Archive

Posts Tagged ‘Patrick Williams’

Patrick Williams, 1939-2018

July 25, 2018 Leave a comment

Composer, arranger and conductor Patrick Williams died in Santa Monica, California, on July 25, 2018, at the age of 79, from complications of cancer.

One of the most versatile American screen composers of his generation, Williams scored nearly 50 feature films and an enormous body of television while maintaining a parallel career in jazz and concert music. He received an Academy Award nomination, won four Emmy Awards and two Grammys, and was nominated for the Pulitzer Prize in music.

Patrick Moody Williams was born in Bonne Terre, Missouri, on April 23, 1939, and grew up in Connecticut. A trumpeter and enthusiastic jazz musician, he led his own band while still in school before studying history at Duke University, where he directed the Duke Ambassadors jazz ensemble. After graduating in 1961 he moved to New York, studied composition and conducting at Columbia University, and began working as an arranger and writer of advertising jingles.

Encouraged by Henry Mancini, Williams moved to Los Angeles in the late 1960s and quickly established himself in film and television. His early feature assignments included How Sweet It Is! (1968), followed during the 1970s by films such as Casey’s Shadow (1978), Richard Lester’s Butch and Sundance: The Early Days (1979) and Cuba (1979). His music drew naturally on jazz, big-band writing and the classical orchestral tradition, allowing him to move comfortably between comedy, romance and drama. Read more…

Categories: News Tags: ,

JESUS – Patrick Williams

December 5, 1999 Leave a comment

Original Review by Jonathan Broxton

I’ve come to the conclusion that Patrick Williams doesn’t get the recognition he deserves. Williams is an Emmy Award-winning, Oscar nominated composer who, like many others, writes consistently excellent music for movies which get no attention whatsoever. Over the last five years or so, Williams has been involved with several highly respected TV movies and small-scale features, including Geronimo, The Siege at Ruby Ridge, the Bette Midler vehicle That Old Feeling and the period drama The Grass Harp, but his music hardly ever sees the light of day on disc. That is why it is so gratifying to see his efforts on Jesus, the self-proclaimed “epic mini-series” based on the bible stories, rewarded in this way. Read more…