Archive
ROBOCOP – Basil Poledouris
THROWBACK THIRTY
Original Review by Jonathan Broxton
The 1980s was an especially good decade for films which blended extensive, sometimes quite brutal action with pointed social and political commentary that bordered on satire. Robocop is one of the best examples of its type; it stars Peter Weller as Alex Murphy, a dogged cop in crime-ridden Detroit in the near future. After being transferred to a new precinct, and meeting his new partner Lewis (Nancy Allen), Murphy is unexpectedly murdered during his first patrol by a gang of ruthless criminals led by the vicious Clarence Boddicker (Kurtwood Smith). Meanwhile Bob Morton (Miguel Ferrer), an ambitious executive at Omni Consumer Products, the corporate behemoth that runs Detroit’s police department, pitches his ambitious Robocop program to the head of the company after a presentation by the ruthless Dick Jones (Ronny Cox) of his competing ED-209 program goes disastrously wrong. The Robocop program would use the remains of a recently-deceased police officer to form the biological component of a near-unstoppable human-robot cyborg, controlled by OCP. After being given the green light by OCP’s chairman (Daniel O’Herlihy), Morton selects the luckless Murphy to be his test subject, and Robocop quickly embarks on a single-handed crusade to clean up the city. However Jones, never one to be outdone, plots revenge against his rivals on the other side of the boardroom, and enlists Boddicker and his gang to carry it out – bringing Robocop back into conflict with the men who killed him. Read more…
INNERSPACE – Jerry Goldsmith
THROWBACK THIRTY
Original Review by Jonathan Broxton
Innerspace is a fun sci-fi adventure comedy, written by Jeffrey Boam and Chip Proser, and directed by Joe Dante. Dennis Quaid stars as Lt. Tuck Pendleton, an air force test pilot who is part of a top secret science experiment involving a brand new miniaturization technology. Pendleton and his submersible pod are shrunk down to minuscule size, and are supposed to be injected into a laboratory rabbit, but the lab is attacked by industrial saboteurs who want the technology for themselves, and Tuck is instead accidentally injected into the body of hypochondriac Jack Putter (Martin Short). Once Jack has overcome his initial skepticism and terror, he teams up with Tuck’s on-again off-again girlfriend, spunky reporter Lydia Maxwell (Meg Ryan), to find a way to get Tuck out of his body before his air supply runs out – but the saboteurs, led by Victor Scrimshaw (Kevin McCarthy) and Dr. Margaret Canker (Fiona Lewis), still want the miniaturization technology for themselves, and have sent their ruthless henchman Mr. Igoe (Vernon Wells) to get it, at any cost. Read more…
ROXANNE – Bruce Smeaton
THROWBACK THIRTY
Original Review by Jonathan Broxton
Roxanne is one of the best romantic comedies of the 1980s. Directed by Fred Schepisi and written by Steve Martin, the film is an adaptation of Edmond Rostand’s classic 1897 play Cyrano de Bergerac, updated to the present day and relocated to a small ski town in Canada. Martin plays Charlie D. Bales, the town’s fire chief, a witty, charming, intelligent, athletic man whose defining feature is his outrageously large nose. Despite his excellent personality, Charlie is unlucky in love, but things seem to be looking up when his friend Dixie (Shelley Duvall) rents one of her cabins to Roxanne Kowalski (Daryl Hannah), a beautiful astronomer who is working in the area over the summer. Charlie and Roxanne quickly connect, but Charlie is disappointed when Roxanne insinuates she only likes him as a friend, and is instead interested in one of Charlie’s firemen, the impossibly handsome but irredeemably stupid Chris (Rick Rossovich). To make matters worse, Chris is hopelessly inept when it comes to women – and he enlists Charlie to help him overcome his fears… Read more…
PREDATOR – Alan Silvestri
THROWBACK THIRTY
Original Review by Jonathan Broxton
Predator is one of the seminal action films of the 1980s, a masterpiece of testosterone-fuelled machismo and inventive storytelling that cemented Arnold Schwarzenegger as one of Hollywood’s most bankable and beloved movie star heroes. Schwarzenegger plays Dutch Schaefer, the leader of a team of elite covert ops commandos which is sent deep into the South American jungle to rescue hostages held by guerrillas; however, it soon becomes apparent that the mission is a cover for an illegal intelligence-gathering exercise, orchestrated by the team’s CIA liaison and Dutch’s old colleague Dillon (Carl Weathers). Worse yet, as the team prepares for a helicopter extraction, they are suddenly attacked by an unknown and seemingly invisible entity – a predator – which has significant firepower and appears to be hunting them for sport. The film, which was directed by John McTiernan and co-stars Bill Duke, Jesse Ventura, Sonny Landham, and Elpidia Carrillo, was a major commercial hit, and is now regarded as a landmark of the action genre. Read more…
