Archive
ANNA AND THE KING OF SIAM – Bernard Herrmann
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Margaret Landon wrote her 1944 novel Anna and the King of Siam based on the fictionalized diaries of Anna Leonowens, a mixed-race woman who claimed to have been the British governess to the children of King Mongkut of Siam. The novel became a public sensation, which caught the eye of 20th Century Fox Studios executive Darryl F. Zanuck. He purchased the film rights, assigned production to Louis D. Lighton, hired Talbot Jennings and Sally Benson to write the screenplay, and provided a generous budget of $2.2 million. John Cromwell was tasked with directing, and a stellar cast was assembled, including; Rex Harrison in his Hollywood debut as King Mongkut, Irene Dunne as Anna Owens, Linda Darnell as Tuptim, Lee J. Cobb as Kralahome, Gale Sondergaard as Lady Theiang, Tito Renaldo as Prince Chulalongkorn, and Richard Lyon as Louis Owens. Read more…
DRAGONWYCK – Alfred Newman
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Renowned 20th Century Fox Studio executive Darryl F. Zanuck, who was always looking for a new story to film, came upon an 19th century period piece novel Dragonwyck, written by Anya Seton in 1944. He believed that its film noir tale of mystery and romance could be adapted to the big screen. He purchased the film rights and would personally oversee production with a $1.9 million budget. Joseph L. Mankiewicz was tasked with directing the film, and would also write the screenplay. In assembling the cast, Vincent Price won the lead role of Nicholas van Ryn when Gregory Peck withdrew after the original director Ernst Lubitsch was replaced by Mankiewicz due to illness. Joining Price would be Gene Tierney as Miranda Wells, Walter Huston as Ephraim Wells, Glenn Langan as Dr. Jeff Turner, Anne Revere as Abigail Wells, Spring Byington as Magda, Harry Morgan as Bleecker and Jessica Tandy as Peggy. Read more…
LOVE LETTERS – Victor Young
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
The genesis of the film arose when renown author Ayn Rand decided to adapt the novel “Pity My Simplicity” by Christopher Massie into a screenplay. Hal Wallis was sold on the story, felt it would translate well to the big screen, and decided to personally take on the project. He would use his own production company in partnership with Paramount Pictures to finance production, and tasked William Dieterle to direct. A fine cast was assembled including Jennifer Jones as Singleton/Victoria Morland, Joseph Cotton as Alan Quinton, Anne Richards as Dilly Carson, Cecil Kellaway as Mac, Gladys Cooper as Beatrice Remington and Anita Louise as Helen Wentworth. Read more…
THE ENCHANTED COTTAGE – Roy Webb
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
RKO Studio producer Harriet Parsons came across a poignant love story based on Arthur Wing Pinero’s play “The Enchanted Cottage” (1921). It had been previously performed on stage in 1922, and had a silent film adaptation in 1924. Parsons believed that she could deliver an updated version of the tale that would play well to modern audiences. Studio executives gave the project the green light to proceed, but took the film away from Parsons, instead tasking Dudley Nichols. A diatribe by renowned newspaper columnist Hedda Hopper charging sexual bias caused the company to blink and reverse its decision. As such Parsons was again assigned production, and wrote an outline of the story she wanted. Herman J. Mankiewicz and DeWitt Bodeen were hired to write the screen play, and John Cromwell was tasked with directing. For the cast included Dorothy McGuire as Laura Pennington, Robert Young as Oliver Bradford, Herbert Marshall as Major John Hillgrove and story narrator, and Mildred Natwick as Mrs. Minnett. Read more…
THE THIEF OF BAGDAD – Mortimer Wilson
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
In 1922 actor Douglas Fairbanks decided to move beyond his usual comedic films to take on the heroic role of Robin Hood. He enjoyed the role and was rewarded as the film ended up being a stunning commercial and critical success. Now emboldened, he decided to take on another swashbuckler hero based on the iconic epic ancient tale “The Thief of Bagdad”. This was a passion project and he used his own production company, Douglas Fairbanks Pictures, to finance production. He took personal charge of production, allocated an unprecedented $1.136 million budget, and also wrote the story on which the screenplay was based. Raoul Walsh was tasked with directing, and Achmed Abdullah and Lotta Woods were hired to write the screenplay. Fairbanks would star in the lead role as Ahmed, The Thief of Bagdad supported by Snitz Edwards as His Evil Associate, Charles Belcher as Iman The Holy Man and film narrator, Julianne Johnson as The Princess, Sojin Kamiyama as Cham Shang, and Anna May Wong as The Mongol Slave. Read more…
OBJECTIVE BURMA – Franz Waxman
