Archive
EXODUS – Ernest Gold
Original Review by Craig Lysy
In 1958 Otto Preminger and United Artists studio purchased the film rights to Leon Uris’s forthcoming novel, “Exodus”. Preminger, who would both produce and direct the film, felt that this was a story that needed to be told, and for him it became a passion project. He hired Dalton Trumbo who had been blacklisted as a communist by the infamous McCarthy Committee to write the screenplay. From day one he had Paul Newman in mind to play the lead role of Ari Ben Canaan. The stellar cast rounded off with Eva Marie Saint as Kitty Fremont, Ralph Richardson as General Sutherland, Peter Lawford as Major Caldwell, Lee Cobb as Barak Ben Canaan, Sal Mineo as Dov Landau, and John Derek as Taha. Read more…
THE CAINE MUTINY – Max Steiner
Original Review by Craig Lysy
Producer Stanley Kramer of Columbia Pictures found inspiration for a compelling military drama within the pages of Herman Wouk’s 1951 novel, “The Caine Mutiny”. He purchased the film rights and tasked Edward Dmytryk with directing, and Wouk to write the screenplay. All did not begin well as controversy arose regarding the script. Dmytryk was dissatisfied with Wouk’s effort, which would have required a ten-hour film, so he relieved him and hired veteran writer Stanley Roberts. While Roberts was successful in his mission, he resigned when further cuts were ordered to keep the film’s running time under two hours. As such Michael Blankfort was brought in and cut 50 pages from the script, to achieve its final incarnation. More problems arose, as the navy was initially resistant to support the film due to its narrative of an unhinged Captain and mutiny aboard a US naval vessel. The final script however won over Naval command and ship resources were dedicated to the film. There was more controversy to come as casting also got off on the wrong foot. Columbia President Harry Cohn leveraged Humphrey Bogart’s desire for the lead role of Captain Queeg to reduce his customary $200,000 salary, which caused the actor great consternation and bitterness. In the end he accepted the role and provided one of the finest acting performances of his career. He would be supported by a fine cast, which included; Jose Ferrer as Lieutenant Barney Greenwald, Van Johnson as Lieutenant Steve Maryk, Fred McMurray as Lieutenant Tom Keefer, Robert Francis as Ensign Willie Keith, Tom Tully as Lieutenant Commander William De Vriess, May Wynn as May Wynn, and E. G. Marshall as Prosecutor Lieutenant Commander John Challee. Read more…
DUEL IN THE SUN – Dimitri Tiomkin
Original Review by Craig Lysy
Famed studio executive David O. Selznick had long sought to recapture the past glory he achieved with Gone With The Wind (1939). He at last found his film within the pages of the novel Duel in the Sun (1944) by Niven Busch. He secured the film rights and joined with screenwriters Oliver H.P. Garrett and Ben Hecht to write the screenplay. For Selznick this film was a passion project, which he would produce and distribute. King Vidor was tasked with directing, and a stellar cast was brought in, which included; Jennifer Jones as Pearl Chavez, Joseph Cotton as Jesse McCanles, Gregory Peck as Lewt McCanles, Lionel Barrymore as Senator Jackson McCanles, Herbert Marshall as Scott Chavez, Lilian Gish as Laura Belle McCanles and Walter Houston as Jubal Crabbe – The Sinkiller. The film was beset with drama and controversy from day one. Its controversial sexual content resulted in Hayes Code censoring, causing numerous editing, which disrupted its storytelling and narrative flow. In addition, Selznick’s constant interference and micromanaging resulted in numerous rewrites of the script, and reshoots, which expanded the film to over 26 hours in length! In the end, this contributed to the breakup of Selznick’s marriage with Jennifer Jones, as well as King Vidor quitting the project. In total, seven directors and six cinematographers were casualties in the making of this film. Read more…
THE SEARCHERS – Max Steiner
Original Review by Craig Lysy
Renowned director John Ford had long been recognized as a master of the Western genre with successes, which included Stagecoach (1939), My Darling Clementine (1946), Fort Apache (1948) and Wagon Master (1950). He came upon a novel The Searchers (1954) by Alan Le May that he believed offered a powerful narrative, which needed to be brought to the big screen. Warner Brothers Studio approved the project, purchased the film rights and tasked Ford with bringing his vision to fruition. Frank Nugent was hired to write the screenplay and Ford assembled a stellar cast, which included; John Wayne as Ethan Edwards, Jeffrey Hunter as Martin Pawley, Vera Miles as Laurie Jorgensen, Ward Bond as Reverend Captain Samuel Clayton, Natalie Woods as Debbie Edwards and Henry Brandon as Scar. The story was set in Texas and inspired by a real life event, the 1836 kidnapping of Cynthia Ann Parker by Comanche Indians. She would spend twenty-four years of her life among them, bearing and raising three sons with her Comanche husband. Read more…
