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Posts Tagged ‘Marco Beltrami’

A QUIET PLACE – Marco Beltrami

April 10, 2018 3 comments

Original Review by Jonathan Broxton

A Quiet Place is an effective, exciting, and scary horror-thriller, directed by John Krasinski, hitherto best known as the easy-going Jim from the American version of the sitcom The Office. This film is a very different kettle of fish; it is set an indeterminate period in the future in the aftermath of an invasion by some sort of race of monsters – possibly aliens, possibly something else, it’s never quite explained. The monsters are blind but have intensely acute hearing, and attack and slaughter any living thing that makes a noise. Krasinski and his real-life wife Emily Blunt play Lee and Evelyn, a husband and wife with three children – one of whom is deaf and wears a cochlear implant – and a baby on the way. The film follows their efforts to survive – scavenging for food, maintaining their farmhouse home, and raising the children, trying to build a life in this nightmarish scenario – while all the while trying to remain utterly silent so as not to attract the monsters who roam the woods around their property. Read more…

The World of Film Scores – 2018 First Quarter Round-Up

March 30, 2018 5 comments

In a break with my usual convention, I have decided that instead of doing a series of geographical articles at the end of the calendar year highlighting the best under-the-radar film scores, I am instead going to write four quarterly articles which spotlight the same types of scores – unheralded works from outside the Hollywood film music mainstream – but which are spaced throughout the year so that they are more timely in terms of when the films are released. As such, here is the first – a look at ten outstanding scores from the first three months of 2018, encompassing a wide range of projects from all over the world, including works from Finland, Iceland, the Netherlands, Japan, Spain, China, Russia, and beyond! Read more…

LOGAN – Marco Beltrami

March 7, 2017 3 comments

Original Review by Jonathan Broxton

Although it is technically a part of the Marvel X-Men franchise of comic book movies, Logan is a very different type of super hero film than anything else in recent history, dark, violent, and profane. Set in the year 2029, the film sees the mutant Logan/Wolverine (Hugh Jackman) aged, burnt out, and sick due to adamantium poisoning, eking out a meager existence as a limo driver on the Mexican border. He lives with albino mutant Caliban (Stephen Merchant), and cares for the very frail Professor Charles Xavier (Patrick Stewart), who is beginning to suffer from a degenerative brain disease and is prone to devastating psychic seizures. No mutant children have been born for several decades, and no-one knows why. Logan’s life is turned upside down by the arrival of a young girl named Laura (Dafne Keen), who is manifesting a mutation almost identical to Logan’s, and who is fleeing for her life from the agents of a biotech company, Transigen, and their ruthless head of security Pierce (Boyd Holbrook). Reluctantly, Logan agrees to ensure Laura safely arrives at a supposed safe haven in North Dakota, and so, with Professor Xavier in tow, the trio heads across the United States, trying to stay one step ahead of the ‘reavers’ who are hunting them. Read more…

BEN-HUR – Marco Beltrami

August 26, 2016 8 comments

benhur-beltramiOriginal Review by Jonathan Broxton

Lew Wallace’s 1880 novel Ben-Hur: A Tale of the Christ was, and remains, one of the most popular and successful novels in American literature. The story recounts the life of a fictional Jewish prince, Judah Ben-Hur, in 1st century Jerusalem. Ben-Hur grows up wealthy and privileged with his childhood friend, a Roman named Messala. Years later, Messala returns home from Rome as a newly-commissioned commander in the Roman army, and his new status and increasing prejudice against Jews causes a rift between the two former friends. Messala falsely accuses Ben-Hur of attempting to assassinate a Roman prefect, and conspires to have him sent away to serve as a galley slave, while simultaneously imprisoning his mother, Miriam, and sister, Tirzah. Ben-Hur vows revenge against Messala, and spends years training himself to be a warrior and charioteer, waiting until his opportunity to achieve redemption appears. To give it its strong religious undercurrent, Wallace’s story takes place simultaneously with the life of Jesus Christ, who was born and lived during the same time period, which allows Ben-Hur and Jesus to cross paths at several moments during the formation of Christianity. Read more…

GODS OF EGYPT – Marco Beltrami

April 12, 2016 4 comments

godsofegyptOriginal Review by Jonathan Broxton

For quite a long time I considered Alex Proyas to be one of the best ‘serious sci-fi’ directors working in the film business. From the gothic darkness of The Crow, to the time-bending mind-fuck of Dark City, to the examination of Isaac Asimov’s Laws of Robotics in I Robot, Proyas’s films have been challenging and thought provoking and enjoyable, not an easy triumvirate of achievements to successfully attain, especially across multiple projects. With this in mind, it was greatly disappointing to read the reviews of his latest film, Gods of Egypt, which called it everything from “a colossal wreck” “completely lacking in appeal,” and “noisy, chaotic, and meaningless” to – worst of all – “boring”. This is especially surprising because it’s basic plot sounds fascinating: using the ancient mythology of Egyptian Gods as its starting point, the film stars Gerard Butler and Nicolaj Coster-Waldau as Set and Horus, two warring deities. Set, the God of Darkness, launches a coup during Horus’s coronation, and takes over the Egyptian empire, forcing Horus to join forces with a human named Bek (Brenton Thwaites) to defeat him. Read more…

