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DOMINO – Pino Donaggio
Original Review by Jonathan Broxton
Once upon a time, Brian de Palma was one of the most respected directors in Hollywood. From the late 1970s, all the way up through the mid 1990s, he made a series of critically acclaimed and commercially successful dramas, action movies, and thrillers, many of which starred the most popular box office draws of the day. Films like Obsession, Carrie, The Fury, Dressed to Kill, Scarface, Body Double, The Untouchables, Carlito’s Way, Mission Impossible. These films won Oscars, and took home prestigious trophies from film festivals in Berlin and Venice. However, recently, the luster has begun to wear off of De Palma’s career; he hasn’t directed a real box office success since 1996, and with each successive film dropping further and further down the prestige pecking order, he now finds himself consigned to making films like this one – Domino – a terrorism-themed thriller which apparently had its budget slashed during filming, and was edited against the director’s wishes during post-production to such an extent that the finished product barely makes sense. The film, such as it is, stars Nikolaj Coster-Waldau from Game of Thrones as a detective from Denmark seeking vengeance for the murder of his partner, apparently at the hands of an ISIS militant. Although he can clearly still attract top notch casts to work with – Domino co-stars Guy Pearce and Carice van Houten – De Palma’s work here has been critically mauled, and has suffered the further ignominy of being consigned to ‘straight to streaming’ VOD services. How the mighty have fallen. Read more…