In the Best Original Score category composer Justin Hurwitz won the award for his score for the original musical La La Land. In his acceptance speech, Hurwitz said:
“Thank you, thank you. HFPA, everybody who worked on the movie, everybody at Lionsgate, all the LA musicians. I could start going through names, but I would have to pick and choose and leave so many names out, and then I would feel bad and then I would also start imagining that people were angry at me for not saying their names, so, just kind of across the board everyone who worked on the movie. I feel like it was the kind of movie where … well, first of all I was lucky to get to work, because it was a musical, I got to work with or at least know, pretty much all the departments, and there was just this spirit across the movie where people kind of worked harder than I think they’re used to working, and went to bed later than they’re used to going to bed, and wore more hats than they’re used to, and because I think we were all … we didn’t believe that this movie was getting made, and we didn’t believe that Damien had created something so unique that allowed us to put so much of ourselves into it, so, we didn’t want to take it for granted, and everybody worked so hard, and so passionately, so thank you to everybody, and this is very much appreciated.”
The other nominees were Nicholas Britell for Moonlight, Jóhann Jóhannsson for Arrival, Dustin O’Halloran and Volker “Hauschka” Bertelmann for Lion, and Hans Zimmer, Pharrell Williams, and Benjamin Wallfisch for Hidden Figures.
In the Best Original Song category, the winners were Justin Hurwitz, Benj Pasek, and Justin Paul for their song “City of Stars” from La La Land.
The other nominees were Lin-Manuel Miranda for “How Far I’ll Go” from Moana, James Osterberg (Iggy Pop), Daniel Pemberton, Stephen Gaghan, and Brian Burton (Danger Mouse) for “Gold” from Gold, Justin Timberlake, Max Martin and Karl Schuster (Shellback) for “Can’t Stop the Feeling” from Trolls, and Stevie Wonder, Ryan Tedder, and Francis Farewell Starlite for “Faith” from Sing.
In the Best Original Score category, the nominees are:
- NICHOLAS BRITELL for Moonlight
- JUSTIN HURWITZ for La La Land
- JÓHANN JÓHANNSSON for Arrival
- DUSTIN O’HALLORAN and VOLKER BERTELMANN (“HAUSCHKA”) for Lion
- HANS ZIMMER, PHARRELL WILLIAMS, and BENJAMIN WALLFISCH for Hidden Figures
These are the first major film music award nominations for Britell, Bertelmann, and Wallfisch; Hurwitz was previously nominated for a Grammy for his score for Whiplash, and O’Halloran won an Emmy for his work on the TV series Transparent, while Pharrell is a multiple award nominee and winner for his work as a solo recording artist.
This is the 2nd nomination for Jóhannsson (who won the Globe in 2015 for The Theory of Everything), and the 13th nomination for Zimmer (who previously won Globes for The Lion King in 1994 and Gladiator in 2000).
In the Best Original Song category, the nominees are:
- JUSTIN HURWITZ, BENJ PASEK, and JUSTIN PAUL for “City of Stars” from La La Land
- LIN-MANUEL MIRANDA for “How Far I’ll Go” from Moana
- JAMES OSTERBERG (IGGY POP), DANIEL PEMBERTON, STEPHEN GAGHAN, and BRIAN BURTON (DANGER MOUSE) for “Gold” from Gold
- JUSTIN TIMBERLAKE, MAX MARTIN and KARL SCHUSTER (SHELLBACK) for “Can’t Stop the Feeling” from Trolls
- STEVIE WONDER, RYAN TEDDER, and FRANCIS FAREWELL STARLITE for “Faith” from Sing
The winners of the 74th Golden Globe Awards will be announced on January 8, 2017.
In the Best Original Score category 87-year-old Italian composer Ennio Morricone won the award for his score for director Quentin Tarantino’s dark, violent western The Hateful Eight. Speaking in Italian, with his son Giovanni translating into English, Morricone accepted the award by saying:
“Buona sera, signore, buona sera. Thank you to the Academy for this prestigious acknowledgement. My tribute goes to the other nominees, and in particular to the esteemed John Williams. There isn’t a great soundtrack without a great movie that inspires it. I want to thank Quentin Tarantino for having chosen me, Harvey Weinstein, and the entire team who made this extraordinary film. I dedicate this award to my wife Maria, who is there watching me. Thank you. Grazie.”
The other nominees were Carter Burwell for Carol, Jóhann Jóhannsson for Sicario, Thomas Newman for Bridge of Spies, and John Williams for Star Wars: The Force Awakens.
