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NICHOLAS AND ALEXANDRA – Richard Rodney Bennett
Original Review by Craig Lysy
Producer Sam Spiegel had long aspired to make a film set during the Russian Revolution and decided to roll the dice after witnessing the stunning success of David Lean’s film Doctor Zhivago. His initial intent was to derive his screenplay from historical events recorded in the public domain, however he changed course and decided to adapt Robert H. Massie’s popular 1967 novel Nicholas and Alexandra. He purchased the film rights and hired James Goldman (The Lion in Winter) to write the screenplay. Yet the task was onerous with countless rewrites as four directors came and went. It was only after Franklin Schaffner came on to direct that a final screenplay was realized. Spiegel vision was to create an epic film in the tradition of Doctor Zhivago and Lawrence of Arabia, yet he was constrained by Columbia studio executives who were reluctant to offer a generous budget after terrible financial setbacks with The Chase and The Night of the Generals. As such he could not afford actors Peter O’Toole, Vanessa Redgrave and Rex Harrison. He did however manage to secure the services of Laurence Olivier as Count Witte. Joining him would be less familiar actors including Michael Jayston as Tsar Nicholas II, Janet Suzman as Tsaritna Alexandra, Tom Baker as Rasputin, Michael Redgrave as Sazonov, Jack Hawkins as Vladimir, Harry Andrews as Grand Duke Nicholas, Roderic Noble as Tsarevich Alexei, Ania Marson as Grand Duchess Olga, Lynne Frederick as Grand Duchess Tatiana, Candace Glendenning as Grand Duchess Marie, Fiona Fullerton as Grand Duchess Anastasia, and Irene Worth as the Dowager Tsaritsna Marie. Read more…