Archive
A FEW GOOD MEN – Marc Shaiman
THROWBACK THIRTY
Original Review by Jonathan Broxton
I have always viewed A Few Good Men as one of the best legal drama-thrillers of the 1990s. It’s a richly detailed, wonderfully written, dazzlingly acted exposé of a part of the US military, based on the acclaimed stage play by Aaron Sorkin, directed by Rob Reiner. The film stars Tom Cruise at the height of his movie star fame, playing Daniel Kaffee, a military lawyer in the US Navy, whose reputation for juvenile antics and easy plea bargaining has made him something of a joke among his peers. Things change for Kaffee when he is hired to defend two Marines accused of killing a fellow soldier on the base at Guantanamo Bay. Kaffee’s appointment angers his reluctant co-counsel, Joanne Galloway (Demi Moore), who thinks that there is more to the case than meets the eye, and is concerned that Kaffee’s blasé approach will derail the defense. As they dig more deeply into the circumstances surrounding the marine’s death, they find themselves at loggerheads with Nathan Jessup (a phenomenal Jack Nicholson), the colonel in charge of the Guantanamo unit, a feared and respected career soldier with unorthodox methods of maintaining discipline. Read more…
ALADDIN – Alan Menken, Howard Ashman, Tim Rice
THROWBACK THIRTY
Original Review by Jonathan Broxton
The enormous success of Beauty and the Beast in 1991 ushered in what is now commonly known as the Disney Renaissance, which brought to an end a period of comparative creative and commercial failure for mouse house, and initiated what was quicky became a decade of constant growth and acclaim. Lyricist Howard Ashman, who had been a major part of Beauty and the Beast’s success alongside his composing partner Alan Menken, had also been working on a draft treatment for a potential Aladdin movie, based on the Arabic folktale of the same name from the One Thousand and One Nights, and the screenplay went through three drafts before then-Disney Studios president Jeffrey Katzenberg agreed to its production. The finished film is now one of the most beloved animated films of all time; it tells the story of street urchin Aladdin, who finds a magical lamp hidden in a cave and inadvertently releases from it a powerful genie who can grant him three wishes. Aladdin wishes to be a rich prince to that he can court the beautiful Princess Jasmine, the daughter of the sultan, but in doing so falls foul of Jafar, the sultan’s vizier advisor, who covets the power of the lamp for himself. Read more…
THE BODYGUARD – Alan Silvestri
THROWBACK THIRTY
Original Review by Jonathan Broxton
If you listened to popular music on the radio, or watched TV, at any point in 1992, then you will have found it impossible to escape the pervasive reach of “I Will Always Love You,” singer Whitney Houston’s cover of the classic 1973 Dolly Parton song. “I Will Always Love You” was being used in the soundtrack of Houston’s debut film as a leading actress, The Bodyguard, and it was everywhere that summer. It went on to break numerous chart records for sales and staying power – it won the Grammy for Record of the Year and Best Pop Vocal Performance (Female) – while the Bodyguard soundtrack album itself went on to win the Grammy Award for Album of the Year, ultimately becoming the best-selling soundtrack album of all-time, the best-selling album by a woman in music history, and the best-selling album of the entire 1990s decade. Overlooked in all of this hoopla and success is the film’s score, which was written by Alan Silvestri – something which I intend to correct here. Read more…
JENNIFER 8 – Christopher Young
THROWBACK THIRTY
Original Review by Jonathan Broxton
Jennifer 8 was one of a series of very good serial killer thrillers released in cinemas in the aftermath of The Silence of the Lambs. Written and directed by Englishman Bruce Robinson – a world away from Withnail & I – it stars Andy Garcia as cop John Berlin, who takes a job with a rural police force in northern California after becoming burnt out on the job in Los Angeles. Before long Berlin finds himself embroiled in a new mystery when he finds evidence of a serial killer apparently targeting blind women; this brings him into contact with visually impaired music teacher Helena Robertson (Uma Thurman), who is a likely candidate to be the killer’s next victim. The film co-starred Lance Henriksen, Kathy Baker, Graham Beckel, and John Malkovich, and was a reasonable critical success, but it flopped badly at the box office; director Robinson’s Hollywood career nose-dived as a result, and his only film since then was The Rum Diary in 2011. Read more…