THE WITCHES OF EASTWICK – John Williams
THROWBACK THIRTY
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Jonathan Broxton
A raucous fantasy comedy based on the novel by John Updike, The Witches of Eastwick stars Susan Sarandon, Michelle Pfeiffer, and Cher, as three women in a small New England town suffering from broken relationships: fiery artist Alexandra (Cher) is a widow, shy and insecure teacher Jane (Sarandon) is a divorcee, and mousy writer Sukie (Pfeiffer) was abandoned by her husband, leaving her to raise six children alone. Despite them living in a town with a history of magic, none of the women realize that they have powers of witchcraft, until an unusual stranger named Daryl Van Horne (Jack Nicholson) arrives in town and begins courting each of them in turn; before long, the women are spending time at Daryl’s mansion, learning about their powers, and finally indulging the passionate, sexual sides of their personality after years of being unfulfilled and repressed. However, as Daryl’s behavior starts to get more and more unpredictable, the women begin to worry about his intentions, and whether his arrival in Eastwick was a good idea. Read more…
THE UNTOUCHABLES – Ennio Morricone
THROWBACK THIRTY
Original Review by Jonathan Broxton
The colorful life of gangster Al Capone has captured the imagination of the American public for decades. He was the notorious crime boss of Chicago during the prohibition era in the late 1920s and early 1930s, and was beloved, despised, and feared in equal measure – many in Chicago’s working class neighborhoods saw him as a Robin Hood figure, helping the downtrodden of the city. Attitudes towards him changed in the aftermath of the brutal St. Valentine’s Day Massacre in 1929, after which law enforcement officials became more intent on bringing him to justice. Brian De Palma’s 1987 film The Untouchables tells a dramatic version of this largely true story, as dogged federal agent Elliot Ness forms a team of equally determined investigators in an attempt to end Capone’s criminal activity once and for all. The film starred Kevin Costner as Ness, Robert De Niro as Capone, and Sean Connery as Ness’s world-weary ex-cop partner Jimmy Malone, a role which won him an Academy Award for Best Supporting Actor. Read more…
HARRY AND THE HENDERSONS – Bruce Broughton
THROWBACK THIRTY
Original Review by Jonathan Broxton
Harry and the Hendersons – released as Bigfoot and the Hendersons in the UK – is a warm-hearted family comedy about the most famous mythological creature of North American folklore, the sasquatch, or bigfoot. The film stars John Lithgow as George Henderson, an average family man who, while traveling home with his wife and children after a camping vacation, accidentally hits and apparently kills a large animal with his car on a remote forest road. Upon investigation, George realizes that the animal is a real bigfoot, and decides to take the carcass home; unfortunately, once they arrive back in suburban Seattle, it quickly becomes clear that the animal is far from dead. Despite their initial shock, the Hendersons soon discover that the bigfoot – whom they name Harry – is kind, peaceful, and intelligent, and they resolve to take him back to the wilderness, but find opposition in the form of ruthless hunter LaFleur, who has been tracking Harry and his kind for years. The film, which was directed by William Dear and co-stars Don Ameche, David Suchet, and Melinda Dillon, was a modest commercial and popular hit in the early summer of 1987, but went on to win an Academy Award for Best Makeup for the astonishing bigfoot effects applied to 7’2″ actor Kevin Peter Hall. Read more…
EXTREME PREJUDICE – Jerry Goldsmith
THROWBACK THIRTY
Original Review by Jonathan Broxton
