Archive
MOONFLEET – Miklós Rózsa
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
In 1951 the English novel Moonfleet, written in 1898 by J. Meade Falkner, caught the eye of MGM executives, who decided that this exciting, Gothic, swashbuckling melodrama in the vein of Treasure Island could be successfully brought to the big screen. MGM purchased the film rights, John Houseman was placed in charge of production with a $1.96 million budget, Jan Lustig and Margaret Fitts were hired to write the screenplay, and Fritz Lang was tasked with directing. A stellar cast was assembled, including Stewart Granger as Jeremy Fox, George Sanders as Lord James Ashwood, Joan Greenwood as Lady Clarista Ashwood, John Whiteley as John Mohune, and Viveca Lindfors as Mrs. Minton. Read more…
VALLEY OF THE KINGS – Miklós Rózsa
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
MGM Studios was keen to capitalize on the success of their exotic adventure film King Solomon’s Mines from 1950. Two years later they found what they were looking for when director Robert Pirosh came across the book “Gods, Graves and Scholars” by C. W. Ceram. Charles Schnee was assigned production with a budget of $2.1 million, which would include filming in Egypt. Pirosh would direct, and teamed with Karl Tunberg to write the screenplay. Casting proved challenging, but eventually they secured Robert Taylor as Mark Brandon, Eleanor Parker as Ann Barclay Mercedes, Carlos Thompson as Philip Mercedes, Kurt Kasznar as Hamed Backhour, and Samia Gamal as the dancer. Read more…
CALL ME MADAM – Irving Berlin and Alfred Newman
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
In 1951 20th Century Fox executives took notice of the success of the Broadway musical “Call Me Madam” which opened 12 October 1950, ran for 644 performances, and grossed in excess of $4 million. The film rights were purchased, Sol Siegel was assigned production with a $2.46 million budget, Walter Lang was tasked with directing, and Arthur Sheekman was hired to adapt the original story by Howard Lindsay and Russell Crouse. For the cast, Ethel Merman, who was intent on securing a dramatic role to expand her career, was coaxed into taking on the musical comedy, starring in the lead role as Sally Adams. Joining her would be Dennis O’Connor as Kenneth Gibson, Vera-Ellen as Princess Maria and George Sanders as General Cosmo Constantine. Read more…
THE STORY OF THREE LOVES – Miklós Rózsa
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
In 1952 MGM Studios decided to embark on a technicolor romantic anthology film, which would consist of three stories; “The Jealous Lover”, “Mademoiselle” and “Equilibrium”. Sidney Franklin was assigned production with a budget of $2.5 million, John Collier and George Froeschel were hired to write the three screenplays, and two directors were hired; Vincente Minnelli for “Mademoiselle” and Gottfried Reinhardt for “The Jealous Lover” and “Equilibrium”. The cast of “The Jealous Lover” included James Mason as Charles Coudray, Moira Shearer as Paula Woodward, and Agnes Moorehead as Lydia. The cast of “Mademoiselle” featured; Leslie Caron as Mademoiselle, Ricky Nelson as Thomas Clayton Campbell Jr., Ethel Barrymore as Mrs. Hazel Pennicott, and Farley Granger as Thomas the young man. The cast of “Equilibrium” included; Kirk Douglas as Pierre Narval, Pier Angeli as Nina Burkhardt. Read more…
MY COUSIN RACHEL – Franz Waxman
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Author Daphne du Maurier’s efforts to sell film rights for her 1951 novel My Cousin Rachel for $100,000 and 5% of the international box office was rejected by all of the major Hollywood studios except 20th Century Fox, whose counter offer of $80,000 was accepted. Nunnally Johnson was assigned production with a budget of $1.2 million, wrote the screenplay, and George Cukor was tasked with directing. Controversy arose when both Cukor and du Maurier both objected to the script, with bot departing the project when their revisions were rejected. Casting was also problematic with Cukor’s choice of either Greta Garbo or Vivien Leigh playing Rachel Sangalletti Ashley, fell through with his departure. Olivia de Havilland was instead brought in and joined by Richard Burton in his Hollywood debut as Philip Ashley, along with Audrey Dalton as Louise Kendall. Read more…
THE ADVENTURES OF MARCO POLO – Hugo Friedhofer
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