AROUND THE WORLD IN 80 DAYS – Victor Young
Original Review by Craig Lysy
Ever-ambitious producer Mike Todd sought to bring an epic adventure tale to the big screen. He hired screenwriter James Poe to adapt renowned author Jules Verne’s novel “Around The World In 80 Days”. He gave the director reigns to Michael Anderson who brought in an amazing cast which included; David Niven as the classic Victorian English gentleman Phileas Fogg, Mexican icon Cantinflas as the resourceful “Jack of all Trades” Passepartout, Shirley MacLaine as the captivating Princess Aouda, her debut acting role, and Robert Newton as the redoubtable Inspector Fix. The story takes place in England circa 1872 and centers on an epic adventure taken by Phileas Fogg and his man servant Passepartout. Fogg makes the audacious claim that he can circumnavigate the world in eighty days. He offers a £20,000 wager with four skeptical compatriots of the Reform Club, thus setting the stage for the adventure. Read more…
SHANE – Victor Young
Original Review by Craig Lysy
Director George Stevens of Paramount often relied on his son to screen material for future projects. One night George Jr. brought him the novel “Shane” by Jack Schaefer, which he thought was “a really good story”, and counseled him to read it. Well, the storytelling was indeed exceptional and Stevens resolved to bring it to the big screen. He hired A. B. Guthrie Jr. to write the screenplay based on his familiarity with Western lore, and then set out to recruit his cast. His initial choices for the lead roles of Montgomery Clift, William Holden and Katherine Hepburn did not pan out, and so Alan Ladd was cast in the titular role and joined with a fine supporting cast, which included Jean Arthur as Marian Starrett, Van Heflin as Joe Starrett, Brandon deWilde as Joey Starrett, Emile Meyer as Rufus Ryker, and Jack Palance as Jack Wilson. Read more…
A PLACE IN THE SUN – Franz Waxman
Original Review by Craig Lysy
The film was adapted from a 1925 novel “An American Tragedy” by Theodore Dreiser. Director George Stevens hired Michael Wilson and Harry Brown for the screenplay, and assembled a stellar cast to at last bring this tragic story to life. George Stevens (Montgomery Clift), Angela Vickers (Elizabeth Taylor) and Alice Tripp (Shelley Winters) were hired as the principles and paired with a great cast of supporting players. The film centers on George Eastman, a poor man raised by an evangelical mother, who is tragically undone by his own actions. He leaves Chicago dirt poor, determined to make a name for himself working in the company of his wealthy Uncle in California. While there he begins dating Alice, a girl he met in the plant. All seems fine until he becomes completely enamored with Angela, a drop dead gorgeous socialite whom he meets at a party. He abandons Alice without a thought and begins dating Angela. The two fall in love, yet things begin to unravel when Alice discloses to George that she is pregnant. When she threatens a public disclosure if he does not marry her, George feels cornered and so devises a plot to murder her. When the time comes to strike through a staged boat accident, his conscience prevails and he relents only to see Alice drown anyway by accident. He survives, but inexplicably fails to report her death to the authorities. As such, although innocent, circumstantial evidence and his own guilty behavior make authorities suspicious. His arrest comes just as Angela’s father grants him permission to marry his daughter. He is then tried and sentenced to death in the electric chair. Read more…
THE THIEF OF BAGDAD – Miklós Rózsa
Original Review by Craig Lysy
Renowned director Alexander Korda had long envisioned embarking on a remake of the 1924 fantasy adventure The Thief of Bagdad. He set his plans into motion early in 1939, selecting German director Ludwig Berger to manage the project. Creative differences however led to Berger’s replacement as well as his composer Oscar Straus. British director Michael Powell was brought in, however when World War II began, he was transferred to the War Office to begin work on a morale-boosting documentary. Because of the Nazi Blitz, Korda was forced to move film production to Hollywood and American director Tim Whelan was tasked with salvaging the film. The original cast was retained, which included; Conrad Veidt as Jaffar, Sabu as Abu, June Duprez as the Princess, John Justin as Ahmed, Rex Ingram as Djinn, Miles Malleson as the Sultan. The story takes inspiration from the classic Arabian tale One Thousand and One Nights, as well as the novel The Tower and the Elephant by Robert Howard, and offers a classic villain, the love story of a handsome young prince and princess, a heroic young boy, magic, and adventure. Read more…
