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Posts Tagged ‘Trent Reznor’

GONE GIRL – Trent Reznor and Atticus Ross

October 6, 2014 35 comments

gonegirlOriginal Review by Jonathan Broxton

Gone Girl is a mystery-thriller based on the novel by Gillian Flynn, directed by David Fincher, and starring Ben Affleck, Rosamund Pike, Neil Patrick Harris and Tyler Perry. It follows the life of Nick Dunne, whose world is turned upside down when he returns to his suburban home to find his wife, Amy, missing and apparently abducted. Before long, and despite his protestations to the contrary, the police and the media have fingered Nick – who is awkward and sometimes behaves inappropriately in front of the camera – as being responsible for Amy’s disappearance. Not only that, but secrets are revealed which show that Nick and Amy’s marriage was not as idyllic as they liked to portray, leading to further scrutiny of Nick and his actions. But, of course, things are never quite as they seem in films of this type, with more revelations and twists before the final reel which I’m not going to spoil here. Suffice to say, Gone Girl is a dark, nihilistic movie with a lot of points to make about levels of trust in relationships, unreliable narration, and trials by media, although, ironically, it doesn’t work as well as an actual thriller, with numerous plot holes and illogical jumps in narrative flow. Where Fincher excels, however, is in creating an oppressive atmosphere of uncertainty, through his muted color palette, understated acting choices, and the score, by Oscar-winners Trent Reznor and Atticus Ross. Read more…

THE GIRL WITH THE DRAGON TATTOO – Trent Reznor and Atticus Ross

December 27, 2011 40 comments

Original Review by Jonathan Broxton

There’s a lot of discussion going on in film music circles these days about the direction the art is taking, and a lot of it stems from Trent Reznor and Atticus Ross’s Oscar win for their score for The Social Network last year. Amongst many mainstream film critics, Reznor and Ross’s ambient drones are seen as ushering a newer, better way of scoring films, one that moves away from the “schmaltzy emotional manipulation” written by the likes of John Williams and James Horner, and instead embraces a cold, clinical musical style that is more akin to sound effects than traditional film music. In his review of The Girl With the Dragon Tattoo, Variety film critic Justin Chang said the score “blends dread with driving momentum, establishing a richly unsettling mood with recurring dissonances, eerie wind chimes and pulsating reverb effects”. In his simultaneously-published review of War Horse, he criticized the film for “a cloying strain of bucolic whimsy driven by John Williams’ pushy score”, so you see what we’re up against. Read more…

THE SOCIAL NETWORK – Trent Reznor and Atticus Ross

November 18, 2010 1 comment

Original Review by Jonathan Broxton

A film about Facebook, the online phenomenon of the 21st century, doesn’t sound especially interesting when you first think about it, but the history of its creation is actually quite fascinating. Mark Zuckerberg was a 20-year-old student at Harvard University when he and his roommate Dustin Moskovitz launched the first incarnation of Facebook into the world in 2004; despite various lawsuits, development problems, and other issues, Facebook eventually became the dominant social networking website with 500 million users worldwide, and eventually making Zuckerberg the world’s youngest multi-billionaire, worth $6.9 billion according to the Forbes 2010 Rich List. The film is directed by David Fincher from a screenplay by Aaron Sorkin, and stars Jesse Eisenberg, Andrew Garfield, Justin Timberlake and Rooney Mara. Read more…