NO ESCAPE – Marco Beltrami and Buck Sanders

September 15, 2015 1 comment

noescapeOriginal Review by Jonathan Broxton

No Escape is an action/thriller/drama directed by John Erik Dowdle, starring Owen Wilson as American businessman Jack Dwyer, who arrives in Southeast Asia to begin a new life with his wife Annie (Lake Bell) and their two young daughters. As his company plans to improve the region’s water quality, the family quickly learns that they’re right in the middle of a political uprising, a situation which reaches boiling point when armed rebels attack the hotel where they’re staying, ordered to kill any foreigners that they encounter. Desperate to survive amid the utter chaos, Jack must find a way to save himself and his loved ones from the violence erupting all around them. The film, which also stars Pierce Brosnan, has unfortunately opened to largely negative reviews, many of which call the film “xenophobic,” “borderline offensive,” and “unpleasant” – the latter of which could also apply to Marco Beltrami and Buck Sanders’s difficult original score. Read more…

Best Scores of 2014 – Scandinavia

January 30, 2015 2 comments

My fifth article in my Review of the Year 2014 looks at the Best Scores from Scandinavia. Scandinavian movies and scores get pretty short shrift from the majority of mainstream audiences, and that needs to change, because the level of talent and craftsmanship at work in those countries is superb. While composers like Johan Söderqvist from Sweden, Jóhann Jóhannsson from Iceland, and Tuomas Kantelinen and Panu Aaltio from Finland have developed an international profile over the past few years, there are still a number of domestic composers doing excellent work within their own industry; as such, this year’s choices from the frozen north contain music by both established names and promising newcomers, and include a Danish TV mini-series, a Swedish comedy, and three scores from Norway: a children’s adventure, a historical thriller, and a wonderful classical documentary. Read more…

THE HOMESMAN – Marco Beltrami

November 24, 2014 3 comments

thehomesmanOriginal Review by Jonathan Broxton

The Homesman, based on the acclaimed novel by Glendon Swarthout, is the third film directed by the Academy Award-winning actor Tommy Lee Jones. Set in Nebraska in the late 1850s, in the earliest days of the American expansion west, it stars Hilary Swank as Mary Bee Cuddy, a middle-aged spinster from New York, a former teacher who journeyed to the Midwest seeking a new life, and a husband, but who has continually had her marriage proposals rejected. Following an especially harsh winter, three young women – Arrabella Sours (Grace Gummer), Theoline Belknapp (Miranda Otto), and Gro Svendsen (Sonja Richter) – begin to show signs of insanity due to the hardships they faced; in an effort to save the women, Mary Bee agrees to transport them across several hundred miles of rugged and dangerous terrain to Iowa, where the women of a church have agreed to take them in. To accompany and protect her on her journey, Mary Bee acquires the reluctant help of George Briggs (Jones), a disheveled claim jumper who she saves from being lynched, but who has a mysterious past of his own. Read more…

THE NOVEMBER MAN – Marco Beltrami

September 4, 2014 2 comments

novembermanOriginal Review by Jonathan Broxton

Essentially a James Bond spy thriller under a different name, director Roger Donaldson’s latest film The November Man is based on the novel ‘There Are No Spies’ by Bill Granger, and stars Pierce Brosnan as Peter Devereaux, a retired CIA assassin now living a quiet life on the shores of a lake in Switzerland. Devereaux is brought back into action following a visit from a former colleague, and quickly finds himself embroiled in an international mystery involving an old flame working for a corrupt Russian diplomat, the Chechen civil war, a social worker looking after young female refugees in Serbia, and a former protégé, who has been charged with eliminating his old mentor. The film co-stars Luke Bracey, Olga Kurylenko, Bill Smitrovich, and Will Patton, and has an original score by Marco Beltrami, the third of his four scores in 2014. Read more…

WORLD WAR Z – Marco Beltrami

June 27, 2013 3 comments

worldwarzOriginal Review by Jonathan Broxton

Despite initially looking like a potentially disastrous movie, with the whole final third of the movie having to be re-written and re-shot following disastrous initial test screenings, World War Z is actually of the most intelligent and interesting zombie movies of recent years. With the 28 Days Later franchise, the Walking Dead TV show, and countless other imitators, zombies are de rigeur these days, but where World War Z differs is in the fact that it plays more like a tense medical thriller than a traditional zombie-slaughtering action flick, concentrating on the efforts to stem the tide of the potential apocalypse and save the afflicted rather than simply massacring them. Brad Pitt stars as Gerry Lane, a former United Nations specialist who is called back into the fray from his quiet family life in suburban Philadelphia when a pandemic of global proportions erupts – people are turning into vicious, violent zombies at an alarming rate and if Gerry and his colleagues can’t find the source, or the cure, it could be the end of humanity as we know it. The film is adapted from the popular novel by Max Brooks and directed by Marc Forster, whose previous films include Monster’s Ball, Finding Neverland and the flop James Bond film Quantum of Solace; it co-stars Mireille Enos, Daniella Kertesz and James Badge Dale. Read more…

