FEARLESS – Anne Kathrin Dern
Original Review by Jonathan Broxton
Fearless is an animated family action/sci-fi/comedy written and directed by Cory Edwards which premiered on Netflix in August 2020. It tells the story of a high school teenager named Reid, who spends an inordinate amount of time playing a video game called Planet Master. One day, while playing the game, a cosmic wormhole contrives to send the three children of the game’s protagonist, Captain Lightspeed, out of the game and into the real world, where they end up outside Reid’s house. The children are all imbued with various different super-human abilities – think Jack-Jack from The Incredibles, times three – which Reid suddenly has to deal with as he takes care of them and waits for Captain Lightspeed to come and take them back to his dimension. Unfortunately the game’s villain, Dr. Arcannis, has also discovered the wormhole, and hatches a plot to kidnap the children and finally defeat his nemesis. The only thing standing in his way: Reid. The film features voice performances by Yara Shahidi, Miles Robbins, rapper Jadakiss, R&B singer Miguel Pimentel, Gabrielle Union, basketball superstar Dwyane Wade, and SpongeBob SquarePants himself Tom Kenny, and has a terrific original score by the super-talented young German composer Anne Kathrin Dern. Read more…
FAHRENHEIT 451 – Bernard Herrmann
MOVIE MUSIC UK CLASSICS
Original Review by Craig Lysy
Famous French Director Francois Truffaut was fascinated by the possibilities of directing a film version of Ray Bradbury’s acclaimed 1953 dystopian novel Fahrenheit 451. He met with the author who was supportive and obtained the film rights. He then secured the backing of Universal Pictures for what would be the company’s first European production. Lewis M. Allen was tasked with producing the film and a modest budget of $1.5 million was provided. Austrian actor Oskar Werner was cast as Guy Montag, which proved a mistake as he would not accept Truffaut’s vision for his character. The conflict was so severe that Truffaut contemplated abandoning the project. Joining Werner would be Julie Christie in a dual role as Linda Montag and Clarisse – a decision later criticized. Cyril Cusack would play Captain Beatty and Anton Diffring would play Fabian. The story is set in a dystopian future where a totalitarian government rules the United States and uses a Gestapo-like force called the “Firemen” to seek out and destroy all books by fire in an effort to suppress dissent, and any idea that challenges the security of the governing order. It explores the life of Fireman Guy Montag who relentlessly finds and burns books believing they make people unhappy. By chance he makes the acquaintance of schoolteacher Clarisse who asks if he ever reads the books he burns. This spurs his curiosity and he begins to hide books, choosing David Copperfield by Charles Dickens to be his first read. Read more…
MILLER’S CROSSING – Carter Burwell
THROWBACK THIRTY
Original Review by Jonathan Broxton
Miller’s Crossing was the third feature film directed by the Coen brothers, Ethan and Joel, following their debut Blood Simple in 1984, and their sophomore effort Raising Arizona in 1987. Like the others, it’s a crime thriller, but this one is a period piece, set amongst Irish gangsters during the American prohibition era in the 1920s. Gabriel Byrne plays Tom Reagan, the right hand man of ruthless mob boss Leo O’Bannon, played by Albert Finney. Problems arise when Leo finds himself in a territorial conflict with Italian gangster Johnny Caspar, an issue that is exacerbated by the fact that Tom is having an affair with Leo’s girlfriend Vera (Marcia Gay Harden), who is the sister of crooked bookmaker Bernie Bernbaum (John Turturro), on whose head Caspar has put a bounty. As the stakes rise, Tom sees an opportunity for some personal gain, and begins to play both sides against each other – with potentially deadly results. The film was generally well-received by critics at the time, who praised its noirish atmosphere, dense plot, and intentional references to the works of Dashiell Hammett. Read more…
UNBELIEVABLE!!!!! – Gerald Fried
Original Review by Jonathan Broxton
