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MURDER ON THE ORIENT EXPRESS – Patrick Doyle
Original Review by Jonathan Broxton
The concept of the ‘whodunit’ in contemporary literature was essentially invented by British author Agatha Christie, who during her lifetime wrote more than 50 detective stories and mysteries. Possibly her most famous work was the 1934 novel Murder on the Orient Express, which features as its protagonist one of her most beloved creations, the Belgian detective Hercule Poirot. Without giving too much of the plot away, the story unfolds as Poirot is traveling from Istanbul to London on the famous eponymous train. A passenger is murdered in his cabin, and Poirot is implored by the train’s director to help solve the case. With the train stuck in a snowdrift, Poirot has time to investigate each of the other passengers in the first class compartment where the murder took place, and slowly develops a theory linking the murder to the abduction and subsequent death of a wealthy child heiress several years previously. This is the second big screen adaptation of the story, after Sidney Lumet’s 1974 film; it was directed by Kenneth Branagh, who himself plays Poirot, and has an all-star supporting cast that includes Penelope Cruz, Willem Dafoe, Johnny Depp, Judi Dench, Josh Gad, Michelle Pfeiffer, and Daisy Ridley. Read more…
MURDER ON THE ORIENT EXPRESS – Richard Rodney Bennett
Original Review by Craig Lysy
Producer Richard Goodwin secured film rights for Murder on the Orient Express from author Agatha Cristie, determined to create a “glamorous star-studded film that was gay in spirit… a soufflé.” He recruited some of the finest stars of the day, which included Albert Finney (Hercule Poirot), Lauren Bacall (Mrs. Hubbard), Ingrid Bergman (Greta), Sir John Gielgud (Beddoes), Sean Connery (Col. Arbuthnot) and Venessa Redgrave as Mary Debenham. The famous Orient Express was a train that ran from Istanbul to Calais and provided transit from Europe to the Middle East. Set in 1935, the story finds renowned and fastidious Belgian detective, Hercule Poirot, as a late addition passenger who needs to get back to London immediately. As fate would have it a fellow passenger is found murdered in his stateroom. As Poirot questions the train’s valet, the victim’s accompanying staff, and the first class passengers he finds that many have both opportunity and motive. He soon realizes that several passengers have a connection to the Armstrong family kidnapping and thus he begins to solve a very complex crime. The film had sensational success commercially and received critical acclaim. Richard Rodney Bennett’s score was nominated for both Academy and BAFTA awards, and secured the BAFTA Anthony Asquith Award for Film Music award. Read more…