The genesis of The Adventures of Marco Polo lay with actor Douglas Fairbanks, who conceived the story in 1936 and wrote a script based on Marco Polo’s adventures. He had intended to produce the film with his son playing the titular role. However, he needed to secure financial backing and so pitched his vision to Samuel Goldwyn, who decided to move the film into production. Goldwyn envisioned Gary Cooper to star in the production, the project was derailed when Paramount Pictures initiated a $5 million lawsuit against Goldwyn for allegedly trying to lure its star away. This effectively killed the project; never the less, Goldwyn was undaunted and in 1937 purchased an original story on Marco Polo from N.A. Pogson. Goldwyn and George Haight would manage production with a massive $2 million budget, with Archie Mayo tasked with directing. Goldwyn was insistent on Gary Cooper playing the titular role, which in hindsight was an error as Cooper felt he was miscast, and critics greed saying Cooper’s persona was a poor fit for the swashbuckling adventure. Joining Cooper would be Sigrid Gurie as Princess Kukachin, Basil Rathbone as Ahmed, and George Barbier as Kublai Khan. Read more…
IKIRU – Fumio Hayasaka
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Screenwriter Hideo Oguni was approached by director Akira Kurosawa for his next project, which was to be inspired by Leo Tolstoy’s acclaimed novella “The Death of Ivan Ilyich,” about a man diagnosed with terminal disease who seeks solace for the short time he has left to live. This resulting film, Ikiru, inaugurated a renowned collaboration between screenwriter Oguni and Kurosawa, which would go on to encompass many of the finest films in Japanese cinema, including Seven Samurai (1954), Throne of Blood (1957), The Hidden Fortress (1958), Sanjuro (1962), High and Low (1963), Dodes’ka-den (1970), and Ran (1985). Toho Company agreed to finance the project and assigned production to Sōjirō Motoki. Kurosawa would direct, and the final screenplay was credited to Oguni, Kurosawa, and Shinobu Hashimoto. A fine cast was assembled, which included Takashi Shimura as Kanji Watanabe, Shinichi Himori as Kimura, and Haruo Tanaka as Sakai. Read more…
WITH A SONG IN MY HEART – Alfred Newman
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
In 1950 a bidding war among Hollywood studios unfolded for the film rights to the Jane Froman story, the famous actress-singer who was crippled by an airplane crash on February 22, 1943. Producer Lamar Trotti wooed and convinced Froman to sign with 20th Century Fox, even though MGM offered her $25,000 more. Trotti was assigned production with behind-the-scenes assistance from studio executive Daryl F. Zanuck, Walter Lang was tasked with directing, and Trotti would also write the screenplay. For the cast, studio star Susan Hayward would play Jane Froman, joined by Rory Calhoun as John Burn, David Wayne as Don Ross, Thelma Ritter as Clancy, Helen Wescott as Jennifer March, Una Merkel as Sister Marie, and Robert Wagner as a GI paratrooper. Read more…
ACROSS THE WIDE MISSOURI – David Raksin
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
MGM Studios decided that Bernard DeVoto’s 1947 novel “Across the Wide Missouri,” which dealt with the lives of Rocky Mountain fur traders in the Upper Missouri River basin during the 1830s, could be successfully adapted for a big screen presentation. The film rights were purchased and Robert Sisk was assigned production with a $2.22 million budget. Talbot Jennings was hired to write the screenplay, and William Wellman was tasked with directing. A fine cast was assembled, which included Clark Gable as Flint Mitchell, Ricardo Montalbán as Ironshirt, John Hodiack as Brecan, James Whitmore as Old Bill, Adolphe Menjou as Pierre, and Maria Elena Marqués as Kamiah. Read more…
RIO GRANDE – Victor Young
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Director John Ford’s plan for his next project was “The Quiet Man”, a story set in Ireland. However, to secure the services of John Wayne and Maureen O’Hara from Republic Pictures he had to agree to CEO Herbert Yates insistence that he shoot the final installment of his now famous Cavalry Trilogy – “Fort Apache” (1948), “She Wore A Yellow Ribbon” (1949), and “Rio Grande” (1950). Ford grudgingly agreed and his Argosy Pictures and Republic Pictures would manage production with a $1.2 million budget, he would direct, and James Kevin McGuiness would adapt a Saturday Evening Post story “Mission With No Record” (1947) by James Warner Bellah to write the screenplay. His cast would consist of John Wayne as Lieutenant Colonel Kirby York, Maureen O’Hara as Kathleen Yorke, Claude Jarman Jr. as Trooper Jefferson Yorke, Ben Johnson as Trooper Tyree, and Harry Carey Jr. as Trooper Sandy Boone. Read more…
