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THE THIRD MAN – Anton Karas
Original Review by Craig Lysy
English novelist Graham Greene became intrigued by post war events unfolding in Europe and decided to write a suspense novella titled “The Third Man”. Unlike his previous novels, he intended for this latest effort to serve as source material for a film noir screenplay set in post WWII Vienna. As part of his research, he met Elizabeth Montagu in Vienna, who served as a tour guide for traditional landmarks, but also its renowned sewers and unsavory night clubs. She introduced him to Peter Smolka, the European correspondent for the Times, who provided him with stories of Vienna’s underbelly of black markets. The tours and tales were invaluable and inspired Greene to write one of the finest stories in his career. Well he had no problem selling his handiwork, and a legendary collaboration of talent joined together to produce the film, which included Alexander Korda, David O. Selznick and Carol Reed, who was also tasked with directing. A fine cast was assembled, which included Joseph Cotton as Holly Martins, Alida Valli as Anna Schmidt, Orson Welles as Harry Lime and Trevor Howard as Major Calloway. Reed had a vision for the film and brought in Austrian expressionist cinematographer Robert Krasker who would use harsh lighting and “Dutch Angle” camera technique to create an avant-garde atmospheric black-and-white viewing experience. Read more…