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Posts Tagged ‘Arnau Bataller’

Best Scores of 2016 – Spain and Portugal

January 19, 2017 1 comment

The sixth installment in my annual series of articles looking at the best “under the radar” scores from around the world concentrates on music from films from Spain and Portugal. I have long been of the opinion that, pound for pound, the best film music in the world is being written on the Iberian peninsula, and this year’s nine entries more than confirm that theory yet again. Read more…

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Best Scores of 2014 – Spain

January 14, 2015 Leave a comment

My fourth article in my Review of the Year 2014 looks at the Best Scores from Spain. It’s pretty common knowledge that I consider Spain to be one of the world’s great hotbeds of excellent film scoring, and 2014 continues to affirm that this is the case. This year’s group of scores from the Iberian peninsula runs the gamut of genres, from dramas to comedies to horror scores to contemporary thrillers, and features music from some of from the best regional composers working today, including Roque Baños, Arnau Bataller, Zacarías M. de la Riva, and Federico Jusid. Read more…

LA HERENCIA VALDEMAR – Arnau Bataller

February 21, 2011 1 comment

laherenciavaldemarOriginal Review by Jonathan Broxton

La Herencia Valdemar is the first film of a two-part Spanish mystery-horror-thriller series written and directed by José Luis Alemán. Steeped in Lovecraftian imagery and themes, it stars Silvia Abascal as Luisa Lorente, an expert on inheritance tax relating to old buildings, who visits an enormous Gothic mansion called Valdemar to conduct an audit following the death of the owner. When she disappears in mysterious circumstances, her boss hires a private detective named Nicolás Tremel (Oscar Jaenada) to find out what happened to her. However, upon his arrival at Valdemar, Nicolás discovers much more than he bargained for – an-age old horror beyond imagination. The film, which also stars Daniele Liotti, Laia Marull and Rodolfo Sancho, was a popular success in it’s native Spain when it opened there in January 2010, but by far the most impressive aspect of the entire production is the score by 33-year old composer Arnau Bataller. Read more…