Archive
Under-the-Radar Round Up 2023, Part 6
I’m pleased to present the latest instalment in my on-going series of articles looking at the best under-the-radar scores from around the world. This article, the sixth of 2023, covers five scores from five very different projects from Japanese film and television, plus a delightful Christmas score from Norway. Read more…
Best Scores of 2017 – Asia-Pacific, Part II
The eighth and final installment in my annual series of articles looking at the best “under the radar” scores from around the world finds us on a triumphant return to Asia, with eight more reviews of the best film music the continent has to offer. And what a treasure trove it is, encompassing animated fantasies, TV series, war movies, epic dramas, and a guest appearance from the world’s most beloved 100-foot lizard. There are four scores from Japan, two from China, and one each from Turkey and Vietnam, rounding out what has been an eye-opening journey around the darkest reaches of the film music globe, searching for bright spots. Read more…
Best Scores of 2014 – Asia
The first installment in my series of articles looking at the best “under the radar” scores from around the world concentrates on music from films from Asia: specifically, the far eastern nations of China, Japan, South Korea and Vietnam. Already in 2014 I have reviewed Christopher Young’s magnificent score for the Chinese epic fantasy adventure The Monkey King, and Jo-Yeong Wook’s score for the revisionist samurai action film Kundo: Age of the Rampant. In this article, I’m taking a deeper look at some other excellent works, ranging from anime movies and TV series from Japan, baseball dramas from Taiwan, and two of the highest-grossing films from Vietnam.
You can read my review of The Monkey King here, my review of Kundo: Age of the Rampant here.
WHEN MARNIE WAS THERE (OMOIDE NO MARNIE) – Takatsugu Muramatsu
Original Review by Jonathan Broxton
When Marnie Was There (Omoide No Marnie) is a beautiful Japanese animated film, based on the popular children’s novel by Joan Robinson, directed by Hiromasa Yonebayashi for Hayao Miyazaki’s Studio Ghibli. It tells the story of a young girl named Anna, who is sent to live in the countryside for health reasons. There she meets an unlikely friend in the form of Marnie, a young girl with flowing blonde hair. As their friendship develops, a series of unusual development begin to suggest that Marnie has closer ties to the Anna than she originally expected. Read more…
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