Extreme Prejudice is a western-flavored action thriller directed by Walter Hill, starring Nick Nolte as Jack Benteen, a grizzled Texas Ranger who teams up with a platoon of elite US Army commandos led by Major Hackett (Michael Ironside). Their mission is to take down a major trafficker running shipments of narcotics across the border from northern Mexico into El Paso; the only stumbling block, for Benteen at least, is the fact that the trafficker is Cash Bailey (Powers Boothe), Benteen’s childhood best friend. As the soldiers close in on Bailey’s compound, Benteen finds his loyalties tested, especially when a beautiful woman named Sarita (Maria Conchita Alonso) – both men’s ex-girlfriend – enters the fray. The film is a gritty, sweat-soaked, uncompromising thriller, and an homage to the great western The Wild Bunch, which received decent reviews when it opened in cinemas in May 1987. Read more…
PROJECT X – James Horner
THROWBACK THIRTY
Original Review by Jonathan Broxton
Project X was a genre-defying film – part action, part sci-fi, part-comedy, part drama – directed by Jonathan Kaplan from a screenplay by Lawrence Lasker and Stanley Weiser. Matthew Broderick starred as young US Air Force researcher Jimmy Garrett, who is assigned to a top secret project that involves teaching chimpanzees to fly planes. He bonds with one of the chimps, Virgil, after he discovers that it was taught sign language by its previous owner, graduate student Teri MacDonald (Helen Hunt). When Jimmy realizes that Virgil, along with all the other chimps, is supposed to die as part of the project’s research into the effects of radiation poisoning, he finds and contacts Teri; appalled by what the government is going to do to the animals, they agree to work together to rescue Virgil, and stop the project. The film co-stars William Sadler, Jonathan Stark, Stephen Lang, and Jean Smart, and was well received by critics at the time, who praised it as a ‘young person’s morality tale’ that tackles the important subject of animal welfare. Read more…
EVIL DEAD 2 – Joseph Lo Duca
THROWBACK THIRTY
Original Review by Jonathan Broxton
In the wake of the unexpected success of the low-budget horror movie The Evil Dead in 1981, writer/director Sam Raimi was given $3.5 million by producer Dino Di Laurentiis to make a bigger-budget sequel, which both re-made the original film with better special effects and more professional production values, and continued the story. The result is 1987’s Evil Dead 2, in which the hapless hero Ash Williams (Bruce Campbell) continues to do battle with the terrifying ‘deadites,’ re-animated corpses possessed by the evil power of an ancient book who prevent him from escaping the ‘cabin in the woods’ and returning to civilization with all his extremities intact. With it’s spectacularly gory blood-splattered special effects, overblown humor, and frenetic visual style, Evil Dead 2 quickly became a cult hit, almost doubling its budget at the box office, and initiating a franchise that continues to this day. The film co-starred Sarah Berry, Dan Hicks, Kassie Wesley, and Richard Domeier, and had an original score by Michigan-born composer Joseph Lo Duca. Read more…
RAISING ARIZONA – Carter Burwell
THROWBACK THIRTY
Original Review by Jonathan Broxton
Raising Arizona is the second film in the career of writer-director brothers Joel Coen and Ethan Coen, their sophomore feature film after Blood Simple in 1984. It’s a comedy crime caper starring Nicolas Cage and Holly Hunter as Hi and Ed McDunnough, an ex-con and an ex-cop who meet, fall in love, marry, and desperately long for a child of their own. However, when it is discovered that Hi is unable to have children, they decide to steal one of the ‘Arizona Quints,’ a set of five babies born to locally famous furniture magnate Nathan Arizona. Hi and Ed, wanting to raise their child in as normal an environment as possible, try to keep their crime a secret, but a parade of co-workers, ex-cons, and bounty hunters contrive to make their lives impossible. The film, which also stars John Goodman, William Forsythe, Trey Wilson, and Frances McDormand, has become something of a cult hit over the years, and is fondly regarded as being the film which introduced many of the Coens’s idiosyncratic filmmaking touches, although personally I don’t like the film at all – it’s just too ‘weird’ for my taste. Read more…
LETHAL WEAPON – Michael Kamen, Eric Clapton, David Sanborn
THROWBACK THIRTY
Original Review by Jonathan Broxton
