Archive
BRUTE FORCE – Miklós Rózsa
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Following the huge commercial success of his film “The Killers” (1946), producer Mark Hellinger decided to continue his film noir journey with a descent into the brutality of prison life, inspired by the “Battle of Alcatraz” (1946) where prisoners revolted and fought a two day battle after a failed escape attempt. His production company would finance the project, Jules Dassin was tasked with directing, and Richard Brooks would adapt a story by Robert Patterson and write the screenplay. “The Killers” had launched Burt Lancaster to stardom and Hellinger recruited him to play the lead role of Joe Collins. Joining him would be Hume Cronyn as Captain Munsey, Charles Bickford as Gallagher, Yvonne De Carlo as Gina Ferrera, Ann Blyth as Ruth Collins, Roman Bohnen as Warden A. J. Barnes, and Art Smith as Doctor Walters. Read more…
THE FIRST OMEN – Mark Korven
Original Review by Jonathan Broxton
A movie that nobody asked for, but which in my opinion ended up being the second-best film in the series, The First Omen is a prequel chronicling the events leading up to the birth of the antichrist Damien as shown in the original 1976 Richard Donner Omen film, which adds a great deal of depth and intrigue to the backstory of David Seltzer’s characters. The film is set in 1971 and stars Nell Tiger Free as Margaret, an American novitiate nun who arrives in Rome to take up a position at a convent orphanage overseen by the kindly Cardinal Lawrence (Bill Nighy). However, Margaret soon discovers that all is not right at the orphanage; a young girl named Carlita is plagued by terrible visions, a fellow novitiate appears to want Margaret to experience sexual vices before taking her vows, and – worst of all – she is visited by an agitated Irish priest who is convinced that the orphanage is a front for a cult intent on bringing about the birth of the child of Satan. The film is directed by Arkasha Stevenson, and has a supporting cast that includes Alice Braga, Ralph Ineson, and Maria Caballero. Read more…
THE PAPER – Randy Newman
THROWBACK THIRTY
Original Review by Jonathan Broxton
The Paper is an ensemble comedy-drama directed film by Ron Howard that follows the hectic day of a New York City tabloid newspaper, the New York Sun. The plot revolves around Henry Hackett, played by Michael Keaton, the managing editor of the paper, who faces a series of challenges over the course of 24 hours. These challenges include breaking a major story about two young men wrongfully accused of murder, dealing with corporate interference and pressure to sensationalize stories, and navigating personal conflicts within his team, including with his pregnant wife who also works at the paper. Throughout the day, Henry grapples with ethical dilemmas, personal integrity, and the demanding nature of his job, all while trying to balance his professional and personal life amid the fast-paced and often chaotic environment of a tabloid newspaper. The film has a superb supporting cast that includes Glenn Close, Marisa Tomei, Randy Quaid, and Robert Duvall, among many others, and it was a relative critical hit, although it was almost entirely overlooked at the subsequent Oscars – with one notable exception. Read more…
THE AMERICAN SOCIETY OF MAGICAL NEGROES – Michael Abels
Original Review by Jonathan Broxton
In cinematic and literary parlance, a “magical negro” is a stock trope that refers to a supporting black character who often has special insight or displays mystical powers, and who seems to exist only to help the white protagonist in their journey or to solve their problems, often at the expense of their own development and agency. Magical negroes often possess supernatural abilities, deep wisdom, or unusual insights that exceed those of the main (usually white) characters. Their role revolves around assisting the white protagonist, sometimes at personal cost or with little regard for their own story arc, and often lack a fleshed-out backstory, personal aspirations, or development independent of their assistance to the main character. Examples of the “magical negro” trope in cinema include John Coffey in The Green Mile, Dick Hallorann in The Shining, Oda Mae Brown in Ghost, and most notably Bagger Vance in The Legend of Bagger Vance, and many now see those characters as racial stereotypes which perpetuate the idea that black characters exist primarily to aid white characters’ narratives. Read more…
THE RED HOUSE – Miklós Rózsa
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
In an effort to assume greater control of his career, renown actor Edward G. Robinson joined with producer Sol Lesser to form the Thalia Production company. For their inaugural film, Robinson chose to adapt the mystery-thriller novel “The Red House” (1945) by George Agnew Chamberlain. Lesser would manage production with a $1 million budget, Delmer Daves would be tasked with directing, and and would also collaborate with Albert Maltz to write the screenplay. A fine cast was brought in, including; Edward G. Robinson as Pete Morgan, Lon McCallister as Nath Storm, Judith Anderson as Ellen Morgan, Allene Roberts as Meg Morgan, Julie London as Tibby Rinton, and Rory Calhoun as Teller. Read more…
THE HOUSE OF THE SPIRITS – Hans Zimmer
THROWBACK THIRTY
Original Review by Jonathan Broxton
The House of the Spirits is an epic family drama based on Isabel Allende’s novel, a seminal work in Latin American literature, renowned for its magical realism and rich storytelling. Set in an unnamed South American country, widely believed to be inspired by Allende’s native Chile, the story spans several generations of the Trueba family as they experience the complex history and social dynamics of the country, beginning with the family patriarch, Esteban Trueba, his wife Clara, and their descendants. Esteban is a self-made man who amasses wealth and power through his land holdings, but his authoritarian nature and violent tendencies tend to alienate him from his family. Meanwhile, Clara possesses supernatural gifts and serves as a counterbalance to Esteban’s brutality with her gentle and intuitive nature. Years pass and the political and social upheaval in the country deeply affects the Truebas; in particular their daughter Blanca is forced to navigate the tumultuous political landscape of their country, which is marked by social injustice, oppression, and revolution. The film was directed by Bille August, has an exceptional cast including Meryl Streep, Jeremy Irons, Glenn Close, Winona Ryder, and Antonio Banderas, and has a score by Hans Zimmer. Read more…
Under-the-Radar Round Up 2024, Part 1
Original Reviews by Jonathan Broxton
I’m pleased to present the latest instalment in my on-going series of articles looking at the best under-the-radar scores from around the world.
