invasion of the United States in the aftermath of a devastating economic crisis. The story is centered around a small Colorado town, where a group of mostly teenagers embarks on a sustained campaign of guerilla warfare against the invaders, using the name ‘wolverines’, after their high school mascot. The film starred Patrick Swayze and Charlie Sheen in early career roles, co-starred C. Thomas Howell, a pre-Back to the Future Lea Thompson, a pre-Dirty Dancing Jennifer Grey, and Ben Johnson, and featured an original score by the then 39-year-old Basil Poledouris. Read more…

CONAN THE DESTROYER – Basil Poledouris

January 26, 2012 2 comments


Original Review by Craig Lysy

The immense worldwide success achieved by “Conan the Barbarian” lead, to the surprise of no one, to an inevitably sequel. Producer Dino De Laurentiis hired director Richard Fleischer to revisit the mythic Hyborean world and offer us the classic mythic adventure. In the tale we see that at the bequest of the evil Queen Tamaris of Zamora, Conan is promised that his dead lover Valeria will be resurrected if he would bring to her the sacred Horn of Dagoth. In reality the duplicitous Tamaris plans to betray Conan and sacrifice her niece Jehenna to reanimate the god Dagoth with whom she plans to mate and generate a new progeny of gods. A colorful and eclectic cast lead again by Arnold Schwarzenegger (Conan) was assembled and featured the fierce Amazon warrior Zula (Grace Jones), virginal Princess Jehenna (Olivia d’Abo), the wise wizard Akiro (Mako), the comic thief Malak (Jeff Corey) and the treacherous Bombaata (Will Chamberlain). A parade of directors and a truly feeble script soured Schwarzenegger as he chose to not return for a third film. Never the less, fantasy films were at their zenith in the 80s and the film was a commercial success, doubling its $18 million production costs. Read more…

CONAN THE BARBARIAN – Basil Poledouris

January 13, 2012 4 comments


Original Review by Craig Lysy

Conan The Barbarian is based on the Conan stories penned by author Robert E. Howard. The movie adaptation tells the story of a young Conan who lives in the mythic Hyborean Age and suffers grievously at the hands of an evil ruler of the Snake Cult, Thulsa Doom, who kills his parents and sells him into slavery. Eventually after much suffering he gains his freedom and trains to become a mighty warrior. He then sets out to solve the riddle of steel and avenge his parent’s death. As such, this is a classic morality tale with an unambiguous hero and villain. The film was a commercial success, which spawned a sequel and served to reinvigorate the fantasy genre. Read more…

FLESH + BLOOD – Basil Poledouris

February 8, 2011 4 comments


Original Review by Craig Lysy

Flesh + Blood was director’s Paul Verhoeven’s first American film as well as his first collaboration with Basil Poledouris. The tale is set in the darkness that was 16th century Europe during the era of the great plague. It stars Rutger Hauer, Jennifer Jason Leigh and Tom Burlinson. Our ‘hero’ Martin (Rutger Hauer), who was commissioned by the King, leads a band of brutal mercenaries. When the King reneges on his deal, Martin and his band of men strike back by kidnapping Agnes (Jennifer Jason Leigh), who is betrothed to Prince Steven (Tom Burlinson). They take control of a castle and prepare for the attack by royal forces under the command of the aggrieved Prince Steven. Fate would have it that Agnes begins to fall in love with Martin which brings her into conflict with Celine (Susan Tyrell) who also loves him. To say that this film excelled in graphic, gratuitous, brutal violence and carnal imagery is an understatement! Verhoven shows everything without restraint or shame, and the film is not for the squeamish. Commercially the film was a bust, with a production cost of $6,500,000 it grossed only $100,000. Read more…