Posts Tagged ‘Jonny Greenwood’


March 24, 2018 Leave a comment

Original Review by Anže Grčar

When the discussion arises about which are some of the finest female directors working in industry today, the name of Lynne Ramsay is seldomly brought up into the conversation by fellow film aficionados, much to my great disappointment – her selectiveness and large gaps between mainly auteur, art house driven projects that never elicited a major box office turnout may have something to do with mainstream never taking her work to the heart. Indeed, the 48 year old Glasgow native has only four feature credits under her belt – albeit four great ones. Since the release of her debut Ratcatcher back in 1999, she has been an indie darling, notorious for making the film on her own terms (the production history of nearly aborted Jane Got The Gun project speaks for itself) and it shows. You Were Never Really Here, starring the exceptional Joaquin Phoenix in the title role and who won the Best Actor Award in Cannes, is a follow up to much discussed We Need To Talk About Kevin in which Tilda Swinton churned out her career best work (much like Phoenix in this case), and finally arrives after seven year gap between her previous feature, riding on the wave of ecstatic Cannes reviews where Ramsay also received a “Best Screenplay” award. The project seems way overdue for Ramsay fans – but if it takes so many years for her to forge another film of this kind of magnitude, I’ll gladly keep myself busy seven years more. Read more…

PHANTOM THREAD – Jonny Greenwood

January 13, 2018 4 comments

Original Review by Jonathan Broxton

Phantom Thread is a period romantic drama film written and directed by Paul Thomas Anderson. Set in England in the 1950s, it stars Daniel Day-Lewis as Reynolds Woodcock, a fashion designer and exquisite dressmaker, who runs a high-end haute couture business with his sister Cyril (Lesley Manville), and whose regular clients include the cream of European royalty. Reynolds is brilliant, an artist of tremendous skill and taste, but is also neurotic, difficult, irritable, and unhealthily obsessed with his late mother; he also frequently embarks on fiery relationships with women that fizzle out as soon as he gets bored, upon which he begins treating them with casual disdain. One day Reynolds meets Alma (Vicky Krieps), a shy waitress, to whom he is unexpectedly attracted. Before long Reynolds has moved Alma into his house in London, and she quickly becomes his muse, challenging him, confounding him, but also inspiring greatness in his work. However, their relationship is tempestuous, and before long it is heading down an unexpectedly dark path which may have serious repercussions for everyone involved. Read more…

THE MASTER – Jonny Greenwood

October 4, 2012 1 comment

Original Review by Jonathan Broxton

Despite living in Los Angeles, and despite being a very casual acquaintance of someone who I know for a fact is one, I know very little about Scientology. You occasionally see them set up on Hollywood Boulevard, offering ‘stress tests’ to unsuspecting tourists, and you hear odd stories about Tom Cruise in the tabloid news, but beyond that my actual knowledge of the details of the late L. Ron Hubbard’s much-derided ‘celebrity religion’ is sketchy at best – little more than lurid tales of science fiction, aliens, past lives, and the like. In Paul Thomas Anderson’s film The Master, the word ‘scientology’ is never uttered, but it’s clear what is going on, and the film is a less-than-pretty expose of the origins of the religion. Read more…

THERE WILL BE BLOOD – Jonny Greenwood

December 28, 2007 Leave a comment

Original Review by Jonathan Broxton

One of the most critically acclaimed motion pictures of 2007, director Paul Thomas Anderson’s dramatic character study There Will Be Blood is based on the 1927 novel “Oil!” by Upton Sinclair, and charts the beginnings of the California oil industry. Daniel Day Lewis plays Daniel Plainview, a single-minded and opportunistic businessman who, through a combination of bullying, charm, and actual genuine hard work, sets himself up as an oil baron. However, despite his financial and business success, Plainview remains a man with little else in his life, and his ruthless actions make him numerous enemies. Things come to a head when Plainview locks horns with the god-fearing Sunday family, whose land Plainview covets, and whose eldest son Eli (Paul Dano) proves to be more than a match for Plainview’s intimidating ways. The film, which also stars Ciarán Hinds, Kevin J. O’Connor and Dillon Freasier, had been the recipient of a huge amount of critical praise, and looks sure to be a major player at the 2007 Academy Awards. Read more…