Archive
Under-the-Radar Round Up 2022, Part 4A
Life has returned to world cinema in 2022 following the easing of the COVID-19 global pandemic, and at the end of the fourth quarter of the year I’m absolutely delighted to present the latest instalment in my on-going series of articles looking at the best under-the-radar scores from around the world. This article covers six scores for projects from disparate parts of Europe, and includes a Dutch-Belgian Christmas family film, a powerful Croatian drama, a Belgian nature documentary, a Spanish supernatural horror film, and two different scores by the same French composer – one a period drama film, and one a historical TV series looking at the life of Queen Marie-Antoinette. Read more…
Under-the-Radar Round Up 2021, Part 4B
2021 is over and, as the world of mainstream blockbuster cinema and film music continues to recover from the COVID-19 Coronavirus, I again urge people to look beyond the confines of mainstream Hollywood to find the best film music being written. As such, I now present the second part of my final group of reviews looking at the best “under the radar” scores from around the world – the five titles included here represent some of the best film music heard this year to date, and include a seasonal fantasy from the Netherlands, two British dramas telling very different true stories, and two spectacular entries from Scandinavia: a Finnish nature documentary, and a Norwegian variation on the Cinderella story. Read more…
Under-the-Radar Round Up 2021, Part 3B
2021 is already more than half way done and, as the world of mainstream blockbuster cinema and film music continues to recover from the COVID-19 Coronavirus, we must again look to smaller international features not as reliant on massive theatrical releases to discover the best new soundtracks. As such I am very pleased to present the second part of my third installment (for this calendar year) in my ongoing series of articles looking at the best “under the radar” scores from around the world.
The five titles included here are again a mixed bag of styles, genres, and national origins, and include quirky comedy from Finland, a children’s fantasy-comedy from Germany, a serious religious drama from Greece scored by a Pole, a Japanese animated adventure, and a French comedy-drama about the creation of the first modern restaurant! Read more…
FEARLESS – Anne Kathrin Dern
Original Review by Jonathan Broxton
Fearless is an animated family action/sci-fi/comedy written and directed by Cory Edwards which premiered on Netflix in August 2020. It tells the story of a high school teenager named Reid, who spends an inordinate amount of time playing a video game called Planet Master. One day, while playing the game, a cosmic wormhole contrives to send the three children of the game’s protagonist, Captain Lightspeed, out of the game and into the real world, where they end up outside Reid’s house. The children are all imbued with various different super-human abilities – think Jack-Jack from The Incredibles, times three – which Reid suddenly has to deal with as he takes care of them and waits for Captain Lightspeed to come and take them back to his dimension. Unfortunately the game’s villain, Dr. Arcannis, has also discovered the wormhole, and hatches a plot to kidnap the children and finally defeat his nemesis. The only thing standing in his way: Reid. The film features voice performances by Yara Shahidi, Miles Robbins, rapper Jadakiss, R&B singer Miguel Pimentel, Gabrielle Union, basketball superstar Dwyane Wade, and SpongeBob SquarePants himself Tom Kenny, and has a terrific original score by the super-talented young German composer Anne Kathrin Dern. Read more…
Under-the-Radar Round Up 2020, Part I
With the COVID-19 Coronavirus having decimated the 2020 theatrical movie schedule, as well as the general mood of the world, good music is more important than ever when it comes to getting us all through these difficult times. As such (and as I did last year under much different circumstances) I am very pleased to present the latest installment in my ongoing series of articles looking at the best “under the radar” scores from around the world – this time concentrating on the first quarter of 2020!
The titles include romantic comedies from both China and Vietnam, children’s fantasy films from both Germany and France, a serious drama from Japan, a period murder-mystery from Australia, and a children’s adventure from the Netherlands. I heartily recommend all of these scores to anyone who needs some outstanding film music to ease them though their quarantine period! Read more…
Best Scores of 2018, Part III
This is the third and final installment in my annual series of articles looking at the best “under the radar” scores from around the world. Again, rather than doing the scores on a geographical basis, this year I decided to simply preset the scores in a random order. This conclusive batch includes six scores: a superb children’s adventure score from an independent American film rebooting a beloved 1970s franchise, two beautiful scores from Japanese animations, a fun and spooky German children’s fantasy-comedy, a Spanish sports comedy caper, and a wonderfully nostalgic throwback to 80s synth scores for a Swedish comedy-thriller. Read more…
Best Scores of 2017 – Asia-Pacific, Part II
The eighth and final installment in my annual series of articles looking at the best “under the radar” scores from around the world finds us on a triumphant return to Asia, with eight more reviews of the best film music the continent has to offer. And what a treasure trove it is, encompassing animated fantasies, TV series, war movies, epic dramas, and a guest appearance from the world’s most beloved 100-foot lizard. There are four scores from Japan, two from China, and one each from Turkey and Vietnam, rounding out what has been an eye-opening journey around the darkest reaches of the film music globe, searching for bright spots. Read more…
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