THE THING – Marco Beltrami

October 19, 2011 2 comments

Original Review by Jonathan Broxton

Director Matthijs van Heijningen Jr.’s The Thing is a prequel to the popular and influential 1982 film of the same name, which was directed by John Carpenter and starred Kurt Russell and Wilford Brimley. The first few moments of that film show a Norwegian man in a helicopter shooting at a dog barreling across the frozen wastes of the Antarctic; the next 20 minutes reveal that the Norwegian was part of a scientific team, all of whose members have been gruesomely killed, and their research station burned to the ground. This film looks at the circumstances leading up to that awful discovery – who the Norwegians were, what they found buried deep beneath the ice, and more importantly, what killed them. The film stars Mary Elizabeth Winstead, Joel Edgerton, Ulrich Thomsen, and a whole host of Norwegian character actors in the smaller roles, and has an original score by Marco Beltrami, who spends part of his time channeling Ennio Morricone, and the rest of the time drawing upon his considerable horror movie music experience. Read more…

DON’T BE AFRAID OF THE DARK – Marco Beltrami and Buck Sanders

September 1, 2011 Leave a comment

Original Review by Jonathan Broxton:

Don’t Be Afraid of the Dark is a creepy horror movie co-written produced by Guillermo Del Toro, and directed by Troy Nixey. It’s a remake of a 1973 TV movie of the same name, and stars Katie Holmes and Guy Pearce as Alex and Kim, a young couple who have just moved into an old, rambling house, Blackwood Manor, which Alex – an architect – is intending to renovate. However, when Alex’s daughter from a previous relationship, Sally (Bailee Madison) comes to stay, things start to happen in the house in the dead of night. Left alone to investigate the macabre history and dark corners of the estate, Sally begins to hear rasping voices whispering from the basement, who promise her understanding and friendship, who are so very hungry and would like to be set free… Read more…

SOUL SURFER – Marco Beltrami

May 6, 2011 2 comments

Original Review by Jonathan Broxton

Soul Surfer tells the true story of Bethany Hamilton, a champion youth surfer from Hawaii who, while out on an early morning surf with her best friend, had her life forever changed when her left arm was bitten off by a tiger shark – she was just 13 years old at the time. Despite suffering this horrific injury and hovering close to death, Bethany recovered enough to be able to return to competitive surfing just months later with only one arm, and went on to win the National Scholastic Surfing Association National Championships in 2005. The film, which is directed by Sean McNamara, stars Anna Sophia Robb as Hamilton, features Dennis Quaid, Helen Hunt and Carrie Underwood in supporting roles, and has a superb and highly original score by the versatile Marco Beltrami. Read more…

KNOWING – Marco Beltrami

March 20, 2009 Leave a comment

Original Review by Jonathan Broxton

Knowing is a hugely impressive, enjoyable and thought-provoking sci-fi drama directed by Alex Proyas and starring Nicolas Cage as MIT professor John Koestler. Recently widowed and with a young son named Caleb (Chandler Canterbury), John spends much of his spare time staring into the bottom of a whisky glass, until a time capsule, buried 50 years ago by the class of 1959, is opened at Caleb’s school, and Caleb inadvertently becomes the recipient of a sheet full of seemingly meaningless numbers, scribbled onto the sheet by a strange little girl named Abby half a century ago. After finding the paper in Caleb’s bag, John discovers to his horror that the paper has accurately predicted the date, place and number of deaths of every major human disaster in recent history – and also seemingly shows where the next ones will take place. To reveal what takes place next would do the film a disservice – suffice to say that as the story develops it raises a number of interesting theological and sociological questions while presenting several visually spectacular, emotionally visceral action sequences that are as technically impressive as they are awe-inspiring. Read more…

MAX PAYNE – Marco Beltrami and Buck Sanders

October 17, 2008 Leave a comment

Original Review by Jonathan Broxton

The latest video game to become a big-budget action movie, Max Payne is directed by John Moore and stars Mark Wahlberg as the eponymous lead character, a DEA agent whose family was slain as part of a conspiracy who, while investigating the shadowy criminal underworld whi may be responsible for his wife’s murder, teams up with a sexy assassin (Mila Kunis), who is herself trying to avenge her sister’s death. While the video game received a superb noir score from Finnish composers Kärtsy Hatakka and Kimmo Kajasto, Max Payne’s cinematic cousin is scored by Marco Beltrami in collaboration with his long-time assistant and sound designer Buck Sanders. Read more…