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GUNPOWDER MILKSHAKE – Frank Ilfman
Original Review by Christopher Garner
Gunpowder Milkshake is set in a world of professional assassins. Sam (Karen Gillan) works for The Firm, but between one job going wrong and another job resulting in her taking in the nine-year-old daughter (Chloe Coleman) of one of her victims, she finds herself on the run from her own company as well as another criminal conglomerate. Along the way she is helped by a crew of other hitwomen: her long-lost mother, Scarlett (Lena Headey), and a trio of “librarians” (Angela Bassett, Michelle Yeoh, and Carla Gugino). Director Navot Papushado wanted to make a film that is an homage to noir and spy films of the 1940s and ‘50s, to Japanese assassin comic books, and to spaghetti westerns, taking his inspiration from Alfred Hitchcock, Akira Kurosawa, and Sergio Leone. The film has had a mixed reception by critics, but most enjoyed it, even while noting some of its flaws. Read more…
Best Scores of 2016 – Asia, Part I
The first installment in my annual series of articles looking at the best “under the radar” scores from around the world concentrates on music from films from the Asian continent – in this first case, Japan, China, Vietnam, Korea, and Israel. The film music coming from the Eastern hemisphere is among the best being written anywhere in the world right now, and my first look at the area features five scores by some of my favorite contemporary composers, including Naoki Sato, Christopher Wong, and one especially impressive newcomer. There will be more to come from Asia later! Read more…