Archive
TOY STORY – Randy Newman
Original Review by Jonathan Broxton
To infinity and beyond!
There are only a few films that you can point to as marking a genuine turning point in the history of cinema, but 1995’s Toy Story is one of them. Directed by John Lasseter and produced by Pixar Animation Studios in collaboration with Walt Disney Pictures, it was the first entirely computer-animated feature film, and as such is a landmark of the genre. Pixar’s roots trace back to Lucasfilm’s Computer Division, founded in 1979. Among the early team members was John Lasseter, an animator who had previously worked at Disney but was dismissed after pushing too hard for computer animation in an era when Disney remained committed to traditional hand-drawn techniques. At Lucasfilm, Lasseter found a place where computer graphics were the focus, and he began experimenting with short animated sequences that combined storytelling and new technology. Read more…
JUMANJI – James Horner
Original Review by Jonathan Broxton
Jumanji is a children’s fantasy action-adventure film starring Robin Williams, Bonnie Hunt, Kirsten Dunst, Bradley Pierce, and Jonathan Hyde, directed by Joe Johnston, based on the 1981 illustrated children’s book by Chris Van Allsburg. The titular object is a mysterious and dangerous board game that brings jungle hazards to life. In 1969 a young boy named Alan Parrish discovers an ancient board game buried at a construction site. When he plays it with his friend Sarah strange supernatural events occur, and Alan is suddenly sucked into the game after rolling the dice. Sarah, terrified, flees, and the game is left behind. Years later, in 1995, siblings Judy and Peter Shepherd move into the now-abandoned Parrish house with their aunt. They find the dusty board game and begin to play, unwittingly releasing Alan – who is now an adult and has been trapped inside the game’s jungle world all these years. As the game’s curse continues every roll brings new dangers into the real world, from rampaging animals to a hunter named Van Pelt, and in order to end the chaos Alan, Judy, and Peter must find Sarah and persuade her to finish the game with them. Read more…
THE AMERICAN PRESIDENT – Marc Shaiman
Original Review by Jonathan Broxton
Looking back now, considering where we are today in terms of what the American political landscape has become over the past decade, it seems almost unbelievably naïve and quaint to think that, in the 1990s, people were still making films about US presidents who were good, upstanding people who cared about their jobs and the electorate that voted for them. The American President is one of those films; written by Aaron Sorkin and directed by Rob Reiner, the film is a romantic drama set in the White House. Michael Douglas plays President Andrew Shepherd, a widower nearing the end of his first term. He is well-liked, pragmatic, and politically savvy, but cautious about jeopardizing his public image. Things change when Shepherd becomes romantically involved with Sydney Wade (Annette Bening), an environmental lobbyist who comes to Washington to push for a bold emissions-reduction bill. Their relationship quickly becomes serious, but because it unfolds under intense media scrutiny, it also becomes a political liability. As Shepherd’s approval ratings fall, his opponents – especially conservative senator Bob Rumson (Richard Dreyfuss) – exploit the situation, framing the relationship as unpresidential. Shepherd initially tries to keep politics and romance separate, hoping the story will fizzle out, but before long public pressure forces him to choose between maintaining power and standing up for the values he claims to represent. Read more…
COPYCAT – Christopher Young
Original Review by Jonathan Broxton
Copycat is a psychological thriller directed by Jon Amiel, starring Sigourney Weaver, Holly Hunter, Dermot Mulroney, and William McNamara. Weaver plays Dr. Helen Hudson, a brilliant criminal psychologist and expert on serial killers who becomes agoraphobic after being attacked by one of her former subjects, Daryll Lee Cullum, played in an extended cameo by jazz singer Harry Connick Jr. Years later, and now living in near-total isolation in her San Francisco apartment, Helen is drawn back into criminal investigation when a new serial killer begins terrorizing the city, and she is asked to consult with the lead detectives, M. J. Monahan (Hunter) and Reuben Goetz (Mulroney). Eventually the trio realizes that the killer appears to be copying famous murderers, mimicking the methods of killers such as the Boston Strangler, Son of Sam, Jeffrey Dahmer, and Ted Bundy. However, things quickly become personal when the killer begins targeting Helen herself, forcing her to confront her trauma and step outside her apartment for the first time in years. Read more…
GOLDENEYE – Éric Serra
Original Review by Jonathan Broxton
Six years after Timothy Dalton vacated the role, in the wake of the comparative commercial flop of License to Kill, and after several years of protracted contract negotiations, legal disagreements and financial disputes at MGM, and stalled screenplay ideas, James Bond returned with a new face, a new style, and a new sound in 1995 with GoldenEye. Having been previously thwarted by the fact that he was contracted to play Remington Steele on American television in the 1980s, the producers finally cast Irish actor Pierce Brosnan as their preferred 007, and the main supporting cast was rounded out by Sean Bean, Izabella Scorupco, Famke Janssen, and Judi Dench as M, the new head of MI6. New Zealander Martin Campbell was hired as director, and the screenplay was credited to Jeffrey Caine and Bruce Feirstein, based on a story by Michael France. Read more…
POWDER – Jerry Goldsmith
Original Review by Jonathan Broxton
Powder is a science fiction-drama film written and directed by Victor Salva, starring Jeff Goldblum, Mary Steenburgen, Lance Henriksen, and Sean Patrick Flanery in the title role as Jeremy “Powder” Reed, a reclusive young man with albinism and extraordinary intellectual and psychic abilities. Jeremy was raised in isolation by his grandparents after his mother was struck by lightning while pregnant with him, but after their deaths Jeremy is brought into the wider world by the kind local sheriff Barnum (Henriksen), school counselor Jessie (Steenburgen), and science teacher Ripley (Goldblum), who recognizes Jeremy’s genius-level intellect and apparently paranormal abilities, which include reading minds, sensing emotions, and even manipulating electrical energy. However, despite their efforts to help him adjust, Jeremy faces alienation, ridicule, and even violence from his peers due to his appearance and strange powers. Read more…
SEVEN – Howard Shore
Original Review by Jonathan Broxton
The world is a fine place and worth fighting for. I agree with the second part. — Ernest Hemingway.
