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THE PATRIOT – John Williams
Original Review by Jonathan Broxton
When word leaked out that Roland Emmerich and Dean Devlin were less than satisfied with David Arnold’s demo score for The Patriot, it set off a chain of murmurings throughout the film music world. Who would be the man to replace Arnold, whose previous collaborations with Centropolis had resulted in the uniformly wonderful Stargate, Independence Day and Godzilla? Then came the announcement: John Williams. Collective gasp. John Williams scoring a civil war epic? This could be the chance for him to turn in the kind of score everyone wanted Saving Private Ryan to be, but wasn’t. A glorious celebration of honor, nobility, valor in battle, and belief in one’s comrades. You’ll be delighted to discover that The Patriot doesn’t disappoint. Read more…
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