The only reason I’m writing a review of the score for Unbelievable!!!!! is because it is likely to be the only chance I ever get to review a new score by Gerald Fried. For those who don’t know his name, New York-born Fried is a legend in classic TV music circles. He wrote the famous ‘Spock vs. Kirk’ fight music for the Amok Time episode of Star Trek in 1967, and he wrote episodic scores for some of the most iconic shows in television history, including Mission: Impossible, The Man from UNCLE, Lost in Space, M Squad, Gilligan’s Island, and Wagon Train, among many others. But Fried also has outstanding big screen credentials too; he was the first choice composer for a young director named Stanley Kubrick, and scored his debut efforts Fear and Desire in 1953, Killer’s Kiss in 1955, The Killing in 1956, and Paths of Glory in 1957. He received an Oscar nomination for his score for the documentary feature Birds Do It Bees Do It in 1974, and then won an Emmy for co-scoring the groundbreaking miniseries Roots with Quincy Jones in 1977. Fried is 92 years old now, and prior to this film hadn’t scored a full-length narrative feature since 1988, 33 years ago, but somehow director Steven Fawcette lured him out of retirement to write music for this project. Read more…
JOURNEY TO THE CENTER OF THE EARTH – Bernard Herrmann
MOVIE MUSIC UK CLASSICS
Original Review by Craig Lysy
20th Century Fox studio executives sought to cash in on the recent commercial success of two fantasy-adventure films, 20,000 Leagues Under the Sea and Around the World in 80 Days. They envisioned a big budget CinemaScope production, which would once again draw upon a story by famous French novelist Jules Verne, in this case, his 1864 novel Journey to the Center of the Earth. Charles Brackett was given the reins to produce the film, and would collaborate with Walter Reisch to write the screenplay. Henry Levin was tasked with directing, and ultimately secured a fine cast, despite some recasting problems. James Mason would play Professor Sir Oliver Lindenbrook, with Pat Boone joining as his apprentice Alec McEwan, Diane Baker as Jenny Lindenbrook, Arlene Dahl as Carla Goteborg, Peter Ronson as Hans Bjelke and Thayer David as Count Arne Saknussemm. Read more…
DUCKTALES – THE MOVIE: TREASURE OF THE LOST LAMP – David Newman
THROWBACK THIRTY
Original Review by Jonathan Broxton
Created in 1947 by legendary Disney animator Carl Barks, the character Scrooge McDuck was popular for many years before finally being given his own animated TV series, Ducktales, in 1987. The show followed McDuck – Donald Duck’s Scottish uncle, the richest duck in the world – and his three grand-nephews (Huey, Dewey, and Louie) on a series of adventures, most of which either involved seeking out treasure, or thwarting the efforts of various assorted villains who were themselves seeking to steal Scrooge’s fortune. The show was a smash hit over its first three seasons, and paved the way for other new high quality Saturday morning series to be commissioned, including Chip ‘n Dale: Rescue Rangers, Darkwing Duck, and TaleSpin. Of course, a movie spin-off was inevitable, and so the summer of 1990 saw the premiere of Ducktales – The Movie: Treasure of the Lost Lamp. Read more…
AN AMERICAN PICKLE – Michael Giacchino and Nami Melumad
Original Review by Jonathan Broxton
Something unusual has been happening to Seth Rogen lately: he’s becoming a really interesting filmmaker. The man who started as the guffawing stoner in films like Pineapple Express has, of late, been tackling much more challenging material, blending drama with comedies that have a much more satirical and intellectual undertone. The Interview almost started a political international incident with North Korea in 2014, and Sausage Party was a swipe at organized religion hidden behind raunchy sex jokes, while The Long Shot proved his potential to be a slightly more conventional leading man in a romantic comedy. Now, with his new movie An American Pickle, Rogen is taking a surprisingly deep look at themes relating to loneliness, family, heritage, and Jewishness, in the context of a fish-out-of-water comedy. Rogen stars as Herschel Greenbaum, a Jewish man who emigrates to New York from Eastern Europe with his pregnant wife in 1919. Having secured work in a pickle factory, disaster strikes when Herschel accidentally falls into a barrel of brine, which somehow manages to preserve him perfectly. He wakes up exactly 100 years later to find Brooklyn very much changed; his only living relative is his great grandson Ben (also Rogen), a lonely app developer who no longer considers himself a practicing Jew. However, despite their initial happiness at finding each other, problems soon begin to arise, most of which are exacerbated by Herschel’s old-fashioned attitudes, and Ben’s lack of interest in his heritage. Read more…
