Archive

Posts Tagged ‘Antoni Lazarkiewicz’

Under-the-Radar Round Up 2021, Part 2B

July 2, 2021 1 comment

The new year is already half way done and, as the world of mainstream blockbuster cinema and film music continues to recover from the COVID-19 Coronavirus, we must again look to smaller international features not as reliant on massive theatrical releases to discover the best new soundtracks. As such I am very pleased to present the second installment (for this calendar year) in my ongoing series of articles looking at the best “under the radar” scores from around the world.

The five titles included here are heavily based around love and romance, and include a WWII-era drama from the Czech Republic, a Spanish period drama television series set in early 18th-century Madrid, a tragic teenage romance from the Philippines, a biopic from Colombia about a son remembering his murdered father, and another Ramadan series from Egypt, this time a family drama about parents trying to make a better life for their unborn child. Read more…

Best Scores of 2017 – Rest of Europe, Part II

January 26, 2018 2 comments

The seventh and penultimate installment in my annual series of articles looking at the best “under the radar” scores from around the world sees us back on Europe mainland for a final dash around the continent. This is where we get really obscure: we’ve got a total of eight scores here, including a TV series from Poland, a historical action movie from Russia written by a rock musician, a Norwegian supernatural thriller, children’s adventure films from both Germany and Norway – one of which is animated – and a comedy road movie about racism from Finland! It just goes to show that good film music being written everywhere, in the most unexpected places, if only you have the patience to seek it out. Read more…

Best Scores of 2014 – Poland and Eastern Europe

January 5, 2015 Leave a comment

My third article in my Review of the Year 2014 looks at the Best Scores from Poland and Eastern Europe. It has been exciting to watch the emergence of several young, talented Polish composers over the last few years, as the ‘old guard’ of composers like Wojciech Kilar and Zbigniew Preisner pass the film music torch onto the next generation. This year’s crop of scores from the European continent’s eastern edge includes two scores examining the subject of the 1944 Warsaw Uprising from different musical points of view, the score for the top-grossing film at the Polish box office in 2014, and an excellent multi-national fantasy score from Russia, written by a Spaniard! Read more…