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Warner Brothers Studios producer Jerry Wald wanted to make a WWII film, but one which was set in another theater of the war far remote from the Pacific where most of the battles were being waged. With that in mind, he came up with a story set in Burma near the Chinese border. He pitched his idea to studio executives and was given the green light to proceed with production empowered with a $1.592 million budget. Ranald MacDougall and Lester Cole were hired to write an original screenplay, and Raoul Walsh was tasked with directing. Wald had always envisioned the film as a vehicle for MGM’s star Errol Flynn, who after some coaxing signed on to play Captain Nelson. Joining him would be James Brown as Sergeant Treacy, Henry Hull as Mark Williams, William Hudson as Hollis, Anthony Caruso as Miggleori, and William Prince as Lieutenant Sid Jacobs. Read more…
MEET ME IN ST. LOUIS – Georgie Stoll, Roger Edens, Conrad Salinger
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Author Sally Benson wrote a series of popular short stories in the New Yorker Magazine under the title “5135 Kensington,” which were based on her own real-life experience. She later expanded into a novel titled Meet Me In St. Louis, which was published in 1942. MGM believed the family novel would translate well to the big screen and so purchased the film rights. Arthur Freed was assigned production with a $1.885 million budget, Irving Brecher and Fred F. Finklehoff were hired to write the screenplay, and Vincent Minnelli was given the reins to direct. A fine cast was assembled, including Judy Garland as Esther Smith, Margaret O’Brien as “Tootie” Smith, Mary Astor as Mrs. Anna Smith, Leon Ames as Mr. Alonzo Smith, Lucille Bremer as Rose Smith, Tom Drake as John Truitt, and Marjorie Main as Katie. Read more…
WILSON – Alfred Newman
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
20th Century Fox Studio Director Darryl F. Zanuck had long been an admirer of President Woodrow Wilson and for many years resolved to bring a biopic homage of his hero to the big screen. The film became a passion project, if not obsession, which led him to micromanage all aspects of its production. When finished it resulted in the greatest budget expenditure in the studio’s history, nearly $5 million. He personally took charge of production, hired Lamar Trotti to write the screenplay, and tasked Henry King to direct. He brought in an exceptional cast, which included, Alexander Knox as Woodrow Wilson, Charles Colburn as Professor Henry Holmes, Geraldine Fitzgerald as Edith Wilson, Thomas Mitchell as Joseph Tumulty, Ruth Nelson as Ellen Wilson, Cedric Hardwicke as Senator Henry Cabot Lodge, Vincent Price as William G. McAdoo, William Eythe as George Felton, and Mary Anderson as Eleanor Wilson. Read more…
THE ADVENTURES OF MARK TWAIN – Max Steiner
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
In 1941 Warner Brothers Studios decided that they wanted to bring to the big screen a biopic film, which explored the life of one of America’s most beloved writers, Samuel Clemens, better known as Mark Twain. The project was forced to reckon with Twain’s daughter Clara Clemens Gabrilowitsch, who was fiercely protective of her father’s legacy. Research into Twain’s life was meticulous and screenwriters Alan Le May and Harold M. Sherman eventually wrote a screenplay, which satisfied all stakeholders. Jesse L. Lasky was placed in charge of production with $1.623 million provided for the budget. Irving Rapper was tasked with directing, and an exceptional cast was assembled, including Fredric March in the titular role, Alexis Smith as Olivia Langdon Clemens, Donald Crisp as J.B. Pond, and Alan Hale as Steve Gillis. Read more…
STORMY WEATHER – Cyril J. Mockridge, Alfred Newman
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
In 1942 Wendell Wilkie, the 1940 Republican candidate for president visited 20th Century Fox Studio executives as an advocate for the Black Movement. He successfully obtained a commitment from the studio to “Regard the Negro as an integral part of American Life”. The studio affirmed that commitment in 1943 with the production of its first musical with an all-Black cast. It purchased the story’s film rights from authors Jerry Horwin and Seymour B Robinson, hired H.S. Kraft to write the screenplay, William LeBaron was assigned production, and Andrew L. Stone was tasked with directing. For the cast, Lena Horne would star as Salina Rogers and Bill ‘Bojangles’ Robinson as Bill Williamson, as well as Cab Calloway and his Cotton Club Orchestra, Fats Waller, The Nichols Brothers, Ada Brown, Dooley Wilson, and Katherine Dunham as themselves. Read more…
RANDOM HARVEST – Herbert Stothart
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