JASON AND THE ARGONAUTS – Bernard Herrmann
MOVIE MUSIC UK CLASSICS
Original Review by Craig Lysy
Producer Charles Schneer and famed stop-motion photography master Ray Harryhausen decided that their fourth collaboration would take them to the realm of the ancient Greek myths. They chose the epic hero’s quest tale of Jason and his Argonaut crew who sail to the ends of the earth in search of the Golden Fleece, born from a winged ram and a symbol of divine sanction and kingship. Schneer would produce the film using his Morningside Productions company in partnership with Columbia pictures. A very generous budget of $3 million was provided and Don Chaffey was tasked with directing. Beverly Cross and Jan Read were hired to write the screenplay and a fine cast was assembled, which included Todd Armstrong in the titular role, joined by Nancy Kovack as Medea, Gary Raymond as the villain Acastus, Laurence Naismith as Argus, Niall MacGinnis as Zeus, Honor Blackman as Hera, Jack Gwillim as King Aeetes, John Carey as Hylas, and Nigel Green as Hercules. Read more…
DIE HARD 2 – Michael Kamen
THROWBACK THIRTY
Original Review by Jonathan Broxton
The career trajectory of sitcom star Bruce Willis was forever changed by the success of Die Hard in 1988. No longer was he the charmingly roguish detective David Addison from the hit TV show Moonlighting; now he was the all-action NYPD cop John McClane, who had single-handedly foiled the gang of international terrorists who had taken over a Los Angeles skyscraper. Demand for another Die Hard movie was high, and so in the summer of 1990 Willis returned as McClane in Die Hard 2, which was released with the suffix ‘Die Harder’ in some territories. The film was adapted from Walter Wager’s 1987 novel 58 Minutes and saw McClane getting caught up in an all-new terrorism plot at Washington DC’s Dulles Airport. A group of disgruntled former special forces soldiers have disabled the airport’s air traffic control system so they can rescue a drug lord, who is being extradited to the US to stand trial. To make matters worse, a number of commercial passenger planes are circulating above the airport, unable to land, all of which are quickly running out of fuel, and McClane’s wife Holly is on board one of them. The film co-starred Bonnie Bedelia, William Sadler, Franco Nero, John Amos, and Dennis Franz, and was directed by Finnish action movie specialist Renny Harlin. Read more…
MYSTERIOUS ISLAND – Bernard Herrmann
MOVIE MUSIC UK CLASSICS
Original Review by Craig Lysy
Following the commercial success of The Seventh Voyage of Sinbad (1958), Columbia Pictures signed producer Charles Schneer to a contract, in which they would distribute nine of his films. He and Ray Harryhausen were eager to launch their third collaboration and chose to adapt another Jules Verne novel, The Mysterious Island (1874). John Preeble, Daniel Uhlman and Crane Wilbur teamed up to write the screenplay, adding fantastic beasts to create drama for the story, which would allow Harryhausen to once again awe audiences with his stop-motion Dynamation photography. Veteran director Cy Endfield was tasked with directing and a fine cast was assembled including Michael Craig as Captain Cyrus Harding, Joan Greenwood as Lady Mary Fairchild, Michael Callan as Herbert Brown, Gary Merrill as Gideon Spilitt, Herbert Lom as Captain Nemo, Beth Rogan as Elena Fairchild, Percy Herbert as Sergeant Pencroft, and Dan Jackson as Corporal Neb Nugent. Read more…
ENNIO MORRICONE REVIEWS, Part V
In this fifth installment of my series looking at the early careers of iconic composers, we take a look at nine of the scores written by the legendary Ennio Morricone in 1968, one of the most prolific years of any composer in cinema history. This group of reviews looks at the music for a couple of great spaghetti westerns, several influential pop-psychedelia scores, and a dark science fiction drama score which allowed Morricone to channel his more serious avant-garde side, and his first collaboration with the great Italian director Dario Argento. Read more…
PRESUMED INNOCENT – John Williams
THROWBACK THIRTY
Original Review by Jonathan Broxton
