Posts Tagged ‘Silent Films’

METROPOLIS – Gottfried Huppertz

May 20, 2019 Leave a comment


Original Review by Craig Lysy

Director Fritz Lang had early access to his wife Thea von Harbou’s 1925 novel Metropolis, and was inspired to bring its bold futuristic social commentary to the big screen. The couple worked together to fashion the screenplay and secured financing from the German production company WFA and the German distribution company Parufamet, which was created by investment from Paramount and MGM studios. He pitched his screenplay to Erich Pommer, the most powerful film producer in Germany of the time, and secured his backing to produce the film. A fine cast was assembled which included Alfred Abel as the Master of Metropolis Joh Fredersen, Gustav Fröhlich as Joh Fredersen’s son, Rudolph Klein-Rogge as Rotwang the inventor, and Brigitte Helm as the unforgettable Maria. The film’s narrative offers a potent social commentary, which is set in the far future in the great city of Metropolis. The society is dystopian with an elite ruling class of capitalist industrial oligarchs who live above ground in luxurious skyscrapers and hold power over a lower working class who live impoverished underground, toiling endlessly to operate and maintain the great machines that power the city. They share not in the profits, nor any of the benefits, which go solely to the ruling elite. Freder, who is the son of the Master of Metropolis, bears witness to the misery of the working class and resolves to advocate for them. Freder meets a worker prophetess named Maria who foresees the arrival of a Mediator who will unify the workers and ruling elite of Metropolis in a new Utopia. He falls in love with Maria and aspires to assume the role of Mediator. Against this backdrop the evil inventor Rotwang creates a robot bearing Maria’s likeness to foment dissent and revolution, which will bring him to power. In the end, after much intrigue and fighting, Freder kills Rotwang and fulfills his role as Mediator. Read more…


May 13, 2019 Leave a comment


Original Review by Ben Erickson

In 1907 financier Paul Laffitte founded a revolutionary production company by the name of Le Film d’Art. Its purpose was to guide the education of the French masses with reenactments of renowned historical and mythological accounts, featuring the talented actors of the Comédie-Française and marking a turning point in the history of cinema. The company attained early success with the 1908 French historical drama L’Assassinat du Duc de Guise (originally La Mort du Duc de Guise) which faithfully depicts King Henry III and his brutal murder of the rival, the Duke. Directed by Charles le Bargy and André Calmettes. the film lasts approximately eighteen minutes (longer than the average fifteen minute film during this time), and is notable for both its use of a screenplay by eminent writer Henri Lavedan and for being the earliest documented film for which an original score was written. Calmettes had the idea to score the film with original music, and so it was only logical that the producers turned to one of France’s most celebrated composers of the day, Camille Saint-Saëns. Read more…