What’s in the box?!? — Detective David Mills.
Seven – usually stylized as ‘Se7en’ – is a dark psychological crime thriller written by Andrew Kevin Walker and directed by David Fincher, in what was his second feature film after his 1992 debut Alien 3. The film follows two homicide detectives – weary veteran William Somerset (Morgan Freeman), who is on the verge of retirement, and impulsive newcomer David Mills (Brad Pitt), who has recently transferred to the city with his wife Tracy (Gwyneth Paltrow) – as they investigate a string of grisly murders staged around the seven deadly sins: gluttony, greed, sloth, lust, pride, envy, and wrath. Each crime scene is meticulously designed by the killer to reflect the sin being punished, and the murders grow increasingly disturbing. The investigation eventually leads the detectives to a deranged but calculating serial killer known only as John Doe (Kevin Spacey), who sees himself as a moral avenger exposing society’s corruption through his crimes, and whose final murder is directly targeted at the detectives investigating him. Read more…
UNSTRUNG HEROES – Thomas Newman
Original Review by Jonathan Broxton
Unstrung Heroes is a coming-of-age comedy-drama directed by Diane Keaton, adapted from journalist Franz Lidz’s memoir of the same name. The story is set in the 1960s and follows twelve-year-old Steven Lidz (Nathan Watt), a sensitive and imaginative boy growing up in Los Angeles. Steven’s father Sid (John Turturro) is a brilliant but eccentric inventor who is emotionally distant, while his mother, Selma (Andie MacDowell), is warm, loving, and supportive. However, when Selma is diagnosed with terminal cancer, the family is shaken; struggling to cope with his mother’s illness and his father’s inability to express vulnerability, Steven decides to leave home and live with his two eccentric uncles, Arthur (Michael Richards) a paranoid conspiracy theorist, and Danny (Maury Chaykin), a gentle, childlike dreamer. Though unconventional, the uncles provide Steven with comfort, eccentric wisdom, and a sense of belonging, and through their unconventional guidance, Steven learns to process grief, embrace imagination, and find resilience in the face of loss. Read more…
THE USUAL SUSPECTS – John Ottman
Original Review by Jonathan Broxton
The greatest trick the devil ever pulled was convincing the world he didn’t exist.
This famous quote from the writings of 19th century French poet Charles Baudelaire is at the heart of the story of The Usual Suspects, the film which marked the mainstream debuts of director Bryan Singer and screenwriter Christopher McQuarrie. It is a neo-noir crime thriller that unfolds as a story within a story, as told to federal agent Dave Kujan (Chazz Palminteri) by Verbal Kint (Kevin Spacey), a small-time con artist with cerebral palsy; Kint is one of two survivors of an explosion on a ship docked in San Pedro harbor in Los Angeles. Kint recounts the events leading up to the explosion, telling Kujan that five criminals – himself, plus Michael McManus (Stephen Baldwin), Fred Fenster (Benicio del Toro), Dean Keaton (Gabriel Byrne), and Todd Hockney (Kevin Pollak) – met during a police lineup in New York, and began committing heists together. Eventually, they are drawn into the orbit of the mysterious, almost mythical crime lord Keyser Söze, a figure so feared that most refuse to speak his name. Söze coerces the group into attacking the ship in San Pedro in order to eliminate witnesses who can identify him, and eventually Kujan comes to believe that Keaton – a former corrupt cop apparently trying to go straight – must have been Söze. Read more…
OTHELLO – Charlie Mole
Original Review by Jonathan Broxton
O, beware, my lord, of jealousy, it is the green-eyed monster which doth mock the meat it feeds on.