INDOCHINE – Patrick Doyle
THROWBACK THIRTY
Original Review by Jonathan Broxton
One of the most critically acclaimed French films of the 1990s was director Régis Wargnier’s Indochine, a sprawling and epic romantic drama set against the backdrop of the last days of French colonialism in South-East Asia in the 1930s and 40s. The film stars screen legend Catherine Deneuve as Éliane Devries, the owner of a large rubber plantation in Vietnam, whose adopted daughter Camille (Linh Dan Pham) is a member of the noble Nguyen Dynasty, which ruled the country prior to French colonization. Both Éliane and Camille live a life of wealth and blasé privilege, but things begin to change when they independently meet and fall in love with Jean-Baptiste (Vincent Pérez), a dashing lieutenant in the French navy. The fallout from this love triangle begins to tear the family apart, and eventually results in Camille becoming involved with a group of Vietnamese communist revolutionaries who dream of independence for the country. The film was a massive domestic success, winning five César Awards (and being nominated for a further seven), while also winning the Oscar for Best Foreign Language Film in 1992. Read more…
A RIVER RUNS THROUGH IT – Mark Isham
THROWBACK THIRTY
Original Review by Jonathan Broxton
One of the most critically acclaimed films of 1992 was A River Runs Through It, directed by Robert Redford, adapted from the 1976 semi-autobiographical novella by Norman Maclean. The film is set in Montana in the 1920s and stars Craig Sheffer and Brad Pitt as brothers Norman and Paul Maclean, the sons of presbyterian minister John (Tom Skerritt). Norman is serious, studious, and ambitious, where Paul is reckless, habitually drunk, but creative and an excellent journalist. Despite their differences in personality, they bond over their shared love of fly fishing, which they learned from their father fishing in the Blackfoot River as children, and which they often see as a metaphor for life itself. The film follows the brothers through the Prohibition Era up to the beginnings of the Great Depression, their various romances, and society as a whole in that era. The film was praised for its direction, performances, and cinematography, the latter of which won an Oscar for the great Philippe Rousselot; it also received an Oscar nomination for Best Score, the career first for composer Mark Isham. Read more…
1492: CONQUEST OF PARADISE – Vangelis
THROWBACK THIRTY
Original Review by Jonathan Broxton
The year 1992 marked the 500th anniversary of the voyage of explorer Christopher Columbus, who set sail across the Atlantic Ocean from Spain, and on October 7th 1492 became the ‘first European’ to ‘discover’ the Americas – the historical veracity of this statement remains in question, though, despite the prevailing narrative. Several projects were commissioned in Hollywood to mark the event, with director Ridley Scott’s film 1492: Conquest of Paradise being the most high profile, although it was beaten into theaters by the competing project Christopher Columbus: The Discovery by several months. This may actually have ultimately harmed the viability of Scott’s project, as it grossed just $7 million at the US box office, and is now generally considered to be one of the biggest flops of Scott’s career. The film does have an excellent cast (Gérard Depardieu, Armand Assante, Sigourney Weaver, Michael Wincott, Fernando Rey, Tcheky Karyo, Frank Langella), and boasts grand and handsome production values, but ironically it is best remembered today for its score. Read more…
CANDYMAN – Philip Glass
THROWBACK THIRTY
Original Review by Jonathan Broxton
