Archive
SPACE JAM: A NEW LEGACY – Kris Bowers
Original Review by Christopher Garner
Twenty-five years ago Michael Jordan shared the big screen with the Looney Tunes for a film that was lackluster (at best), yet is fondly remembered by a lot of people of a certain age. Now we get the sequel, in which a fictional Lebron James (played by the actual Lebron James) and his fictional son Dom (played by Cedric Joe) are sucked into a virtual multiverse of Warner Brothers properties by an evil artificial intelligence named Al-G Rhythm (played by Don Cheadle). James runs into the Looney Tunes and enlists them to play in a basketball game that will somehow determine the outcome of the film. Director Malcolm D. Lee is usually associated with comedies steeped in African American culture like Girl’s Trip, Undercover Brother, and The Best Man, rather than live action/animation hybrid films for children. This film has not fared well critically. It made $160 million worldwide, but with a budget of $150 million, it can’t exactly be termed a financial success either. Read more…
THE UNITED STATES VS. BILLIE HOLIDAY – Kris Bowers
Original Review by Jonathan Broxton
There have been several films and plays made about the life and work of the great jazz singer Billie Holiday, who died in 1959 aged just 44. Lady Sings the Blues from 1972 earned Diana Ross an Academy Award nomination for Best Actress, while Audra McDonald received unanimous critical praise for her performance as her in Lady Day at Emerson’s Bar and Grill a few years ago. The latest actress to play her on screen is Andra Day in the Lee Daniels-directed The United States vs. Billie Holiday. The film follows Holiday at the height of her fame and explores two story strands that speak to the African American experience in the 1940s; the first concerns her role at the center of the ‘War on Drugs’ wherein Holiday – a long-time heroin addict – becomes a target for the federal government and is seduced by and has a long-term relationship with narcotics agent Jimmy Fletcher (Trevante Rhodes), who was taking part in an undercover sting operation against her. The second concerns the effort of similar authorities to stop her performing the controversial song “Strange Fruit,” an anti-racism song written in response to the lynchings of young black men in the 1930s. Read more…
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