One of William Shakespeare’s most enduring and celebrated plays, Othello is a classic tale of jealousy, manipulation, and betrayal, with hint of racism thrown in for good measure. In the story Othello, a respected Moorish general in Venice, secretly marries Desdemona, the daughter of a nobleman. His ensign, Iago, jealous of Othello’s success and resentful at being passed over for promotion, schemes to destroy him. Iago tricks Othello into believing that Desdemona has been unfaithful with his lieutenant, Cassio. Consumed by jealousy, Othello murders Desdemona – only to discover too late that she was innocent and that Iago deceived him. Overcome with grief and guilt, Othello takes his own life, while Iago is exposed and punished. Read more…
DR. JEKYLL AND MS. HYDE – Mark McKenzie
Original Review by Jonathan Broxton
A classic sci-fi horror tale with a comic twist, Dr. Jekyll and Ms. Hyde is a modern reimagining of Robert Louis Stevenson’s 1886 novella The Strange Case of Dr Jekyll and Mr Hyde. Directed by David Price, the film stars Tim Daly as Dr. Richard Jacks, a chemist working at a fragrance company, who also happens to be the great-grandson of Dr Henry Jekyll, the protagonist of the original story. After he receives his great-grandfather’s scientific notes as part of an inheritance, the shy and bumbling Jacks tinkers with and creates a new serum, intending to use it as a base for a new women’s perfume; unfortunately, when he tests the serum on himself, he finds himself transformed into the beautiful, confident, and very female Helen Hyde (Sean Young) – and Helen is determined to take over Richard’s life. However, despite having a fun supporting cast – Lysette Anthony, Harvey Fierstein, Stephen Tobolowsky, Jeremy Piven – the film was both a critical and commercial flop, and is mostly forgotten today. Read more…
LAST OF THE DOGMEN – David Arnold
Original Review by Jonathan Broxton
A wilderness action adventure with elements of mystery and historical fantasy, Last of the Dogmen stars Tom Berenger as Lewis Gates, a rugged bounty hunter tracking three escaped convicts in the remote and treacherous wilderness of the Montana Rockies near the Canadian border. During his search, Gates comes across bizarre signs that suggest the presence of a mysterious and elusive group living deep in the mountains – people who shouldn’t exist. After teaming up with anthropologist Professor Lillian Sloan (Barbara Hershey), an expert on Native American history, they investigate the mystery, and discover a hidden valley inhabited by a Native American tribe descended from the Cheyenne Dog Soldiers, fierce warriors who evaded the U.S. Cavalry over a century earlier and have lived in complete isolation ever since. Read more…
WATERWORLD – James Newton Howard
Original Review by Jonathan Broxton
For many years in Hollywood Waterworld – the title of Kevin Costner’s 1995 action-adventure movie – was a byword for financial disaster in moviemaking. Originally conceived by screenwriter Peter Rader in the mid-1980s as a low budget ‘Mad Max on water’ the script was eventually rewritten by David Twohy, whose version leaned heavily into the post-apocalyptic sci-fi genre. Costner, then at the height of his fame following hits like Dances with Wolves and The Bodyguard, signed on to produce and star, and he recruited Kevin Reynolds, who directed him in Robin Hood: Prince of Thieves, to helm the film. However, what started as a modestly budgeted film ballooned into a then-record-breaking $175 million production, eventually earning it the industry nicknames “Fishtar” and “Kevin’s Gate,” after notorious flops Ishtar and Heaven’s Gate. The production was plagued by logistical challenges, including destroyed sets, weather delays, crew injuries, and creative clashes between Costner and Reynolds, who eventually left the project entirely during post-production, leaving Costner to oversee the final edit. Read more…
BEYOND RANGOON – Hans Zimmer
Original Review by Jonathan Broxton
Beyond Rangoon is a political drama/thriller directed by John Boorman, inspired by the real events of the 1988 Burmese Uprising, when students and civilians protested against the military regime of then-dictator Ne Win, leading to thousands of deaths. Patricia Arquette stars as Laura Bowman, an American doctor who travels to Burma (now Myanmar) in the late 1980s with her sister Andi (played by Frances McDormand) in an attempt to recover from the traumatic murder of her husband and son. Their vacation unexpectedly coincides with the uprising, and while attempting to leave the country Laura loses her passport, inadvertently becoming trapped in the increasingly volatile nation. As she navigates a dangerous and unfamiliar landscape, Laura becomes a reluctant witness to the government’s violent repression of student demonstrators; however, she is guided by a former university professor turned dissident U Aung Ko (playing a fictionalized version of himself) who helps her understand the political crisis engulfing the country, and to flee to safety. Read more…
