This article, the first of 2024, is covers five scores from a wide array of genres and countries: a made-for TV period romantic comedy, a biographical drama film based on the life of a Catholic missionary, an old-fashioned comedy fantasy adventure, an Italian period drama murder mystery, and a fantasy-adventure short film about the power of imagination!
EASTER PARADE – Irving Berlin, Johnny Green, Roger Edens
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Metro-Goldwyn-Mayer Studio was intent on making a new musical to showcase their stars Judy Garland and Gene Kelly. Irving Berlin’s song “Easter Parade,” which inspired the movie, was first sung in his 1933 Broadway revue “As Thousands Cheer” by Marilyn Miller and Clifton Webb. Arthur Freed was place in charge of production with a $2.655 million budget, Charles Walters was tasked with directing, the trio of Sidney Sheldon, Frances Goodrich and Albert Hackett were hired to write the screenplay. Judy Garland would star as Hannah Brown, but casting went off the rails when Gene Kelly broke his ankle. Luckily, he was able to coax Fred Astaire to come out of retirement and take the role of Don Hewes. Cyd Charisse had to be replaced as she tore ligaments in her knees, so Ann Miller took the role of Nadine Hale. Joining them would be Peter Lawford as Jonathan Harrow III. Read more…
L’ODEUR DE LA PAPAYE VERTE/THE SCENT OF GREEN PAPAYA – Tiết Tôn-Thất
THROWBACK THIRTY
Original Review by Jonathan Broxton
The Scent of Green Papaya (L’Odeur de la Papaye Verte in French, Mùi Đu Đủ Xanh in its native Vietnam) is a Vietnamese drama film, the feature debut of director Tran Anh Hung. Filmed with a cast of mostly non-professional actors, the film presents a poignant portrayal of Mui, a young girl from the countryside, as she transitions into adulthood while working as a servant for a middle-class family in Saigon. Set in 1951 against the backdrop of a Vietnam trying to find its place in the world following the end of French colonial rule, the movie meticulously captures the essence of the country’s culture, landscapes, and traditions, and follows Mui as she navigates her daily life within the confines of the household. When the family’s father absconds with their life savings, the tireless mother is forced to support the family through the slim profits of her tiny fabric store. As the family struggles to make ends meet, Mui becomes attracted to a friend of the family, Khuyen, who has ambitions to be a concert pianist. A decade later, and with the family in dire financial straits, Mui is sent to work in Khuyen’s home. Mui initially serves him as she has served the family – with perfection and silence – but gradually Khuyen begins to take notice of Mui’s love for him. Read more…
GHOSTBUSTERS: FROZEN EMPIRE – Dario Marianelli
Original Review by Jonathan Broxton
The fourth film in the ‘primary timeline’ series of Ghostbusters films that began in 1984, and the fifth Ghostbusters film overall, Frozen Empire picks up the story several years after the events of the last film, Ghostbusters: Afterlife. Callie Spengler (Carrie Coon), her boyfriend Gary Grooberson (Paul Rudd), and her children Trevor (Finn Wolfhard) and Phoebe (McKenna Grace) have now taken up residence in the New York firehouse used by the original Ghostbusters, and are using the ghostbusting equipment to fight supernatural entities across the city. However, the Ghostbusters face several threats: New York Mayor Walter Peck (William Atherton), who has never forgiven the ghostbusters for the humiliation of him back in the 80s, continues to try to have them shut down on environmental grounds, and as a result the under-age Phoebe is barred from taking part in ghost hunts, leading to her becoming estranged from her family. Meanwhile, original ghostbuster Ray Stantz (Dan Aykroyd) purchases a brass orb from local resident Nadeem Razmaadi (Kumail Nanjiani) for his occult books and memorabilia store, but quickly determines that the orb is actually a prison for Garraka, a malevolent god who has the ability to telepathically control ghosts, can lower temperatures to absolute zero, and can literally scare people to death. When Garraka escapes from the orb, Ray must come together with the new Ghostbusters – plus some old familiar faces – to stop him taking over the city. Read more…
THE RAZOR’S EDGE – Alfred Newman
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
20th Century Fox executive Darryl F. Zanuck decided that the 1944 novel “The Razor’s Edge” by W. Sommerset Maugham would be his next passion project, which would showcase the studio’s star, Tyrone Power. He purchased the film rights in March of 1945 for $250,000 plus 20% of the net profits. Zanuck took personal charge of production with a $1.2 million budget, tasked George Cuckor with directing, but later fired him over creative differences, replacing him with Edmund Gouling. Zanuck also collaborated with writer Lamar Trotti to write the screenplay. An exceptional cast was hired, including Tyrone Power as Larry Darrell, Gene Tierney as Isabel Bradley, John Payne as Gray Muturin, Ann Baxter as Sophie MacDonald, and Clifton Webb as Elliott Templeton. Read more…
