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Posts Tagged ‘Carter Burwell’

BURN AFTER READING – Carter Burwell

September 12, 2008 Leave a comment

Original Review by Jonathan Broxton

The Coen Brothers return to the comedy arena after sweeping the 2007 Oscars with No Country For Old Men; Burn After Reading stars John Malkovich, George Clooney, Tilda Swinton, Frances McDormand and Brad Pitt and follows the fortunes of a pair of clueless health club employees who, after accidentally finding the memoirs of a retiring CIA operative, mistake the memoirs for top-secret classified information, and attempt to blackmail him. As usual, the Coens composer is Carter Burwell, whose music for Burn After Reading ignores the comedic elements in the score almost entirely, instead concentrating on the darker, more thriller-esque parts of the story. Read more…

IN BRUGES – Carter Burwell

February 8, 2008 Leave a comment

Original Review by Clark Douglas

Acclaimed playwright Martin McDonagh has made the leap to the big screen with his directorial debut, “In Bruges” (which he also wrote, of course). The film stars Colin Farrell and Brendan Gleeson as a couple of hit men hiding out in the lovely city of Bruges after a hit goes sour. Ralph Fiennes also plays a supporting role, and reviews have mostly been quite positive (including a four-star rave from Roger Ebert). McDonagh seems to be a pretty intelligent guy, and like a lot of intelligent directors in Hollywood (such as Joel and Ethan Coen, Spike Jonze, David Mamet, David O. Russell, and others), he has picked Carter Burwell to provide the score. Only Thomas Newman is able to rival Burwell in his ability to snag high-profile indie film assignments. Read more…

NO COUNTRY FOR OLD MEN – Carter Burwell

November 9, 2007 Leave a comment

Original Review by Clark Douglas

I hesitate to write about “No Country for Old Men”, because I fear my words can’t do it justice. This, ladies and gentlemen, is a motion picture. It is a film that is frightening and breathtaking, crafted with enormous levels of skill by two very gifted filmmakers, Joel and Ethan Coen. The Coen Brothers have been making very good and sometimes great films for a couple of decades now, and in the past few years some began to wonder if they had lost their touch. “Intolerable Cruelty” and “The Ladykillers” seemed to be missing the magic that the Coens brought to their films. “No Country for Old Men” brings them back to the front of the battlefield with a mighty vengeance. This is the best movie I’ve seen in a long time, kids. Read more…

BEFORE THE DEVIL KNOWS YOU’RE DEAD – Carter Burwell

October 26, 2007 Leave a comment

Original Review by Clark Douglas

2007 has seemed like a bit of a dismal year at the movies for most of it’s duration, but during the final stretch, masterpieces continue to trickle in. One of the latest is director Sidney Lumet’s “Before the Devil Knows You’re Dead”, a non-linear crime story. If the name Sidney Lumet sounds familiar, it should… he’s been directing high-quality dramatic films for some fifty years now, a remarkable feat. If you’re any kind of movie fan, surely you’ve seen some of his work… “Twelve Angry Men”, “Serpico”, “Dog Day Afternoon” and “Network” are among his achievements. However, his career was generally considered to be coming to a quiet close by many critics, as Lumet turned out decent but generally middling efforts like “Find Me Guilty”. The Academy Awards gave Lumet the Lifetime Achievement Award, speeches were made, and everyone moved on. Read more…

KINSEY – Carter Burwell

November 12, 2004 Leave a comment

kinseyOriginal Review by Jonathan Broxton

Regular readers of Movie Music UK will know that I have often found Carter Burwell to be a ‘hit and miss’ composer. For as much as I enjoyed his work on things like Fargo, Conspiracy Theory, The Hi-Lo Country and Rob Roy, I was left unimpressed with Gods & Monsters, Hamlet, The General’s Daughter, and many of his more popular and successful scores for the Coen Brothers. I don’t really know what my problem is – he is obviously intelligent, talented, and well-liked by directors such as James Foley, Michael Caton-Jones and Spike Jonze, who return to him time after time to score their films. The only think I can chalk it up to is personal musical taste – his scores just don’t “do” it for me on a regular basis. However, having said all that, I safely say that Kinsey is most definitely one which will join the list of Burwell works I admire – for me, it’s easily his most satisfying score of the last five years. Read more…

HAMLET – Carter Burwell

May 12, 2000 Leave a comment

hamlet-burwellOriginal Review by Jonathan Broxton

One of the worst things about being a soundtrack reviewer is that, sometimes, no matter how hard you try, you just can’t think of anything to write about a particular score. I’ve struggled with Carter Burwell’s Hamlet for months, never being able to properly put into words my feelings about the music. I’ve listened to it a dozen times, and never been able to form any kind of opinion about the score, either positive or negative. And then it dawned on me that my basis for review should be precisely that: when I listen to Hamlet, I feel absolutely nothing. It provokes absolutely no reaction in me whatsoever. And, for a film score, that is probably the most damning criticism of all. Read more…