THE TREASURE OF THE SIERRA MADRE – Max Steiner
Original Review by Craig Lysy
Writer-Director John Huston saw an opportunity with the novel Treasure of Sierra Madre (1935) by B. Traven to bring a timeless tale to the big screen. He convinced Warner Brothers studio executives of his vision and purchased the film rights for $6,500 from the reclusive author. He himself wrote the screenplay and he secured a first class cast for the project, which included; Humphrey Bogart as Fred Dobbs, Walter Huston as Howard, Tim Holt as Bob Curtin, Bruce Bennett as James Cody, Barton MacLane as Pat McCormick, Alfonso Bedoya as Gold Hat, and Arturo Soto Rangel as El Presidente. The theme of the story is as old as time itself – a study in human greed explored through the lives of three gold prospectors. Read more…
SCOTT OF THE ANTARCTIC – Ralph Vaughan-Williams
Original Review by Craig Lysy
Producer Michael Balcon of Ealing Studios resolved to tell the story of the famous British explorer Robert Falcon Scott, and his ill-fated journey to discover the South Pole. Charles Frend was hired to direct and he brought in a splendid cast which included Sir John Mills as the titular character, James Robertson Justice as Petty Officer Taff Evans, Derek Bond as Captain Oates, Kenneth More as Lieutenant Teddy Evans, John Gregson as Petty Officer Crean, James McKechnie as Surgeon Lieutenant Atkinson, Barry Letts as Apsley Cherry-Garrard, and Christopher Lee as Bernard Day. The screenplay drew by Major Walter Meade and Ivor Montagu extensively from Scott’s personal diaries, while additional dialogue was adapted from novelist Mary Hayley Bell (John Mills’s wife). The expedition takes place in 1911–1912. Scott, who in 1904 initially explored Antarctica, resolved to organize an expedition to discover the South Pole. Initially he is unable to secure adequate funds for the expedition, as the British business class is skeptical. He ultimately manages to secure government funds after an appeal to British pride. Regretfully Scott chose to forgo the traditional method of relying exclusively on dogs, instead choosing to augment his dogs with ponies and motorized sleds. This decision would ultimately contribute to his demise. Read more…
THE TEN COMMANDMENTS – Elmer Bernstein
Original Review by Craig Lysy
Legendary producer-director Cecil B. DeMille, who at 72 was nearing the end of a great career, sought to reclaim past glory with a film that would serve as his crowning achievement. After much thought, he found his answer, in his past. He announced to the world in 1952 of his intention to remake his 1923 film, “The Ten Commandments.” DeMille stated that his retelling of the story would focus exclusively on the life of Moses. This epic film’s preparation took five years, with the script alone requiring three years to write, and the actual filming taking two years. DeMille insisted on a timeless script and so hired a quartet of screenplay writers headed by Aeneas MacKenzie to accomplish the task. The team drew upon three contemporary novels; “Prince Of Egypt” by Dorothy Clarke Wilson, “Pillar Of Fire” by Reverend J. H. Ingraham and “On Eagle’s Wing” by Reverend A. E. Southon. Lastly, DeMille insisted on historical accuracy and fidelity to the ancient texts, which included the works of Philo, Josephus, Eusebius, The Midrash and The Holy Scriptures. Read more…
IS PARIS BURNING? [PARIS BRÛLE-T-IL?] – Maurice Jarre
Original Review by Craig Lysy
Is Paris Burning? is based on the bestselling novel Paris brûle-t-il? by Larry Collins and Dominique Lapierre. Producer Paul Graetz liked the novel and secured film rights as he felt the story had to be brought to the big screen. For his passion project he hired a remarkable team to write the screenplay, which included Gore Vidal, Francis Ford Coppola, Claude Brulé, Jean Aurenche, and Pierre Bost. Graetz then brought in respected director René Clément to manage the project, and they assembled a stellar cast for the ages, which included Alain Delon as Jacques Chaba-Delmas, Jean-Paul Belmondo as Morandat/Pierrelot, Charles Boyer as Monod, Gert Fröbe as Gen. Dietrich von Choltitz, Leslie Caron as Francoise Labe, Orson Wells as Consul Raoul Nording, Kirk Douglas as General Patton, Anthony Perkins as Sergeant Warren, Simone Signoret as Café Owner, Glenn Ford as General Omar Bradley, Robert Stack as General Edwin Sibert, Billy Fick as Adolph Hitler and Yves Montand as Marcel Versini. Read more…