Although it was pre-dated by films like 48 HRS., Lethal Weapon is the film which for me best defines the 1980s buddy-cop movie sub-genre. It’s a thrilling, action-packed, funny, surprisingly moving film written by Shane Black and directed by Richard Donner, starring Mel Gibson as Martin Riggs, a loose-cannon LAPD cop and former Vietnam War sniper with a suicidal streak after the death of his wife. In an attempt to rein him in, Riggs is assigned a new partner in the shape of Roger Murtaugh (Danny Glover), a cranky, by-the-book homicide department veteran with a wife and three kids at home, and who doesn’t tolerate Riggs’s increasingly off-the-wall antics. However, things become more difficult for the new partners when they become embroiled in a plot which links the death of a woman who committed suicide by jumping from a high rise with a gang of vicious drug dealers, and which becomes personal when it is revealed that the drug dealers may be men from Riggs’s past. The film co-starred Mitchell Ryan, Gary Busey, Tom Atkins, Steve Kahan, and Darlene Love, and was an enormous box-office smash, grossing more than $65 million in the United States alone. Read more…
ANGEL HEART – Trevor Jones
THROWBACK THIRTY
Original Review by Jonathan Broxton
Angel Heart is a neo-noir mystery-thriller with elements of psychological horror, written and directed by Alan Parker, based on the novel Falling Angel by William Hjortsberg. Set in the 1950s, the film stars Mickey Rourke as Harry Angel, a hard-boiled New York private detective who is hired by a mysterious businessman named Cyphre (Robert De Niro) to track down Johnny Favorite, a musician who Cyphre helped become successful before World War II, but who has been missing for more than a decade. The trail leads Angel from New York to New Orleans, where he becomes embroiled in a labyrinthine plot of sex, murder, betrayal, and occult voodoo symbolism, which leads him to question his own sanity. The film was not especially well-received when it was first released, and was more notorious at the time for the fact that it cast 19-year-old Lisa Bonet – best known as the wholesome Denise on The Cosby Show – as a sultry Cajun nymphomaniac named Epiphany who has a torrid love scene with Rourke. However, time has been kind to the movie, and it is well-respected today for its sweat-soaked Southern Gothic atmosphere, intelligent screenplay, compelling lead performances, and impressive visual style. Read more…
AMERIKA – Basil Poledouris
THROWBACK THIRTY
Original Review by Jonathan Broxton
In the spring of 1987 viewers of the network TV channel ABC were treated to a 6-part mini-series imagining a horrific alternate reality for the United States where the country has been insidiously, but bloodlessly, overtaken by the Soviet Union. Amerika posits the country as being essentially a puppet state of Moscow, with the President and Congress mere figureheads for the Soviet regime; the population is kept under control by a UN peacekeeping force called the UNSSU, which is supposed to be multi-national but is in reality a Russian Communist military arm, which uses fear and intimidation tactics to suppress opposition. From out of this nightmare three heroes emerge: former politician Devin Mitford (Kris Kristofferson), who is released back into society after spending years in a labor camp for treason; administrator Peter Bradford (Robert Urich), who pretends to collaborate with the Soviets while working to bring down the regime from within; and Colonel Andrei Denisov (Sam Neill), a KGB agent becoming more and more disillusioned with his country’s politics. The series, which was written and directed by Donald Wrye, has been in the news of late after more than 20 years of relative obscurity, mainly due to the accusations of Russian influence in Donald Trump’s successful run for US President in 2016… this fiction couldn’t be happening in reality, could it? Read more…
A NIGHTMARE ON ELM STREET 3: DREAM WARRIORS – Angelo Badalamenti
THROWBACK THIRTY
Original Review by Jonathan Broxton
As a way of continuing to capitalize on the unexpected success and popularity of the first two films in the series, the producers of the Nightmare on Elm Street franchise continued the story of the maniacal mass murderer Freddy Krueger in 1987’s third film, A Nightmare on Elm Street 3: Dream Warriors. Directed by Chuck Russell, the film stars Patricia Arquette as Kristen, a young woman who dreams of Freddy (Robert Englund), and who is subsequently sent to a psychiatric hospital when the wounds from her encounter with Freddy are mistaken for a suicide attempt. At the hospital Kristen meets her fellow patients, a doctor named Gordon (Craig Wasson), and a trainee therapist, who turns out to be Nancy (Heather Langenkamp), from the original Nightmare on Elm Street movie. Gradually the patients begin to realize that they are the surviving children of the parents who killed Freddy in real life, and that he is now trying to finish off the job. Read more…
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