The genesis of the film arose in 1940 when MGM Head Story Editor Kenneth MacKenna was advised to evaluate renown novelist James Hilton’s latest book, “Random Harvest” for a possible film adaptation. The story resonated with MGM executives as the Battle of Britain raged and the studio purchased the film rights in November 1940 for $65,000. Sidney Franklin was placed in charge of production with a $1.21 million budget, Mervyn LeRoy was tasked with directing, and screenwriters Arthur Wimperis, George Froeschel and Claudine West were hired to adapt the novel. A fine cast was assembled, which included Ronald Coleman as Charles Rainier (Smithy), Greer Garson as Paula Ridgeway/Margaret Hanson, Philip Dorn as Dr. Jonathan Benet, and Susan Peters as Kitty Chilcet. Read more…
THE BLACK SWAN – Alfred Newman
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Following the massive success of Warner Brothers The Sea Hawk in 1940, 20th Century Fox Studios decided to cash in on the 1932 Rafael Sabatini novel The Black Swan. Production chief Darryl F. Zanuck purchased the film rights as the perfect new adventure for the studio’s star actor Tyrone Power. Robert Bassler was placed in charge of production and provided a budget of $1.494 million. Henry King was tasked with directing, and Ben Hecht and Seton I. Miller hired to adapt the novel and write the screenplay. A stellar cast was assembled, which included Tyrone Power as Jaime Waring, Maureen O’Hara as Lady Margaret Denby, Laird Cregar as Henry Morgan, Thomas Mitchell as Tom Blue, George Sanders as Billy Leech, Anthony Quinn as Wogan and Edward Ashley as Roger Ingram. Read more…
BAMBI – Frank Churchill, Edward H. Plumb, Larry Morey
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Walt Disney was in dire financial straits with his last two films, Pinocchio and Fantasia, both under-performing at the box office. He needed a hit to reverse the company’s sliding fortunes when he came across the 1923 novel “Bambi, A Life in The Woods” by Felix Salten. The novel offered violence, sexual conquest, betrayal, and blood-and-guts action by cutthroats and murderers, yet after sifting out all its unsavory elements, it spawned an idea of a family film that centered on a young fawn named Bambi. Disney purchased the film rights in 1937 and personally took charge of production with an $858,000 budget. He insisted that the voices of children be used to speak for the many forest animals instead of adults speaking as children. It would take a team of six writers led by Perce Pearce, three years, with countless revisions, to finally draft a screenplay that met Disney’s expectations. David Hand was tasked with direction, and the voice cast included Bobby Stewart as Baby Bambi, Donnie Dunagan as Young Bambi, Hardie Albright as Adolescent Bambi and John Sutherland as Young Adult Bambi. Joining them would be Peter Behn as Young Thumper, Tim Davis as Adolescent Thumper and Same Edwards as Young Adult Thumper, Paula Winslowe as Bambi’s Mother, Will Wright as Friend Owl, Cammie King as Young Faline and Ann Gillis as Young Adult Faline. Read more…
FAR AND AWAY – John Williams
THROWBACK THIRTY
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Jonathan Broxton
Far and Away is a romanticized film about the American immigrant experience, specifically those who came from Ireland seeking their fortune in the new world in the 1890s, while the country was still recovering from the great potato famine several decades previously. The film stars Tom Cruise as Joseph Donnelly, a poor farmer from rural Ireland who meets Shannon Christie (Nicole Kidman), the privileged daughter of his father’s landlord, and they bond over their shared plans to emigrate to America. The film then follows the travails of the couple as they travel from Ireland to Boston, fall in with a local gang boss, and get involved in everything from bare knuckle boxing to prostitution simply to survive; the ultimate aim is for them to travel from Boston to Oklahoma to take part in a so-called ‘land race,’ the winner of which is given a plot of land and a shot at the American dream. The film co-starred Thomas Gibson, Robert Prosky, Colm Meaney, and Cyril Cusack alongside Cruise and Kidman, and was written by Bob Dolman and directed by Ron Howard – the same duo who made Willow in 1988. Read more…
THE MAGNIFICENT AMBERSONS – Bernard Herrmann
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Director Orson Welles had for some time desired to bring Booth Tarkington’s 1918 novel The Magnificent Ambersons to the big screen, a story that offered a wistful view of a dying American aristocracy. In order to gain RKO studio backing, he renegotiated his contract and granted the studio final cut rights. With their blessings, he oversaw production with a $854,000, which ballooned to over $1.18 million. He would also write the screenplay, and personally direct the film. A fine cast was assembled, which included Joseph Cotton as Eugene Morgan, Dolores Costello as Isabel Amberson Minafer, Anne Baxter as Lucy Morgan, Tim Holt as George Amberson Minafer, Agnes Moorhead as Fanny Minafer, and Orson Welles as the narrator. Read more…
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