Of the best and most interesting horror films of the 1990s was Candyman, directed by Bernard Rose, and based on the short story The Forbidden by Clive Barker. It’s a story that takes issues of racism, illicit love, poverty, societal decay, and the prevalence of urban legends, and grafts them on to a horrific framing story involving Helen Lyle, a philosophy student at the University of Chicago. Helen’s research leads her to Cabrini Green, a run down housing project in one of the city’s poorest neighborhoods, which is plagued by stories about the ‘candyman,’ a vengeful spirit who kills anyone who says his name five times in front of a mirror. As Helen becomes more and more obsessed with the Candyman legend, and she learns about the terrible true story that gave birth to the myth, the people around her begin to be killed in increasingly gruesome ways, and the police begin to believe that Helen is the culprit. The film starred Virginia Madsen, Xander Berkeley, Kasi Lemmons, and Tony Todd in a career-defining role as the bee-covered honey-smeared nightmare demon, and has since gone on to become a cult classic, with commentators calling it “haunting, intelligent and poetic,” “atmospheric and visually stimulating,” and “the finest Barker adaptation ever committed to film.” Read more…
OF MICE AND MEN – Mark Isham
THROWBACK THIRTY
Original Review by Jonathan Broxton
John Steinbeck’s 1937 novel Of Mice and Men is a classic of 20th century American literature, a searing and poignant look at the plight of American farm workers during the Great Depression – which was still ongoing when the novel was originally published. Specifically, it follows the lives of Lenny and George, two California farm hands who move from town to town looking for work to escape from their crippling poverty, and who dream of earning enough money to buy their own plot of land. George is physically small but quick-witted and intelligent, while Lenny is a mentally disabled gentle giant who is kind but does not know his own strength; this latter aspect of Lenny’s character is a constant hazard, as he often accidentally kills small animals while trying to pet them. Eventually Lenny and George find work on a farm owned by the aggressive and confrontational Curley; as events unfold, their relationship eventually leads to tragedy – the ultimate example of Robert Burns’s famous quote about how ‘the best laid schemes of mice and men often go awry’’. Read more…
RAISING CAIN – Pino Donaggio
THROWBACK THIRTY
Original Review by Jonathan Broxton
Raising Cain is a psychological thriller written and directed by Brian De Palma, starring John Lithgow, Lolita Davidovich, and Steven Bauer. Lithgow plays a highly regarded child psychologist, Carter Nix, who suffers a complete mental breakdown when he discovers that his wife, Jenny, is having an affair, and has also accused him of having an unhealthy scientific obsession with their daughter Amy. Nix’s mental issues manifest themselves via the emergence of various ‘split personalities,’ one of which – a violent criminal named Cain – starts to take over and forces Nix to kidnap his daughter, and commit murders to cover his tracks. It’s a typical twisty-turny and suspenseful De Palma thriller that, as always, owes a fair debt to Alfred Hitchcock, and it features a bravura lead performance by Lithgow, chewing the scenery for all he’s worth. Read more…
THE LAST OF THE MOHICANS – Trevor Jones, Randy Edelman
THROWBACK THIRTY
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Jonathan Broxton
James Fenimore Cooper’s 1826 novel The Last of the Mohicans is a classic of early American literature. It was published as part of his ‘Leatherstocking Tales’ series and chronicles a set of highly romanticized adventures set in pre-independence America about the life of frontiersman Nathaniel ‘Hawkeye’ Bumppo, a fictional character based on real-life contemporaries like Davy Crockett and Daniel Boone. The Last of the Mohicans is set in 1757 during the French and Indian War, when France and Great Britain were battling for control of North America, and sees Hawkeye becoming embroiled in the conflict when he is tasked with safely transporting Alice and Cora Munro, the two daughters of a British colonel, away from Fort William Henry, which us under siege by the French. Hawkeye enlists the help of his friend Chingachgook and Chingachgook’s son Uncas – the Mohicans of the title – and together they embark on a thrilling adventure which sees them getting involved in the political and social issues of the day, trekking across the inhospitable and rugged countryside, and clashing with the Huron, deadly rivals of the Mohicans. Read more…
SNEAKERS – James Horner
THROWBACK THIRTY
Original Review by Jonathan Broxton