Presumed Innocent is a terrific courtroom thriller of the type they just don’t make any more. Directed by Alan J. Pakula and written by Scott Turow, based on his own 1987 novel of the same name, it stars Harrison Ford as Rusty Sabich, a high-profile prosecutor working for the current district attorney, Raymond Horgan (Brian Dennehy). Rusty’s life is turned upside town when a former colleague, Carolyn Polhemus (Greta Scacchi), is found raped and murdered in her apartment; to make matters worse for Rusty, he previously had a brief affair with Carolyn, which resulted in domestic problems between Rusty and his wife Barbara (Bonnie Bedelia). The DA’s political rival, Nico Della Guardia, uses circumstantial evidence found at the crime scene to accuse Rusty of the murder, and soon Rusty is fighting not only to clear his name, but to identify the real killer. Presumed Innocent is one of the most entertaining and intelligent movies of its type, and one of my personal favorite courtroom thrillers; great films like this used to come out every year, from authors like Turow and John Grisham, but the over-saturation of TV shows in the Law and Order franchise have somewhat lessened their impact and public interest has waned in the genre as a whole. It’s a shame because I always loved them when they were done well, and this one is one of the best. Read more…
ANIMAL CRACKERS – Bear McCreary
Original Review by Jonathan Broxton
Animal Crackers is an animated adventure film for children, directed by Scott Christian Sava and Tony Bancroft (who co-directed Mulan), which is somewhat astonishingly inspired by the animal-shaped biscuits/cookies of the same name. It’s a surprisingly convoluted story but, basically, the plot boils down to a family of circus owners who are given a magical box of Animal Crackers which temporarily turns people into whatever animal shape they eat, and which they use to save their livelihood and thwart the plans of their evil uncle, who wants to take the circus over for his own nefarious purposes. The film has an astonishing voice cast – John Krasinski, Emily Blunt, Ian McKellen, Danny DeVito, Sylvester Stallone – and premiered at the prestigious Annecy International Animation Film Festival in 2017 prior to debuting in cinemas in China in 2018. It was slated for release in the United States later that same year but financial issues involving the distributor led to it being delayed and delayed, and then with all the issues surrounding the COVID-19 pandemic, it eventually skipped theaters altogether, and was finally released on Netflix in July 2020. Read more…
THE THREE WORLDS OF GULLIVER – Bernard Herrmann
MOVIE MUSIC UK CLASSICS
Original Review by Craig Lysy
After the critical and financial success of The Seventh Voyage of Sinbad in 1958, Charles Schneer and Ray Harryhausen decided to further explore the fantasy genre drawing inspiration from a literary classic, Jonathan Swift’s 1726 novel Gulliver’s Travels. Columbia Pictures would finance and distribute the film, with Schneer again producing. Harryhausen would again oversee the Dynamation stop-motion animation and special visual effects. Jack Sher was tasked with directing, and he would collaborate with screenwriter Arthur Ross to write the screenplay, which would be loosely based on Swift’s novel. For the cast, Kerwin Matthews would again play the titular role, supported by Jo Morrow as Gwendolyn, June Thorburn as Elizabeth, Basil Sydney as the Emperor of Liliput, Sheri Aberoni as Glumdalclitch, Lee Patterson as Reldresal, and Gregoire Aslan as King Brob. Read more…
ARACHNOPHOBIA – Trevor Jones
THROWBACK THIRTY
Original Review by Jonathan Broxton
Arachnophobia was one of the most fun comedy-horror films of the early 1990s, which played on one of the most prevalent human fears: spiders. Directed by Frank Marshall, the film starred Jeff Daniels as Ross Jennings, the town doctor in an idyllic California coastal community. Things begin to go awry in the town when the desiccated corpse of Jerry Manley (Mark L. Lester), a local nature photographer, is brought to the funeral home for autopsy; Jerry had died while on an assignment deep in the jungles of Venezuela, accompanying entomologist Dr James Atherton (Julian Sands) on a trip to discover and study rare spiders. It quickly becomes apparent that Jerry died of a spider bite, and that the venomous arachnid hitched a ride in his coffin. Before long the entire community is under siege from thousands of deadly eight-legged invaders, and it’s up to Jennings, his wife Molly (Harley Jane Kozak), and local exterminator Delbert McClintock (John Goodman), to stop the infestation. Read more…
Shop at the Movie Music UK Store
Member of the
MOVIE MUSIC UK 