In the Best Original Song category, the winners were Sam Smith and James Napier for their song “Writing’s On the Wall” from James Bond film Spectre.
The other nominees were Ahmad Balshe (Belly), Stephan Moccio, Jason Daheala Quenneville and Abel Tesfaye (The Weeknd) for “Earned It” from Fifty Shades of Grey; Stefani Germanotta (Lady Gaga) and Diane Warren for “Til It Happens To You” from The Hunting Ground; Antony Hegarty and Joshua Ralph for “Manta Ray” from Racing Extinction; and David Lang for “Simple Song #3” from Youth.
The International Film Music Critics Association (IFMCA) announces its list of winners for excellence in musical scoring in 2015, in the 2015 IFMCA Awards.
The award for Score of the Year goes to composer John Williams for his work on the massively popular and successful epic science fiction fantasy “Star Wars: The Force Awakens,” from director J. J. Abrams. IFMCA member James Southall said that “the Force remains strong in John Williams and long may it continue” and called the score “glorious,” while IFMCA member Christian Clemmensen called the score “a powerfully melodic and excitingly complex piece of grand artistry from an era of greatness that only John Williams in top form could deliver.” “Star Wars: The Force Awakens” is also named Best Score for a Fantasy/Science Fiction/Horror Film, and wins the Film Music Composition of the Year award for the film’s conclusive end credits suite, “The Jedi Steps and Finale”. These are the thirteenth, fourteenth, and fifteenth IFMCA Awards of Williams’s career, and it marks the third time he has been awarded Score of the Year, after “Memoirs of a Geisha” in 2005, and “War Horse” in 2011. Read more…
In the Best Original Score category composer Ennio Morricone won the award for his score for director Quentin Tarantino’s critically acclaimed brooding western The Hateful Eight. Morricone was not present at the ceremony, but sent a message to BAFTA, which was read by presenter Adewale Akinnuoye-Agbaje saying:
“I am sorry I cannot be there in person in London. I am conducting a concert in Dublin tonight, including the score for The Hateful Eight. My sincere thanks going to the British Academy of Film and Television Arts for this honour. I want to thank Quentin Tarantino, the entire team and the Weinstein Company for having invited me to be a part of this film. Collaborations with great directors like Quentin have given me creative pleasure over the 55 years since I wrote my first film score. At 87 years old it is gratifying that my work is still deemed relevant. Thank you.”
The other nominees were Jóhann Jóhannsson for Sicario, Thomas Newman for Bridge of Spies, Ryuichi Sakamoto and Alva Noto for The Revenant, and John Williams for Star Wars: The Force Awakens.
INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION AWARD NOMINATIONS ANNOUNCED; OCTOGENARIAN VETERANS JOHN WILLIAMS AND ENNIO MORRICONE LEAD THE FIELD, MULTIPLE NOMINATIONS FOR MICHAEL GIACCHINO, LATE JAMES HORNER
The International Film Music Critics Association (IFMCA) announces its list of nominees for excellence in musical scoring in 2015, for the 12th annual IFMCA Awards. The most nominated composers are industry veterans John Williams and Ennio Morricone, as well as Michael Giacchino, and the late James Horner.
83-year old John Williams receives four nominations, all for his score for the smash hit sci-fi adventure “Star Wars: The Force Awakens” directed by J. J. Abrams, which is nominated for Score of the Year, Best Fantasy/Science Fiction/Horror score, and Film Music Composition of the Year. Williams also receives a personal nomination as Composer of the Year. Williams has previously been nominated for 31 IFMCA Awards, winning on 12 occasions, including Score of the Year for “Memoirs of a Geisha” in 2005 and “War Horse” in 2011. Read more…
I feel like I say this every year, but narrowing down my choices for the best scores of 2015 has been harder than ever. It’s been a wonderful year for film music – I managed to experience well over 400 scores this year, both by watching movies and listening to their soundtracks independently, and the quality of music being written in all corners of the world just gets better and better.
This year, I have nominated works from France, Iran, Japan, Lebanon, Norway, Portugal, and Spain, as well the USA and the UK, proving once again that if you look outside the mainstream, you can still find a lot of outstanding music being written for smaller-scale projects all across the world.
My choices for the best of the year range from major Hollywood blockbusters and art house dramas, to broad comedies, classic fairytales, and science fiction adventures that take you beyond the stars – so, for your reading and listening pleasure, I present the 2015 Movie Music UK Awards! Read more…