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WOLF TOTEM – James Horner

March 11, 2015 3 comments

wolftotemOriginal Review by Jonathan Broxton

It’s been a long 2½ years, since the summer of 2012 and The Amazing Spider-Man, to wait for a new James Horner score. In the intervening period he has had at least one score rejected (Romeo & Juliet, eventually scored by Abel Korzeniowski), and left at least one other project under unclear circumstances (Ender’s Game, eventually scored by Steve Jablonsky), all the while making dark mutterings about how unhappy and disillusioned he is about the state of the Hollywood film music scene overall. The fact that all this was coming from a man who, for almost 30 years, had been at the forefront of the entire genre, one of the leading public faces of the industry, with literally dozens of scores for mainstream blockbusters under his belt, was troubling; was Horner’s career about to follow that of composers like Bruce Broughton, Trevor Jones, and the late Basil Poledouris, whose bold, emotional, symphonic writing had become passé for Hollywood’s young directors? Thankfully, the answer to this question, at least for now, appears to be a resounding no: he’s back with a full slate of five films scheduled for 2015 and 2016, the first of which – this one – ranks among his very best. Read more…

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