FOUR WEDDINGS AND A FUNERAL – Richard Rodney Bennett
THROWBACK THIRTY
Original Review by Jonathan Broxton
One of the best romantic comedies of the 1990s, and one of my personal favorite comedies of all time, is Four Weddings and a Funeral, directed by Mike Newell and written by Richard Curtis. It follows the story of Charles, a charming but perpetually single British man, who over the course of a year repeatedly finds himself attending different weddings and funerals involving his extended group of friends. As time goes on, Charles begins a relationship with Carrie, an American woman in England with whom he shares a connection, but struggles to pursue due to various comic obstacles and embarrassing misunderstandings. The film explores themes of love, friendship, and the unpredictability of life, all set against the backdrop of a series of quintessentially British social gatherings. The film launched its leading man Hugh Grant into international superstardom, briefly re-kindled the career of Andie MacDowell, and features a superb supporting cast of British character actors including Kristin Scott Thomas, Simon Callow, James Fleet, John Hannah, Rowan Atkinson, and the late Charlotte Coleman. Read more…
THE KILLERS – Miklós Rózsa
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Successful producer Mark Hellinger decided to setup his own production company after departing Warner Brothers. He had recently paid Ernest Hemingway $36,750 for the film rights to his 1927 novel “The Killers,” which he intended to be his company’s inaugural effort. He would oversee production, Universal Pictures would manage distribution, Robert Siodmak would direct, and Anthony Veiller would write the screenplay. Hellinger assembled a fine cast, including Edmond O’Brien as Jim Reardon, Burt Lancaster in his acting debut as Pete Lund/Ole “Swede” Anderson, Ava Gardner as Kitty Collins, Albert Dekker as “Big Jim” Colfax, Jack Lambert as “Dum-Dum” Clarke, and Sam Levene as Lieutenant Sam Lubinsky. Read more…
SIRENS – Rachel Portman
THROWBACK THIRTY
Original Review by Jonathan Broxton
Sirens is an Australian comedy-drama film written and directed by John Duigan, starring Hugh Grant, Tara Fitzgerald, Sam Neill, and supermodel Elle MacPherson. It is loosely based on the life of artist and author Norman Lindsay, who was one of the most prolific and popular Australian artists of his generation, and is set in Australia in the 1920s. Grant plays Anthony Campion, an Anglican priest newly arrived in Australia from the United Kingdom, who is asked to visit Lindsay (Neill) by the church, who have concerns about a blasphemous painting of a crucifix that the artist plans to exhibit. When Campion and his reserved wife Estella (Fitzgerald) arrive at Lindsay’s home they are initially shocked to discover just how sexually free and uninhibited Lindsay, his wife Rose, and their beautiful ‘models’ are. However, as the days pass Estella finds herself increasingly intrigued by their relationship, which leads to her beginning to embrace her own sexuality in unexpected ways. Read more…
THE PRIMEVALS – Richard Band
Original Review by Jonathan Broxton
The story behind the new fantasy adventure movie The Primevals is quite fascinating. In the late 1960s filmmaker David Allen set out to make a movie paying homage to his beloved Edgar Rice Burroughs adventure stories, and he originally envisaged a film about an unevolved Viking society that was threatened by a race of malevolent lizard-men. As the years went by Allen had to repeatedly abandon and return to the project, due to lack of funding and various other issues, until eventually he teamed with low-budget filmmaker Charles Band and his production company Full Moon Entertainment. Finally, in the summer of 1994, Allen shot his film – now entitled The Primevals – but he was unable to finish the complicated post-production due to yet more financial difficulties. Allen tinkered with the special effects for almost five years, but then in 1999 he died of cancer, and the unfinished film sat dormant for nearly two decades afterwards, despite Charles Band and Allen’s protégé Chris Endicott repeatedly trying to raise enough money to finish the film. Eventually, in 2018, an online crowdfunding campaign was successful, and the film was completed – although, even here, much of the final FX work was done by Allen’s former colleagues donating their time for free. The film finally premiered at the Fantasia Film Festival in Canada in July 2023, and is now being released to the wider public, almost 55 years since it was first put into production. Read more…
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