THE DEVIL AND DANIEL WEBSTER – Bernard Herrmann
Original Review by Craig Lysy
1941 would prove to be a banner year for Bernard Herrmann as he was honored with two Academy Award nominations. Having completed Citizen Kane, what many believe to be his Magnum Opus, RKO Studios tasked him with a new project The Devil and Daniel Webster for director William Dieterle. Note that the studio later changed the title to “All That Money Can Buy”. From both Herrmann’s and Dieterle’s perspectives, the collaboration was collegial, and in the end, The Devil and Daniel Webster triumphed over Citizen Kane, earning Herrmann his only Academy Award win. Herrmann’s entry into the realm of film score music atop two nominated scores and an Oscar win was an outstanding achievement. Herrmann would later relate that he believed Citizen Kane was a superior score in that it was more original and better integrated into the film’s narrative – your author agrees. Read more…
A LITTLE ROMANCE – Georges Delerue
Original Review by Craig Lysy
Director George Roy Hill enjoyed success with the romance film The World of Henry Orient in 1964, and when he came across the novel “E=MC2 Mon Amour” by Patrick Cauvan he decided it was time to revisit the genre. He and screenwriter Alan Burns crafted the script and set about finding their cast. Renowned thespian Laurence Olivier was hired to play Julius Edmund Santorin, and provide gravitas to the film, along with the two teenage lovers, Lauren King, played by Diane Lane making her acting debut, and Daniel Michon, played by Thelonius Bernard. The story offers a coming of age romance between Lauren, a 13-year-old American with an astounding IQ of 167, and her French beau Daniel, a street wise 13 year old who loves Hollywood film and betting on the horses. They meet one day at the Château de Vaux-le-Vicomte and fall in love. Their romantic adventure begins when the meet septuagenarian Julius who tells them that if they board a gondola in Venice and kiss under the Bridge of Sighs at sunset as the bells of Saint Mark’s toll, they will be in love forever. Well, since they cannot cross the border as minors without an adult, they join together on this romantic quest. With Julius’ assistance, and after much intrigue and side steps, Lauren and Daniel finally achieve their supreme romantic moment! Although Lauren’s outraged parents take her back to America, the film closes with our lovers locked in a parting gaze, knowing that Venice ensures they will again be together. The film had modest commercial success and received mixed critical reaction. Never the less it secured two Academy Award nominations for Best Screenplay and best Film Score, winning one, Best Film Score. Read more…
MIDNIGHT EXPRESS – Giorgio Moroder
Original Review by Craig Lysy
In 1976 director Alan Parker was visiting New York on a business trip. He by chance ran into his old friend, producer Peter Guber, who asked him to review a manuscript, which was based on a true story. On his plane fight back to London he read it and became convinced that this was a story which needed to be told on film. He joined Guber and his new production company, Casablanca Filmworks, and hired Oliver Stone for what would be his first commercial screenplay. Stone delivered the goods, penning a hard-hitting, raw, uncompromising narrative full of rage, and abounding in cinematic energy. For his cast, Parker brought in Brad Davis to play Billy Hayes after negotiations with Richard Gere broke down. Joining him would be John Hurt as Max, Paolo Bonacelli as Rifki, Irene Miracle as Susan, Randy Quaid as Jimmy Booth, and Paul L. Smith as Hamidou. They would shoot the film in Malta, as the Turkish government was decidedly hostile to the project. The true-life story reveals American college student Billy Hays on holiday in Istanbul with girlfriend Susan. Quite stupidly, he straps 2 kg of hashish to his torso, which he intends to smuggle back to the United States. However, Turkey is on a terrorist alert after a recent hijacking, and he is caught when they frisk him as he prepares to board the plane. He is arrested and humiliated with a strip search. A mysterious American named Tex enters the scene and encourages Billy to cooperate with the investigation for a lesser sentence. Billy agrees and fingers the man who sold him the hashish, only to be betrayed by Tex and the Turkish police. His futile attempt to escape earns him a three-year sentence for drug possession. Later, after the prosecutor appeals the verdict, he is re-sentenced to a more severe life sentence for smuggling. Read more…
