Sneakers is a fun caper movie with an all-star cast, directed by Phil Alden Robinson, and written by Robinson with Lawrence Lasker and Walter Parkes. Robert Redford stars as Martin Bishop, a former computer hacker now working as a ‘penetration tester’ for the tech industry, who spends his time leading a team of various misfits played by Dan Aykroyd, River Phoenix, Sidney Poitier, and David Strathairn, while trying to maintain a relationship with his on-again-off-again girlfriend Mary McDonnell. Bishop’s life is thrown into turmoil when he is tasked by the NSA with recovering a device that is capable of breaking the encryption of nearly every computer system in the world; this brings him back into contact with his former partner Cosmo (Ben Kingsley), who spent many years in federal prison, and who now wants the device for himself so he can destabilize the global economy and exact some revenge. The film was a reasonable critical and commercial success, which grossed over $105 million at the box office worldwide, and maintained the then 55-year-old Redford’s status as a top cinematic draw. Read more…
THE CRYING GAME – Anne Dudley
THROWBACK THIRTY
Original Review by Jonathan Broxton
One of the most critically successful and controversial films of 1992 was The Crying Game, a political thriller from Irish writer-director Neil Jordan. The first half of the story explores the relationship between Fergus, a member of the IRA Irish Republican Army, and Jody, a British soldier, who is kidnapped and held for ransom, and will be murdered unless an IRA prisoner is released. Fergus and Jody unexpectedly bond during his captivity, and when it becomes apparent that Jody is to be killed, he makes Fergus promise to look after his girlfriend, Dil, who lives in London. The second half of the story then follows Fergus in London, who tracks down Dil, and forms a bond which quickly becomes romantic; however, Dil has a shocking secret, the revelation of which was one of the most-talked about cinematic moments of the year, and the fallout of this revelation – as well as Fergus’s IRA past coming back to haunt him – has terrible consequences for all. The film stars Stephen Rea, Forest Whitaker, and Miranda Richardson, and marked the screen debut of Jaye Davidson as Dil, who earned an Oscar nomination in a breakout role. Read more…
L’AMANT/THE LOVER – Gabriel Yared
THROWBACK THIRTY
Original Review by Jonathan Broxton
The Lover, or L’Amant in its native language, is a French romantic drama film directed by Jean-Jacques Annaud, adapted from the semi-autobiographical 1984 novel of the same name by Marguerite Duras. The film explores the illicit affair between an unnamed teenage French girl and an unnamed wealthy Chinese man in French Indochina in 1929; the teenage girl is played by actress Jane March, while her lover is played by Hong Kong cinema legend Tony Leung. The film also features the legendary Jeanne Moreau as a narrator, intended to be author Duras looking back at her own adolescence. While certainly scandalous in its sympathetic portrayal of under-age love and explicit sex – many critics drew parallels between it and the story of Lolita – the film was a domestic commercial and critical success, going on to be nominated for seven César Awards in France, as well as being nominated for an Oscar for Robert Fraisse’s lush cinematography, which portrays colonial Saigon in gorgeous, romantic hues. Read more…
CHRISTOPHER COLUMBUS: THE DISCOVERY – Cliff Eidelman
THROWBACK THIRTY
Original Review by Jonathan Broxton
The year 1992 marked the 500th anniversary of the voyage of explorer Christopher Columbus, who set sail across the Atlantic Ocean from Spain, and on October 7th 1492 became the ‘first European’ to ‘discover’ the Americas. Hollywood was quick to acknowledge this event, and one of the films that was commissioned was this one: Christopher Columbus: The Discovery, which was directed by John Glen, and starred Georges Corraface as Columbus, alongside Marlon Brando, Tom Selleck, Rachel Ward, and a then 20-year old and undiscovered Catherine Zeta-Jones. The film is, of course, a complete hagiography, celebrating Columbus’s life and achievements while overlooking the fact that in reality Columbus was a terrible, vicious, murderous idiot who was directly and indirectly responsible for the deaths of millions of natives, never actually set foot on the American mainland, never once realized that he wasn’t in India instead of the Bahamas, and anyway had likely been beaten across the Atlantic by Leif Eriksson and the Vikings, who had established settlements in what is now Newfoundland 500 years previously. But that’s all by the by. Read more…
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