THE GLASS MENAGERIE – Max Steiner
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
The Broadway stage play “The Glass Menagerie” by Tennessee Williams opened at the Playhouse Theatre on 31 March 1945, and ran for 563 performances. It catapulted Williams to fame, and Hollywood took notice. Charles K. Feldman purchased the film rights and secured backing by Warner Brothers studios. Feldman and Jerry Wald would manage production with a $1.357 million budget, Irving Rapper would direct, and Williams and Peter Berneis would adapt his play and write the screenplay. For the cast, Jane Wyman would star as Laura Wingfield, joined by Kirk Douglas as Jim O’Connor, Arthur Kennedy as Tom Wingfield and Gertrude Lawrence as Amanda Wingfield. Read more…
NO SAD SONGS FOR ME – George Duning
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Columbia Pictures came across the 1944 novel “No Sad Songs For Me” by Ruth Southard and believed its sentimental tale would translate well to the big screen. They purchased the film rights, assigned production to Buddy Adler, tasked Rudolph Maté with directing, and hired Howard Koch to write the screenplay. Casting was problematic. Originally Irene Dunne was envisioned for the lead role of Mary Scott, but this did not pan out, nor did Olivia de Haviland. In the end, they secured Margaret Sullavan for what would be her final film. Joining Sullavan would be Wendell Corey as Brad Scott, Viveca Lindfors as Chris Radna, and Natalie Wood as Polly Scott. Read more…
ON THE TOWN – Leonard Bernstein, Roger Edens, and Lennie Hayton
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
When the 1944 ballet “Fancy Free” by Jerome Robbins gained critical acclaim, it was brought to Broadway as a play with music by Leonard Bernstein and lyrics by Betty Comden and Adolph Green. It opened on December 28, 1944 at the Adelphi Theatre, running for 462 performances. Following this successful run MGM management decided to bring it to the big screen. It secured the film rights, Arthur Freed was placed in charge of production with a $2.1 million budget, Gene Kelly and Stanley Donen were tasked with directing, and Betty Comden and Adolph Green would write the screenplay. Kelly would also manage the choreography. For the cast, Gene Kelly would star as Gabey, joined by Frank Sinatra as Chip, Jules Munshin as Ozzie, Vera-Ellen as Ivy, Betty Garrett as Hildy Esterhazy, and Ann Miller as Claire Huddesen. Read more…
BEYOND THE FOREST – Max Steiner
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
Warner Brothers Pictures purchased the film rights to the 1948 novel Beyond The Forest by Stuart D. Engstrand believing the film noir tale would translate well to the big screen. Studio star Bette Davis was assigned the role of Rosa Moline, much to her displeasure. She continuously fought against the director throughout shooting and halfway through filming threatened studio executive Jack L. Warner to walk out unless he agreed to void her contract after the film was completed. For Warner, this was a deal he was happy to make, thus ending her eighteen-year contract. Henry Blanke was assigned production with a $1.589 million budget, King Vidor would direct, and Lenore Coffee was tasked with writing the screenplay. Bette Davis would star as Rosa Moline, joined by Joseph Cotton as Doctor Lewis Moline, Davide Brian as Neil Latimer, and Minor Watson as Moose. Read more…
THE RED DANUBE – Miklós Rózsa
GREATEST SCORES OF THE TWENTIETH CENTURY
Original Review by Craig Lysy
MGM Studios took an interest in the 1947 novel “Vespers in Vienna” by Bruce Marshall, believing that it would be well received by the post WWII American public beset by the rising tide of fear related to Communism. Carey Wilson was assigned production with a $1.96 million budget, George Sidney was tasked with directing, and Gina Kaus and Arthur Wimperis were hired to write the screenplay. An excellent cast was assembled, including Walter Pidgeon as Colonel Michael “Hooky” Nicobar, Ethel Barrymore as Mother Superior, Peter Lawford as Major John “Twingo” McPhimister, Angela Lansbury as Audrey Quail, and Janet Leigh as Maria Buhlen. Read more…
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