Archive
Under-the-Radar Round Up 2022 – English Language Indies III
My recurring under-the-radar series usually concentrates on the best scores for non-English language films in a given year, but doing so means that I sometimes overlook music written for British, Australian, and American films that are similarly low-profile, but also have outstanding scores. To rectify that, here is the final entry for this year in my ongoing series of review articles, this time looking at seven such scores from the second half of 2022, written for independent English-language features that you might have otherwise overlooked.
The scores are: a heartwarming family drama about the homelessness crisis, an Australian film about a the unlikely friendship between a girl and a fish, a British comedy set in the world of French high fashion, another British comedy set in the world of professional golf, scores for two experimental films by a talented newcomer, a seasonal fantasy-drama about a magical reindeer, and a hilarious mock-biopic of Weird Al Yankovic! Read more…
Under-the-Radar Round Up 2022, Part 4C
Life has returned to world cinema in 2022 following the easing of the COVID-19 global pandemic, and at the end of the fourth quarter of the year I’m absolutely delighted to present the latest instalment in my on-going series of articles looking at the best under-the-radar scores from around the world. This article covers five scores for projects from Scandinavia and adjacent countries in eastern Europe, and includes a Polish comedy drama set in Denmark, a Norwegian animated film based on a classic children’s book, a Finnish super-hero film for children, a Norwegian WWII action film, and a gorgeous romantic score for a Finnish film set in the wilds of Ireland. Read more…
Under-the-Radar Round Up 2021, Part 4B
2021 is over and, as the world of mainstream blockbuster cinema and film music continues to recover from the COVID-19 Coronavirus, I again urge people to look beyond the confines of mainstream Hollywood to find the best film music being written. As such, I now present the second part of my final group of reviews looking at the best “under the radar” scores from around the world – the five titles included here represent some of the best film music heard this year to date, and include a seasonal fantasy from the Netherlands, two British dramas telling very different true stories, and two spectacular entries from Scandinavia: a Finnish nature documentary, and a Norwegian variation on the Cinderella story. Read more…
Under-the-Radar Round Up 2021, Part 3B
2021 is already more than half way done and, as the world of mainstream blockbuster cinema and film music continues to recover from the COVID-19 Coronavirus, we must again look to smaller international features not as reliant on massive theatrical releases to discover the best new soundtracks. As such I am very pleased to present the second part of my third installment (for this calendar year) in my ongoing series of articles looking at the best “under the radar” scores from around the world.
The five titles included here are again a mixed bag of styles, genres, and national origins, and include quirky comedy from Finland, a children’s fantasy-comedy from Germany, a serious religious drama from Greece scored by a Pole, a Japanese animated adventure, and a French comedy-drama about the creation of the first modern restaurant! Read more…
Under-the-Radar Round Up 2021, Part 3A
2021 is already more than half way done and, as the world of mainstream blockbuster cinema and film music continues to recover from the COVID-19 Coronavirus, we must again look to smaller international features not as reliant on massive theatrical releases to discover the best new soundtracks. As such I am very pleased to present the third installment (for this calendar year) in my ongoing series of articles looking at the best “under the radar” scores from around the world.
The six titles included here are a mixed bag of styles, genres, and national origins, and include a powerful drama from Palestine, a German fantasy adventure, an Egyptian action TV series, a children’s adventure film from Finland, a light French comedy-drama, and a beautiful nature documentary score from China. Read more…
The World of Film Scores – 2018 First Quarter Round-Up
In a break with my usual convention, I have decided that instead of doing a series of geographical articles at the end of the calendar year highlighting the best under-the-radar film scores, I am instead going to write four quarterly articles which spotlight the same types of scores – unheralded works from outside the Hollywood film music mainstream – but which are spaced throughout the year so that they are more timely in terms of when the films are released. As such, here is the first – a look at ten outstanding scores from the first three months of 2018, encompassing a wide range of projects from all over the world, including works from Finland, Iceland, the Netherlands, Japan, Spain, China, Russia, and beyond! Read more…
Best Scores of 2016 – Scandinavia
The fourth installment in my annual series of articles looking at the best “under the radar” scores from around the world concentrates on music from films from Scandinavia, one of the world’s most impressive sources of excellent scores. One score from Finland, one score from Sweden, and a veritable plethora of scores from Norway are showcased this year. Read more…
TALE OF A LAKE (JÄRVEN TARINA) – Panu Aaltio
Original Review by Jonathan Broxton
A sequel of sorts to the 2012 film Tale of a Forest [Metsän Tarina], Tale of a Lake – or, to give it its original name, Järven Tarina – is a feature-length nature documentary from Finland directed by Marko Röhr and Kim Saarniluoto. According to the press which accompanies the soundtrack, the documentary focuses on the thousands of lakes and rivers in Finland with stories that follow birds, fish and their spawn, and examine the lives of critically endangered seal pups. Featuring the narration of Samuli Edelmann, and the voice of Johanna Kurkela as the mystical water spirit Ahitar, the film was described as “an emotional journey and a breathtaking travelogue” when it opened to general critical acclaim in cinemas in Scandinavia in the early months of 2016. Read more…
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